“Don’t worry about that, dear,” said the colonel. “A Pennington never drinks more than a gentleman should. His father and his grandsires, on both sides, always drank, but there has never been a drunkard in either family. I wouldn’t give two cents for him if he couldn’t take a man’s drink like a man; but he’ll never go too far. My boy couldn’t!”

The pride and affection in the words brought the tears to the mother’s eyes. She wondered if there had ever been father and son like these before—each with such implicit confidence in the honor, the integrity, and the manly strength of the other. His boy couldn’t go wrong!

Custer Pennington entered his room, lighted a reading lamp beside a deep, wide-armed chair, selected a book from a rack, and settled himself comfortably for an hour of pleasure and inspiration. But he did not open the book. Instead, he sat staring blindly at the opposite wall.

Directly in front of him hung a water color of the Apache, done by Eva, and given to him the previous Christmas; a framed enlargement of a photograph of a prize Hereford bull; a pair of rusty Spanish spurs; and a frame of ribbons won by the Apache at various horse shows. Custer saw none of these, but only a gloomy vista of dreary years stretching through the dead monotony of endless ranch days that were all alike—years that he must travel alone.

She would never come back, and why should she? In the city, in that new life, she would meet men of the world—men of broader culture than his, men of wealth—and she would be sought after. They would have more to offer her than he, and sooner or later she would realize it. He could not expect to hold her.

Custer laid aside his book.

“What’s the use?” he asked himself.

Rising, he went to the closet and brought out a bottle. He had not intended drinking. On the contrary, he had determined very definitely not to drink that night; but again he asked himself the old question which, under certain circumstances of life and certain conditions of seeming hopelessness, appears unanswerable:

“What is the use?”

It is a foolish question, a meaningless question, a dangerous question. What is the use of what? Of combating fate—of declining to do the thing we ought not to do—of doing the thing we should do? It is not even a satisfactory means of self-justification; but amid the ruins of his dreams it was sufficient excuse for Custer Pennington’s surrender to the craving of an appetite which was daily becoming stronger.