The palace was in no sense remarkable nor particularly interesting, the work of the Phundahlian artists being heavy and oppressing and without indication of high imaginative genius. The scenes depicted were mostly of a religious nature illustrating passages from Turgan, the Phundahlian bible, and, for the most part, were a series of monotonous repetitions. There was one, which appeared again and again, depicting Turgan creating a round, flat Mars and hurling it into Space, that always reminded me of a culinary artist turning a flap jack in a child’s window.
There were also numerous paintings of what appeared to be court scenes delineating members of the Phundahlian royal line in various activities; it was noticeable that the more recent ones in which Xaxa appeared had had the principal figure repainted so that there confronted me from time to time portraits, none too well done, of the beautiful face and figure of Valla Dia in the royal trappings of a Jeddara. The effect of these upon me is not easy of description. They brought home to me the fact that I was approaching, and should presently be face to face with, the person of the woman to whom I had consecrated my love and my life, and yet in that same person I should be confronting one whom I loathed and would destroy.
We were halted at last before a great door and from the number of warriors and nobles congregated before it I was confident that we were soon to be ushered into the presence of the Jeddara. As we waited those assembled about us eyed us with, it seemed to me, more of hostility than curiosity and when the door swung open they accompanied us, with the exception of a few warriors, into the chamber beyond. The room was of medium size and at the farther side, behind a massive table, sat Xaxa. About her were grouped a number of heavily armed nobles. As I looked them over I wondered if among them was he for whom the body of Dar Tarus had been filched; for we had promised him that if conditions were favorable we would attempt to recover it.
Xaxa eyed us coldly as we were halted before her. “Let us see the beast perform,” she commanded, and then suddenly: “What mean you by permitting strangers to enter my presence bearing arms?” she cried. “Sag Or, see that their weapons are removed!” and she turned to a handsome young warrior standing near her.
Sag Or! That was the name. Before me stood the noble for whom Dar Tarus had suffered the loss of his liberty, his body and his love. Gor Hajus had also recognized the name and Hovan Du, too; I could tell by the way they eyed the man as he advanced. Curtly he instructed us to hand our weapons to two warriors who advanced to receive them. Gor Hajus hesitated. I admit that I did not know what course to pursue.
Everyone seemed hostile and yet that might be, and doubtless was, but a reflection of their attitude towards all strangers. If we refused to disarm we were but three against a room full, if they chose to resort to force; or if they turned us out of the palace because of it we would be robbed of this seemingly god given opportunity to win to the very heart of Xaxa’s palace and to her very presence, where we must eventually win before we could strike. Would such an opportunity ever be freely offered us again? I doubted it and felt that we had better assume a vague risk now than, by refusing their demand, definitely arm their suspicions. So I quietly removed my weapons and handed them to the warrior waiting to receive them; and following my example, Gor Hajus did likewise, though I can imagine with what poor grace.
Once again Xaxa signified that she would see Hovan Du perform. As Gor Hajus put him through his antics she watched listlessly; nor did anything that the ape did arouse the slightest flicker of interest among the entire group assembled about the Jeddara. As the thing dragged on I became obsessed with apprehensions that all was not right. It seemed to me that an effort was being made to detain us for some purpose—to gain time. I could not understand, for instance, why Xaxa required that we repeat several times the least interesting of the ape’s performances. And all the time Xaxa sat playing with a long, slim dagger, and I saw that she watched me quite as much as she watched Hovan Du, while I found it difficult to keep my eyes averted from that perfect face, even though I knew that it was but a stolen mask behind which lurked the cruel mind of a tyrant and a murderess.
At last came an interruption to the performance. The door opened and a noble entered, who went directly to the Jeddara whom he addressed briefly and in a low tone. I saw that she asked him several questions and that she seemed vexed by his replies. Then she dismissed him with a curt gesture and turned towards us.
“Enough of this!” she cried. Her eyes rested upon mine and she pointed her slim dagger at me. “Where is the other?” she demanded.
“What other?” I inquired.