“A close shave,” thought De Vac, as he again took up the child and prepared to gain the dock. No further noises occurring to frighten him, he soon reached the door to Til’s house and, inserting the key, crept noiselessly to the garret room which he had rented from his ill-favored hostess.

There were no stairs from the upper floor to the garret above, this ascent being made by means of a wooden ladder which De Vac pulled up after him, closing and securing the aperture, through which he climbed with his burden, by means of a heavy trapdoor equipped with thick bars.

The apartment which they now entered extended across the entire east end of the building, and had windows upon three sides. These were heavily curtained. The apartment was lighted by a small cresset hanging from a rafter near the center of the room.

The walls were unplastered and the rafters unceiled; the whole bearing a most barnlike and unhospitable appearance.

In one corner was a huge bed, and across the room a smaller cot; a cupboard, a table, and two benches completed the furnishings. These articles De Vac had purchased for the room against the time when he should occupy it with his little prisoner.

On the table were a loaf of black bread, an earthenware jar containing honey, a pitcher of milk and two drinking horns. To these, De Vac immediately gave his attention, commanding the child to partake of what he wished.

Hunger for the moment overcame the little Prince’s fears, and he set to with avidity upon the strange, rough fare, made doubly coarse by the rude utensils and the bare surroundings, so unlike the royal magnificence of his palace apartments.

While the child ate, De Vac hastened to the lower floor of the building in search of Til, whom he now thoroughly mistrusted and feared. The words of De Montfort, which he had overheard at the dock, convinced him that here was one more obstacle to the fulfillment of his revenge which must be removed as had the Lady Maud; but in this instance there was neither youth nor beauty to plead the cause of the intended victim, or to cause the grim executioner a pang of remorse.

When he found the old hag, she was already dressed to go upon the street, in fact he intercepted her at the very door of the building. Still clad as he was in the mantle and wimple of an old woman, Til did not, at first, recognize him, and when he spoke, she burst into a nervous, cackling laugh, as one caught in the perpetration of some questionable act, nor did her manner escape the shrewd notice of the wily master of fence.

“Whither, old hag?” he asked.