The outlaw of Torn

by Edgar Rice Burroughs

The day was drawing to a close and, as dusk fell and the room darkened, he became more and more impatient. Repeated pounding upon the door brought no response and finally he gave up in despair. Going to the window, he saw that his room was some thirty feet above the stone-flagged courtyard, and also that it looked at an angle upon other windows in the old castle where lights were beginning to show. He saw men-at-arms moving about, and once he thought he caught a glimpse of a woman’s figure, but he was not sure.

He wondered what had become of Joan de Tany and Mary de Stutevill. He hoped that they had escaped, and yet—no, Joan certainly had not, for now he distinctly remembered that his eyes had met hers for an instant just before the blow fell upon him, and he thought of the faith and confidence that he had read in that quick glance. Such a look would nerve a jackal to attack a drove of lions, thought the outlaw. What a beautiful creature she was; and she had stayed there with him during the fight. He remembered now. Mary de Stutevill had not been with her as he had caught that glimpse of her, no, she had been all alone. Ah! That was friendship indeed!

What else was it that tried to force its way above the threshold of his bruised and wavering memory? Words? Words of love? And lips pressed to his? No, it must be but a figment of his wounded brain.

What was that which clicked against his breastplate? He felt, and found a metal bauble linked to a mesh of his steel armor by a strand of silken hair. He carried the little thing to the window, and in the waning light made it out to be a golden hair ornament set with precious stones, but he could not tell if the little strand of silken hair were black or brown. Carefully he detached the little thing, and, winding the filmy tress about it, placed it within the breast of his tunic. He was vaguely troubled by it, yet why he could scarcely have told, himself.

Again turning to the window, he watched the lighted rooms within his vision, and presently his view was rewarded by the sight of a knight coming within the scope of the narrow casement of a nearby chamber.

From his apparel, he was a man of position, and he was evidently in heated discussion with someone whom Norman of Torn could not see. The man, a great, tall, black-haired and mustached nobleman, was pounding upon a table to emphasize his words, and presently he sprang up as though rushing toward the one to whom he had been speaking. He disappeared from the watcher’s view for a moment and then, at the far side of the apartment, Norman of Torn saw him again just as he roughly grasped the figure of a woman who evidently was attempting to escape him. As she turned to face her tormentor, all the devil in the Devil of Torn surged in his aching head, for the face he saw was that of Joan de Tany.

With a muttered oath, the imprisoned man turned to hurl himself against the bolted door, but ere he had taken a single step, the sound of heavy feet without brought him to a stop, and the jingle of keys as one was fitted to the lock of the door sent him gliding stealthily to the wall beside the doorway, where the inswinging door would conceal him.

As the door was pushed back, a flickering torch lighted up, but dimly, the interior, so that until he had reached the center of the room, the visitor did not see that the cot was empty.

He was a man-at-arms, and at his side hung a sword. That was enough for the Devil of Torn—it was a sword he craved most; and, ere the fellow could assure his slow wits that the cot was empty, steel fingers closed upon his throat, and he went down beneath the giant form of the outlaw.

Without other sound than the scuffing of their bodies on the floor, and the clanking of their armor, they fought, the one to reach the dagger at his side, the other to close forever the windpipe of his adversary.