Eden: An Episode

by Edgar Saltus

In answer to the query which her eyebrows took on at this intelligence, Usselex explained that now and then, through stress of business, he was in Wall Street unable to provide the individual in question with his fullest instructions, and for that reason it was expedient for him to have the man of an evening at the house. Immediately Eden's fancy evoked the confidential clerk of the London stage, a withered bookkeeper, shiny of garment, awkward of manner, round of shoulder, square of nail, explosive with figures, and covered with warts, and on the evening in which the secretary was to make his initial appearance she weaponed herself with a vinaigrette.

But of the vinaigrette she had no need whatever. The secretary entered the drawing-room with the unembarrassed step of a somnambulist. His manner was that of one aware that the best manner consists in the absence of any at all. His coat might have come from Piccadilly, and when he found a seat Eden noticed that the soles of his shoes were veneered in black. In brief, he looked well-bred and well-groomed. He was young, twenty-three or twenty-four at most. His head was massive, and his features were pagan in their correctness. The jaw was a masterpiece; it gave the impression of reservoirs of interior strength, an impression which was tempered when he spoke, for his voice was low and unsonorous as a muffled bell. His eyes were of that green-gray which is caught in an icicle held over grass. And in them and about his mouth something there was that suggested that he could never be brutal and seldom tender.

At table he made no remark worthy of record. He seemed better content to watch Eden than to speak. He ate little and drank less, and when the meal was done and Eden left him to her husband and the presumable cigar, she made up her mind that he was stupid.

"He is a German," she reflected; "with such a name as Adrian Arnswald he must be. H'm. The only German I ever liked was a Frenchman, the author of the Reisebilder. Well, there seems to be no bilder of any kind in him." She picked up the Post and promptly lost herself in a review of the opera. "There," she mused, "I forgot Wagner. After all, as some one said of the Scotch, you can do a good deal with a German if you catch him young. Mr. Arnswald does not appear to have been caught in time." She threw the paper from her and seated herself at the piano. For a moment her fingers strayed over the keys, and then, in answer to some evoking chord, she attacked the Ernani involami, than which few melodies are richer in appeal. Her voice was not of the bravura quality, the lower register was not full, and the staccati notes were beyond her range; a professor from a conservatory would have disapproved of her method as he would have disapproved of that of the ruiceñor. But then the ruiceñor sings out of sheer wantonness, because it cannot help it; and so did she.

And as she sang, anyone who had chanced that way would have accounted her fair to see. Her gown was black, glittered with jet, about her throat was a string of pearls, her arms were bare, the wrists unbraceleted, and in her face that beauty of youth and of fragility which refinement heightens and which eclipses the ruddier characteristics of the buxom models of the past. An artist might not have given her a second glance, a poet would have adored her at the first. And as she still sang, Arnswald entered the room and approached the piano at which she sat.

She heard his steps and turned at once expectant of Usselex. Then, seeing that he was alone, "What have you done with my husband?" she asked.

"Nothing," the young man answered. "Nothing at all. A gentleman, a customer, I fancy, sent in his card, and I left him to him." He found a seat and eyed her gravely. "If I disturb you—"

"Oh, you don't disturb me in the least. What makes you look as though you came from another planet?"

"What makes you look as though you were going to one?"

Mr. Arnswald is passably impertinent, thought Eden; but the expression of his face was so reassuringly devoid of any non-conventional symptom that she laughed outright at the compliment. "Do you care for music?" she asked.