Tacitus has said that under Tiberius a special law had to be enacted to prevent women of rank from such descent. During the austerer days of the republic the derogation was unknown. The Greek ideal of woman which the hetaira exemplified was beauty. Honor, which was the Roman ideal, the matron achieved.

To the matrons reverently Rome bowed. The purple border on their mantle compelled respect. The modesty of their eyes and ears was protected by grave laws. In days of danger the senate asked their aid. The gods could have no purer incense than their prayers. There was no homage greater than their esteem. Such a word as dignity was too colorless to be employed regarding them, it was the term majesty that was used. The vestal was but a more perfect type of these women on whose tomb univiræ—the wife of one man—was alone inscribed.

The honor of the Roman matron was a national affair, the honor of a Roman girl a public concern. Because of the one, royalty was abolished. Because of the other, the decemvirs fell. In neither case was there revolution. On the contrary. In the first instance, that of Lucretia, it was the insurrection of Tarquin against the inviolability of virtue. In the second, that of Virginia, it was the insurrection of Appius Claudius against the inviolability of love, dual insurrections, probably mythical, which Rome, with legendary fury, suppressed, and which, whether historic or imaginary, was typical of the energetic character that made her what she was, proud, despotic, sovereign of the world.

“The empire that Rome won,” St. Augustin, with agreeable ingenuousness, remarked, “God gave her in order that, though pagan and consequently unrewardable hereafter, her virtues should not remain unrecognized below.” Nor were they, and that, too, despite the fact that they omitted to endure, except, as Cicero said, in books; “in old books,” he added, “which no one reads any more.” But in the interim three things had occurred. Greece, wounded to the death, had flooded Rome with the hemorrhages of her expiring art. Asia had undyked the sea of her corruption. Both had cascaded their riches. Rome hitherto had been poor, she had been puritan. Hers had been the peasant’s hard plain life. The costume of the matron, which custom had made stately, the lex Oppia had made severe. This statute, passed at the time of the Carthagenian invasion, was a measure of public utility devised to increase the budget of war. Its abrogation coincided with the fall of Macedon and the return of Æmilius Paulus, bringing with him the sack of seventy cities, the prodigious booty of ravaged Greece, the prelude to that of the East. Behind these eruptions was the contagion of fastidious caprices that demoralized Rome.

Heretofore, innocent of excesses, ignorant of refinements, in antique simplicity, Rome had sat briefly and upright before her frugal fare. Thereafter, on cushioned beds were repasts, long and savorous, eaten to the sound of crotal and of flute. There were after-courses of ballerine and song, the refreshment of perfume, the luxurious tonic of the bath, the red feather that enabled one to eat again, the marvels of Asiatic debauchery, the surprises of Hellenic grace. In the charm of foreign spells former austerities were forgot. Romans who had not been initiated in them abroad had the returning victors for tutors at home.

Sylla was particularly instructive. Carthagenian in ferocity, Babylonian in lubricity, Hamilcar and Belshazzar in one, the ugliest and most formidable Roman of the lot, his life, which an ulcer ravaged, was a succession of massacres, orgies, and crimes. Married one after another to three women of wealth, who to him were but stepping stones to fortune, on a day when he was preparing to give one of those festivals, the splendor and the art of which he had learned from Mithridates, his third wife fell ill. Death discourages Fortune. Sylla sent her a bill of divorce and ordered her to be taken from the house, which was done, just in time, she was dying. Sylla promptly remarried, then married again, and yet again. Meanwhile, he had a daughter and an eye on the promising Pompey. His daughter was married. So too was Pompey. He forced his daughter from her husband, forced Pompey to repudiate his wife, and forced them to marry.

Sylla had brought with him from the East its curious cups in which blood and passion mingled, and spilled them in the open streets. Crassus outdid him in magnificence, and Lucullus eclipsed them both. Asia had yielded to these men the fortune of her people, the honor of her children, the treasure of her temples, the secrets of their sin. The Orientalisms which they imported, their deluge of coin, their art of marrying cruelty to pleasure, set Rome mad.

Among the maddest was Catiline. That tiger, in whose vestibule were engraved the laws of facile love, affiliated women of rank, others of none, soldiers and slaves, in his convulsive cause. Shortly, throughout the Latin territory, a mysterious sound was heard. It was like the clash of arms afar. The augurs, interrogated, announced that the form of the State was about to change. The noise was the crackling of the republic.[18]

Before it fell came Cæsar. Sylla told him to repudiate his wife as Pompey had. Cæsar declined to be commanded. The house of Julia, to which he belonged, descended, he declared, from Venus. Venus Pandemos, perhaps. But the ancestry was typical. Cinna drafted a law giving him the right to marry as often as he chose. After the episodes in Gaul, when he entered Rome, his legions warned the citizens to have an eye to their wives. Meanwhile, he had repudiated Pompeia, his wife, not to please Sylla but himself, or rather because Publius Claudius, a young gallant, had been discovered disguised as a woman assisting at the mysteries of the Bona Dea, held on this occasion in Cæsar’s house. To these ceremonies men were not admitted. The affair made a great scandal. Pompeia was suspected of having helped Publius to be present. The suspicion was probably unfounded. But Cæsar held that his wife should be above suspicion. He divorced her in consequence and married Calpurnia, not for love but for place. Her father was consul. Cæsar wanted his aid and got it. Then, after creating a solitude and calling it peace, after turning over two million people into so many dead flies, after giving geography such a twist that to-day whoso says Cæsar says history—after these pauses in the ascending scale of his unequalled life, at the age of fifty, bald, tired, and very pale, there was brought to him at Alexandria a bundle, from which, when opened, there emerged a little wonder called Cleopatra, but who was Isis unveiled.[19]