Historia Amoris: A History of Love, Ancient and Modern

by Edgar Saltus

With that, with drink and pillage for relaxations, the chief business of the barons was war. When they descended from their keeps, it was to rob and attack. There was no security, not a road was safe, war was an intermittent fever and existence a panic.

In the constant assault and sack of burgs and keeps, the condition of woman was perilous. Usually she was shut away more securely and remotely than in the gynæceum. If, to the detriment of her lord, she emerged, she might have one of her lips cut off, both perhaps, or, more expeditiously, be murdered. She never knew which beforehand. It was as it pleased him. Penalties of this high-handedness were not sanctioned by law. There was none. It was the right of might. Civilization outwearied had lapsed back into eras in which women were things.

The lapse had ecclesiastical approbation. At the second council of Macon it was debated whether woman should not be regarded as beyond the pale of humanity and as appertaining to a degree intermediary between man and beast. Subsequent councils put her outside of humanity also, but on a plane between angels and man. But in the capitularies generally it was as Vas infirmius that she was defined. Yet already Chrysostom, with a better appreciation of the value of words, with a better appreciation of the value of woman as well, had defined her as danger in its most delectable form. Chrysostom means golden mouth. His views are of interest. Those of the mediæval lord are not recorded, and would not be citable, if they were.

From manners such as his and from times such as those, there was but one refuge—the cloister, though there was also the tomb. They were not always dissimilar. In the monasteries, there was a thick vapor of crapulence and bad dreams. They were vestibules of hell. The bishops, frankly barbarian, coarse, gluttonous, and worse, went about armed, pillaging as freely as the barons. Monks less adventurous, but not on that account any better, saw Satan calling gayly at them, “Thou art damned.” Yet, however drear their life, it was a surcease from the apoplexy of the epoch. Kings descended from their thrones to join them. To the abbeys and priories came women of rank.

In these latter retreats there was some suavity, but chiefly there was security from predatory incursions, from husbands quite as unwelcome, from the passions and violence of the turbulent world without. But the security was not over-secure. Women that escaped behind the bars, saw those bars shaken by the men from whom they had fled, saw the bars sunder, and themselves torn away. That, though, was exceptional. In the cloister generally there was safety, but there were also regrets, and, with them, a leisure not always very adequately filled. To some, the cloister was but another form of captivity in which they were put not of their own volition, but by way of precaution, to insure a security which may not have been entirely to their wish. Yet, from whatever cause existence in these retreats was induced, very rapidly it became the fashion.

There had been epochs in which women wore garments that were brief, there were others in which their robes were long. It was a question of mode. Then haircloth came in fashion. In Greece, women were nominally free. In Rome, they were unrestrained. In Europe at this period, they were cloistered. It was the proper thing, a distinction that lifted them above the vulgar. Bertheflede, a lady of very exalted position, who, Grégoire de Tours has related, cared much for the pleasures of the table and not at all for the service of God, entered a nunnery for no other reason.

There were other women who, for other causes, did likewise. In particular, there was Radegonde who founded a cloister of her own, one that within high walls had the gardens, porticoes, and baths of a Roman villa, but which in the deluge of worldly sin, was, Thierry says, intended to be an ark. There Radegonde received high ecclesiastics and laymen of position, among others Fortunatus, a poet, young and attractive, whom the abbess, young and attractive herself, welcomed so well that he lingered, supping nightly at the cloister, composing songs in which were strained the honey of Catullus, and, like him, crowned with roses.[32]

But Radegonde was not Lesbia, and Fortunatus, though a poet, confined his licence to verse. Together they collaborated in the first romance of pure sentiment that history records, one from which the abbess passed to sanctity, and the poet to fame. Thereafter the story persisting may have suggested some one of the pedestals that antiquity never learned to sculpture and to which ladies were lifted by their knights.

Meanwhile love had assumed another shape. Radegonde, before becoming an abbess, had been a queen. As a consequence she had prerogatives which other women lacked. It was not every one that could entertain a tarrying minstrel. It was not every one that would. The nun generally was emancipated from man as thoroughly as the hetaira had been from marriage. But the latter in renouncing matrimony did not for that reason renounce love and there were many cloistered girls who, in renouncing man, did not renounce love either. One of them dreamed that on a journey to the fountain of living waters, a form appeared that pointed at a brilliant basin, to which, as she stooped, Radegonde approached and put about her a cloak that, she said, was sent by the girl’s betrothed.

Radegonde was then dead and a saint. The dream of her, particularly the gift, more especially its provenance, seemed so ineffable that the girl could think of nothing else save only that when at last the betrothed did come, the nuptial chamber should be ready. She begged therefore that there be given her a little narrow cell, a narrow little tomb, to which, the request granted, other nuns led her. At the threshold she kissed each of them, then she entered; the opening was walled and within, with her mystic spouse, the bride of Christ remained.[33]