That home was colour, its sustenance light. There, in ethereal evolutions, its incarnations began. At first unsubstantial and wholly ineffable, these turned for it every object into beauty, every sound into joy. Without needs, from beatitude to beatitude blissfully it floated. But, subjected to the double attraction of matter and of sin, the initiate saw the memories and attributes of its spirituality fade. He saw it flutter, and fluttering sink. He saw that in sinking it enveloped itself in garments that grew heavier at each descent. Through the denser clothing he saw the desires of the flesh pulsate. He saw them force it lower, still lower, until, fallen into its earthly tenement, it swooned in the senses of man. From the chains of that prison he learned that the soul's one escape was in a recovery of the memory of what it had been when it was other than what it had become.
That memory the mysteries provided. Those of Eleusis differed from the Egyptian only in detail. At Eleusis, in lieu of visions, there were tableaux. Persephone, beckoned by desire, straying then from Olympos, afterward fainting in the arms of Pluto, but subsequently, while preparing her own reascension, saving and embellishing all that approach, was the symbol, in an Hellenic setting, of the fall and redemption of man.
The human tragedy thus portrayed was the luminous counterpart of the dark dramas that Athens beheld. There, in the theatre—which itself was a church with the stage for pulpit—man, blinded by passions, the Fates pursued and Destiny felled.
The sombre spectacle was inexplicable. At Eleusis was enlightenment. "Eskato Bebeloï"—Out from here, the profane—the heralds shouted as the mysteries began. "Konx ompax"—Go in peace—they called when the epiphanies were completed.
In peace the initiate went, serenely, it is said, ever after. From them the load of ignorance was lifted. But what their impressions were is unrecorded. They were bound to secrecy. No one could learn what occurred without being initiated, or without dying. For death too is initiation.
The mysteries were schools of immortality. They plentifully taught many a lesson that Christianity afterward instilled. But their drapery was perhaps over ornate. Truth does not need any. Truth always should be charming. Yet always it should be naked as well. About it the mysteries hung a raiment that was beautiful, but of which the rich embroideries obscured. The mysteries could not have been more fascinating, that is not possible, but, the myths removed, in simple nudity they would have been more clear. Doubtless it was for that very reason, in order that they might not be transparent, that the myths were employed. It is for that very reason, perhaps, that Christianity also adopted a few. Yet at least from cant they were free. Among the multiple divinities of Greece, hypocrisy was the unknown god. Consideration of the others is, to-day, usually effected through the pages of Ovid. One might as well study Christianity in the works of Voltaire. Christianity's brightest days were in the dark ages. The splendid glamour of them that persists is due to many causes, among which, in minor degree, may be the compelling glare of Greek genius. That glare, veiled in the mysteries, philosophy reflects.
Philosophy is but the love of wisdom. It began with Socrates. He had no belief in the gods. The man who has none may be very religious. But though Socrates did not believe in the gods he did not deny them. He did what perhaps was worse. He ignored their perfectly poetic existence. He was put to death for it, though only at the conclusion of a long promenade during which he delivered Athenian youths of their intelligence. Facility in the operation may have been inherited. Socrates was the son of a midwife. His own progeny consisted in a complete transfiguration of Athenian thought. He told of an Intelligence, supreme, ethical, just, seeing all, hearing all, governing all; a creator made not after the image of man but of the soul, and visible only in the conscience. It was for that he died. There was no such god on Olympos.
There was an additional indictment. Socrates was accused of perverting the jeunesse dorée. At a period when, everywhere, save only in Israel, the abnormal was usual, Socrates was almost insultingly chaste. The perversion of which he was accused was not of that order. It was that of inciting lads to disobey their parents when the latter opposed what he taught.
"I am come to set a man against his father," it is written in Matthew. The mission of Socrates was the same. Because of it he died. He was the first martyr. But his death was overwhelming in its simplicity. Even in fairyland there has been nothing more calm. By way of preparation he said to his judges: "Were you to offer to acquit me on condition that I no longer profess what I believe, I would answer; 'Athenians, I honour and I love you, but a god has commanded me and that god I will obey, rather than you.'"
In the speech was irony, with which Athens was familiar. But it also displayed a conception, wholly new, that of maintaining at any cost the truth. The novelty must have charmed. When Peter and the apostles were arraigned before the Sanhedrin, their defence consisted in the very words that Socrates had used: "We should obey God rather than man."[38]