As he signed it, deeply, beneath the breath, he swore. “That will show her,” he added.

It so happened that it showed her nothing. Leilah was not then in the rue François Premier, but in the rue de la Pompe, where the message followed, but only to be received by Barouffski, who read it with a curious smile.

Already he hated Verplank, who had not yet acquired a hatred for him. But though that hatred had not been acquired, it developed tumultuously when, on arriving in New York, he learned that not merely the report of the engagement was true, but that the engagement had since resulted in a marriage, which itself had been preceded by a Nevada divorce.

In comparison to all that had occurred, the divorce seemed at the time almost negligible. It was the crowning infamy of this marriage which, in renewing the primitive passions, aroused in Verplank a determination not merely to seek and overwhelm the woman, but to seek and destroy the man. The marriage, he decided could be but the result of an anterior affair, there was no other explanation of it. The idea that had come to him at Coronado, the possibility that she might have left him because informed of some affair of his own and which since then he had examined again and again, fell utterly away. It was not because of errors of his that she had gone, but for turpitudes of her own. Then to his anger at her was added a hatred of Barouffski, whom he had never seen, and who, without having seen Verplank, hated him also, hated him retrospectively and prospectively, hated him because clearly Leilah had been his and—where women are concerned, all things being possible—might be again.

But though Barouffski hated Verplank actively, he hated him vaguely, as one must when one hates the unknown. It was the cablegram which, in supplying the personal element, made the hate concrete.

“Foreign cad, eh?” he repeated, with a curious smile. “Eh bien, nous verrons, we shall see.”

Presently the opportunity occurred. For it was in these circumstances, a fortnight after the receipt of the cablegram, that, directed by the young Baronne de Fresnoy, he turned and saw Verplank entering the room where he stood.