"Not in the least."
"But——"
"Look here," Verelst interrupted. "When I was young and consequently very experienced, I was indulgent. But monsters change you. Last night I dined with one."
"Enviable mortal!"
"You remember Abraham?" Verelst continued. "His name was Abraham—wasn't it?—that benevolent old man in the Bible who made the sacrifice of sacrificing an animal instead of his son? Well, last night it seemed to me that there are women Abrahams, only less benevolent. The altar was veiled, the knife was concealed, but the victim was there—a girl for whom, at your age, I would have died, or offered to die, which amounts to the same thing. What is more to the point, at your age, or no, for you are much older than your conversation would lead one to believe, but in my careless days I offered to die for her mother. I swore I could not live without her. That is always a mistake. It is too flattering, besides being untrue. Perhaps she so regarded it. In any event another man fared better or worse. Afterward, time and again, he said to me: 'Peter, for God's sake, run away with her.' Am I boring you?"
"Enormously."
"Well, he was very gentlemanly about it. Without making a fuss at home, he went away and died in a hospital. She was very grateful to him for that. But her gratitude waned when she came in for his money. It was adequate but not opulent, the result being that she tried to train her daughter for the great matrimonial steeplechase. Just here the plot thickens. Recently the filly shied, took the bit in her teeth and—hurrah, boys!—she was off on her own, until her mother jockied her up to a hurdle that she could not take and the filly came a cropper. But her mother was still one too many for her. She had her up in a jiffy and now she is heading her straight for the sweepstakes."
"Excuse me," Jones with affected meekness put in. "I assume that the sacrificial victim and the filly are one and the same."
"Your perspicacity does you much credit."
Jones laughed. "I have my little talents. But you! The wizardry with which you mix metaphors is beautiful. You produce a dinner-table and transform it into an altar which instantly becomes a racecourse. That is what I call genius. But to an every-day sort of chap like me, would you mind being less cryptic?"