"There is a book over there," Jones, who was watching him, cut in. "It is Seneca's 'De animæ tranquilitate.' Take a peek at it. It will tell you, what it has told me, that whatever happens, happens because it had to happen and because it could not happen otherwise. There is no sounder lesson in mental tranquillity."
But for all Lennox heard of that he might then have been dead. Without knowing what he was doing, he sat down. Paliser, Margaret! Margaret, Paliser! Before him, on encephalic films, their forms and faces moved as clearly as though both were in the room. He saw them approaching, saw them embrace. The obsession of jealousy that creates the image, projected it. He closed his eyes, covered his face with his hands. The image got behind them. It persisted but less insistently. The figures were still there. It was their consistence that seemed to fade. Where they had been were shadows—evil, shallow, malign, perverse, lurid as torches and yet but shades. For the jealousy that inflames love can also consume it and, when it does, it leaves ashes that are either sterile with indifference or potent with hate. At the shadows that were torches Lennox looked with closed eyes. Obscurely, without his knowledge, in the laboratory of his senses, crystallisation was at work.
Jones, leaning forward, touched him. "I say, old chap!"
Lennox had been far away, on a journey from which some men return, but never as they went. At Jones' touch he dropped his hands. The innate sentiment of form repossessed him. He straightened, looked about and, after the manner of the deeply preoccupied, who answer a question ten minutes after it is put, said evenly:
"Suppose we do."
Do what? But Jones, getting it at once, stood up. "Come along, then."
On the way to the neighbourly Athenæum, the novelist talked endlessly about the disadvantages of not being born, which is a very safe subject. Talking still, he piloted Lennox to the dining-room where, the advantages of sedatives occurring to him, he ordered a bottle of Pommard, which is mother's milk.
But when it was brought Lennox would not touch it. He wanted brandy and soda and told Johnson, a captain, to see to it.
In the great high-ceiled room, other members were dining. From one of the tables Ogston sauntered over and, noting that Jones and Lennox had not dressed, which he had, and very beautifully, remarked brilliantly: "You fellers aren't going to the opera, are you? It's the last night."
It was another safe subject and Jones smiled falsely at him. "But you are, eh? Sit down."