But while art is not without its disadvantages, Hartmann declares that life still holds one solace that is supreme and unalloyed. "Unconscious sleep," he says, "is relatively the happiest condition, for it is the only one from which pain is completely banished. With dreams, however, all the miseries of life return; and happiness, when it then appears, does so only in the vague form of an agreeable sensation, such as that of being freed from the body, or flying through the air. The pleasures of art and science, the only ones which could reconcile a sensible man to life, are intangible herein, while suffering, on the other hand, appears in its most positive form."
Among the different factors which are generally supposed to be more or less productive of happiness, wealth or its symbol, money, usually represents the enchanted wand that opens the gate to every joy of life. It is true that we have seen that all these joys were illusions, and that their pursuit was more painful than pleasing, but Hartmann here makes an exception in favor of the delights which art and science procure, and also, like a true Berlinois, of those which the table affords.
"Wealth," he says, "makes me lord and master. With it I can purchase the pleasures of the table, and even those of love." It is unnecessary to contend with him on this point: our tastes all differ; still there are few, it is to be imagined, who will envy him in an affection which is purchasable with coin of the realm. Moreover, wealth does not make one lord and master; there is a certain charm in original and brilliant conversation which neither Hartmann nor any one else could buy, even though all the wealth of Ormus and the Ind stood to his credit on the ledgers of the Landesbank. Wealth, however, he hastens to explain, should be valued not for the commodities which it can procure, but rather because we are enabled therewith to shield ourselves from inconveniences which would otherwise disturb that zero of the sensibility which the pessimist holds to be the nearest approach to reality in happiness.
It is said that the drowning man will clutch at a straw, and it is possible that the reader who has seen his illusions dispersed and slaughtered one by one has perhaps deluded himself with the fancy that hope at least might yet survive; if he has done so, he may be sure that he has reckoned without his host. Hartmann guillotines the blue goddess in the most off-hand manner; she is the last on the list, and he does the job with a hand which is, so to speak, well in. Of course hope is a great delight; who thinks of denying it? Certainly not the headsman, who even drops a sort of half tear over her mangled wings. But if we come to look over the warrant which has legalized the execution, the question naturally arises who and what is hope? It is of little use to ask the poets, for they are all astray; what they see in hope is a fair sky girt with laurels,—in other words, the rape of happiness; but has it not been repeated even to satiety that happiness does not exist, that pain outbalances pleasure? What is hope, then, but an illusion? and an illusion, too, that plays all manner of tricks with us, and amuses itself at our expense; one, in fact, which makes use of us until our task is accomplished, and we understand that all things are different from that which we desired. "He, then," Hartmann says, "who is once convinced that hope is as vain and illusory as its object will see its influence gradually wane beneath the power of the understanding, and the one thing to which he will then look forward will be, not the greatest amount of happiness, but the easiest burden of pain."
In all that has gone before, Hartmann has endeavored to show that suffering increases with the development of the intellect, or rather, that happiness exists only in the mineral kingdom, which represents that zero of the senses above which man struggles in vain. It has been seen that they whose nervous systems are most impressionable have a larger share of suffering than their less sensitive brethren; furthermore, experience teaches that the lower classes are more contented than the cultivated and the rich, for while they are more exposed to want, yet they are thicker-skinned and more obtuse. In descending the scale of life, therefore, it is easy to show that such weight of pain as burdens animal existence is less than that which man supports. The horse, whose sensibility is most delicate, leads a more painful existence than the swine, or even the fish, whose happiness at high tide is proverbial. The life of the fish is happier than that of the horse, the oyster is happier than the fish, the life of the plant is happier yet, and so on down to the last degrees of organic life, where consciousness expires and suffering ends.
The balance sheet of human pleasure and pain may therefore be summed up somewhat as follows: in the first column stand those conditions which correspond to a state of pure indifference, and merely represent the absence of certain sufferings; these are health, youth, liberty, and well-being; in the second are those which stand as illusory incentives, such as the desire for wealth, power, esteem, and general regard; in the third are those which, as a rule, cause more pain than pleasure, such as hunger and love; in the fourth are those which rest on illusions, such as hope, etc.; in the fifth are those which, recognized as misfortunes, are only accepted to escape still greater ones: these are work and marriage; in the sixth are those which afford more pleasure than pain, but whose joys must be paid for by suffering, and in any event can be shared but by the few: this is the column of art and science.
Let a line be drawn and the columns added up, the sum total amounts to the inevitable conclusion that pain is greatly in excess of pleasure; and this not alone in the average, but in the particular existence of each individual, and even in the case of him who seems exceptionally favored. Hartmann has taken great care to point out that experience demonstrates the vanity of each of the opulent aspirations of youth, and that on the subject of individual happiness intelligent old age preserves but few illusions.
Such is the schedule of pleasure and pain which each one is free to verify by his own experience, or, better still, to disregard altogether; for, from what has gone before, it is easy to see that man is most happy when he is the unconscious dupe of his own illusions. In Koheleth it is written: "To add to knowledge is to add to pain." He, then, whose judgment is obscured by illusions is less sensible to the undeniable miseries of life; he is always prepared to welcome hope, and each deception is forgotten in the expectation of better things. Mr. Micawber, whose acquaintance we have all made, is not alone a type, but a lesson, the moral of which is sometimes overlooked.
In brief, Hartmann's teaching resolves itself into the doctrine that the idea that happiness is obtainable in this life is the first and foremost of illusions. This conclusion, in spite of certain eccentricities of statement, is none the less one which will be found singularly difficult to refute. But every question has two different sides, and this one is no exception. The devil, whom Schopenhauer painted in a good grim gray, Hartmann has daubed all over with a depth of black of which he is certainly undeserving; and not only that, but he has taken an evident pleasure in so doing. It is not, therefore, unfair to use his own weapon, and tell him that he, too, is the dupe of an illusion, or, to borrow a simile from the prince of wits, to insist that while he may not carry any unnecessary quantity of motes in his eye, some dust has assuredly settled on his monocle.
As is the case with others who have treated the subject, Hartmann confounds the value of the existence of the unit with the worth of life in the aggregate. Taken as a whole, it is undeniably and without doubt unfortunate, but that does not prevent many people from being superlatively, and, to the pessimist, even insultingly happy; and though the joy of a lifetime be circumscribed in a single second, yet it is not rash to say that that second of joy may be so vividly intense as to compensate its recipient for all miseries past and to come. It may be noted, further, that the balance-sheet which has just been reviewed is simply a resultant of Hartmann's individual opinion. Sometimes, it is true, he deals with unquestioned facts, and sometimes with unanswerable figures; but it has been wittily said that nothing is so fallacious as facts except figures; and certain of these figures and facts, which seem to bear out his statements, are found at times to be merely assertions, and exaggerated at that.