"The Sphinx. Whither goest thou in such haste?
"The Chimera. I gallop in the corridors of the labyrinth. I soar to the mountain-tops. I skim the waves. I yelp at the foot of precipices. I cling to the skirt of clouds. With my training tail I sweep the shores. The hills have taken their curve from the form of my shoulders. But thou—I find thee perpetually immobile, or else with the end of thy claw drawing alphabets in the sand.
"The Sphinx. I am guarding my secret, I calculate and I dream.
"The Chimera. I—I am joyous and light of heart. I discover to man resplendent perspectives, Utopias in the skies, and distant felicities. Into his soul I pour the eternal follies, projects of happiness, plans for the future, dreams of fame, and the vows of love and virtuous resolutions. I incite to perilous journeys, to great undertakings. It is I that chiselled the marvels of architecture. It is I that hung bells on the tomb of Porsenna, and surrounded with an orchalc wall the quays of the Atlantides. I seek new perfumes, larger flowers, and pleasures unenjoyed. If anywhere I perceive a man whose mind rests in wisdom, I drop from space and strangle him.
"The Sphinx. All those whom the desire of God torments, I have devoured."
Yorke had repeated these snatches from the duo in French. He had repeated them well, bringing out the harmony of the words in a manner which in our harsher tongue would have been impossible. And now he felt parched, and ordered some drink of the steward.
"It is the face of that Sphinx that I want," he continued. "If I were a composer I would put the duo itself to music. I know of no prose more admirable. I have the scene on canvas, all of it, that is, except the Sphinx's face, and that, of course, is the most important. I want a face that she alone could possess. I may find it, I may not. At all events, you see that just at present I too am in pursuit of the intangible. But there, tell me of the artist who is not. It is true, you go to the Academy, and in the Cleopatras and Psyches you recognize the same Mary Jane who the day before offered herself as model to you. My Sphinx, however, was not born in Clapham. Nor does she dwell in Pimlico. But, apropos to Pimlico, I have a fancy that that little friend of yours is on her way to St. John's Wood."
"What little friend?"
"Why, the girl that sits opposite. And what's more to the point, she's in love with you. Tous mes compliments, c'est un vrai morceau de roi."
At this Tristrem blushed in spite of himself. She might have been the Helen for whom the war of the world was fought; she might have been Mylitta or Venus Basilea, and still would she have left him unimpressed. He would not have recognized the divinity—he bowed but to one.