Many of these septs are common to the Bōyas and other classes, as shown by the following list:—

Āvula, cow—Korava. Boggula, charcoal—Dēvānga. Cheruku, sugar-cane—Jōgi, Oddē. Chevvula, ear—Golla. Chilakala, paroquet—Kāpu, Yānādi. Chīmala, ants—Tsākala. Chinthakāyala, tamarind fruit—Dēvānga. Dandu, army—Kāpu. Eddula, bulls—Kāpu. Gandhapodi, sandal powder—a sub-division of Balija. Geddam, beard—Padma Sālē. Gudisa, hut—Kāpu. Guvvala, pigeon—Mutrācha. Jinkala, gazelle—Padma Sālē. Kukkala, dog—Orugunta Kāpu. Lanka, island—Kamma. Mēkala, goat—Chenchu, Golla, Kamma, Kāpu, Togata, Yānādi. Midathala, locust—Mādiga. Nakkala, jackal—Dudala, Golla, Mutrācha. Nemili, peacock—Balija. Pichiga, sparrow—Dēvānga. Pandhi, pig—Asili, Gamalla. Pasula, cattle—Mādiga, Māla. Puchakāya, colocynth—Kōmati, Vīramushti. Pūla, flowers—Padma Sālē, Yerukala. Tōta, garden—Chenchu, Mīla, Mutrācha, Bonthuk Savara. Udumala, lizard—Kāpu, Tōttiyan, Yānādi. Ulligadda, onions—Korava. Uluvala, horse-gram—Jōgi. Utla, swing for holding pots—Padma Sālē.

At Hospet, the preliminaries of a marriage among the Myāsa Bēdars are arranged by the parents of the parties concerned and the chief men of the kēri (street). On the wedding day, the bride and bridegroom sit on a raised platform, and five married men place rice stained with turmeric on the feet, knees, shoulders, and head of the bridegroom. This is done three times, and five married women then perform a similar ceremony on the bride. The bridegroom takes up the tāli, and, with the sanction of the assembled Bēdars, ties it on the bride’s neck. In some places it is handed to a Brāhman priest, who ties it instead of the bridegroom. The unanimous consent of those present is necessary before the tāli-tying is proceeded with. The marriage ceremony among the Ūru Bēdars is generally performed at the bride’s house, whither the bridegroom and his party proceed on the eve of the wedding. A feast, called thuppathūta or ghī (clarified butter) feast, is held, towards which the bridegroom’s parents contribute rice, cocoanuts, betel leaves and nuts, and make a present of five bodices (rāvike). At the conclusion of the feast, all assemble beneath the marriage pandal (booth), and betel is distributed in a recognised order of precedence, commencing with the guru and the god. On the following morning four big pots, smeared with turmeric and chunam (lime) are placed in four corners, so as to have a square space (irāni square) between them. Nine turns of cotton thread are wound round the pots. Within the square the bridegroom and two young girls seat themselves. Rice is thrown over them, and they are anointed. They and the bride are then washed by five women called bhūmathōru. The bridegroom and one of the girls are carried in procession to the temple, followed by the five women, one of whom carries a brass vessel with five betel leaves and a ball of sacred ashes (vibūthi) over its mouth, and another a woman’s cloth on a metal dish, while the remaining three women and the bridegroom’s parents throw rice. Cocoanuts and betel are offered to Hanumān, and lines are drawn on the face of the bridegroom with the sacred ashes. The party then return to the house. The lower half of a grinding mill is placed beneath the pandal, and a Brāhman priest invites the contracting couple to stand thereon. He then takes the tāli, and ties it on the bride’s neck, after it has been touched by the bridegroom. Towards evening the newly married couple sit inside the house, and close to them is placed a big brass vessel containing a mixture of cooked rice, jaggery (crude sugar) and curds, which is brought by the women already referred to. They give a small quantity thereof to the couple, and go away. Five Bēdar men come near the vessel after removing their head-dress, surround the vessel, and place their left hands thereon. With their right hands they shovel the food into their mouths, and bolt it with all possible despatch. This ceremony is called bhūma idothu, or special eating, and is in some places performed by both men and women. All those present watch them eating, and, if any one chokes while devouring the food, or falls ill within a few months, it is believed to indicate that the bride has been guilty of irregular behaviour. On the following day the contracting couple go through the streets, accompanied by Bēdars, the brass vessel and female cloth, and red powder is scattered broadcast. On the morning of the third and two following days, the newly married couple sit on a pestle, and are anointed after rice has been showered over them. The bride’s father presents his son-in-law with a turban, a silver ring, and a cloth. It is said that a man may marry two sisters, provided that he marries the elder before the younger.

The following variant of the marriage ceremonies among the Bōyas is given by Mr. Mainwaring. “When a Bōya has a son who should be settled in life, he nominally goes in search of a bride for him, though it has probably been known for a long time who the boy is to marry. However, the formality is gone through. The father of the boy, on arrival at the home of the future bride, explains to her father the object of his visit. They discuss each other’s families, and, if satisfied that a union would be beneficial to both families, the father of the girl asks his visitor to call again, on a day that is agreed to, with some of the village elders. On the appointed day, the father of the lad collects the elders of his village, and proceeds with them to the house of the bride-elect. He carries with him four moottus (sixteen seers) of rice, one seer of dhal (Cajanus indicus), two seers of ghī (clarified butter), some betel leaves and areca nuts, a seer of fried gram, two lumps of jaggery (molasses), five garlic bulbs, five dried dates, five pieces of turmeric, and a female jacket. In the evening, the elders of both sides discuss the marriage, and, when it is agreed to, the purchase money has to be at once paid. The cost of a bride is always 101 madas, or Rs. 202. Towards this sum, sixteen rupees are counted out, and the total is arrived at by counting areca nuts. The remaining nuts, and articles which were brought by the party of the bridegroom, are then placed on a brass tray, and presented to the bride-elect, who is requested to take three handfuls of nuts and the same quantity of betel leaves. On some occasions, the betel leaves are omitted. Betel is then distributed to the assembled persons. The provisions which were brought are next handed over to the parents of the girl, in addition to two rupees. These are to enable her father to provide himself with a sheet, as well as to give a feast to all those who are present at the betrothal. This is done on the following morning, when both parties breakfast together, and separate. The wedding is usually fixed for a day a fortnight or a month after the betrothal ceremony. The ceremony differs but slightly from that performed by various other castes. A purōhit is consulted as to the auspicious hour at which the tāli or bottu should be tied. This having been settled, the bridegroom goes, on the day fixed, to the bride’s village, or sometimes the bride goes to the village of the bridegroom. Supposing the bridegroom to be the visitor, the bride’s party carries in procession the provisions which are to form the meal for the bridegroom’s party, and this will be served on the first night. As the auspicious hour approaches, the bride’s party leave her in the house, and go and fetch the bridegroom, who is brought in procession to the house of the bride. On arrival, he is made to stand under the pandal which has been erected. A curtain is tied therein from north to south. The bridegroom then stands on the east of the curtain, and faces west. The bride is brought from the house, and placed on the west of the curtain, facing her future husband. The bridegroom then takes up the bottu, which is generally a black thread with a small gold bead upon it. He shows it to the assembled people, and asks permission to fasten it on the bride’s neck. The permission is accorded with acclamations. He then fastens the bottu on the bride’s neck, and she, in return, ties a thread from a black cumbly (blanket), on which a piece of turmeric has been threaded, round the right wrist of the bridegroom. After this, the bridegroom takes some seed, and places it in the bride’s hand. He then puts some pepper-corns with the seed, and forms his hands into a cup over those of the bride. Her father then pours milk into his hand, and the bridegroom, holding it, swears to be faithful to his wife until death. After he has taken the oath, he allows the milk to trickle through into the hands of the bride. She receives it, and lets it drop into a vessel placed on the ground between them. This is done three times, and the oath is repeated with each performance. Then the bride goes through the same ceremony, swearing on each occasion to be true to her husband until death. This done, both wipe their hands on some rice, which is placed close at hand on brass trays. In each of these trays there must be five seers of rice, five pieces of turmeric, five bulbs of garlic, a lump of jaggery, five areca nuts, and five dried dates. When their hands are dry, the bridegroom takes as much of the rice as he can in his hands, and pours it over the bride’s head. He does this three times, before submitting to a similar operation at the hands of the bride. Then each takes a tray, and upsets the contents over the other. At this stage, the curtain is removed, and, the pair standing side by side, their cloths are knotted together. The knot is called the knot of Brahma, and signifies that it is Brahma who has tied them together. They now walk out of the pandal, and make obeisance to the sun by bowing, and placing their hands together before their breasts in the reverential position of prayer. Returning to the pandal, they go to one corner of it, where five new and gaudily painted earthenware pots filled with water have been previously arranged. Into one of these pots, one of the females present drops a gold nose ornament, or a man drops a ring. The bride and bridegroom put their right hands into the pot, and search for the article. Whichever first finds it takes it out, and, showing it, declares that he or she has found it. This farce is repeated three times, and the couple then take their seats on a cumbly in the centre of the pandal, and await the preparation of the great feast which closes the ceremony. For this, two sheep are killed, and the friends and relations who have attended are given as much curry and rice as they can eat. Next morning, the couple go to the bridegroom’s village, or, if the wedding took place at his village, to that of the bride, and stay there three days before returning to the marriage pandal. Near the five water-pots already mentioned, some white-ant earth has been spread at the time of the wedding, and on this some paddy (unhusked rice) and dhal seeds have been scattered on the evening of the day on which the wedding commenced. By the time the couple return, these seeds have sprouted. A procession is formed, and the seedlings, being gathered up by the newly married couple, are carried to the village well, into which they are thrown. This ends the marriage ceremony. At their weddings, the Bōyas indulge in much music. Their dresses are gaudy, and suitable to the occasion. The bridegroom, if he belongs to either of the superior gōtras, carries a dagger or sword placed in his cummerbund (loin-band). A song which is frequently sung at weddings is known as the song of the seven virgins. The presence of a Basavi at a wedding is looked on as a good omen for the bride, since a Basavi can never become a widow.”

In some places, a branch of Ficus religiosa or Ficus bengalensis is planted in front of the house as the marriage milk-post. If it withers, it is thrown away, but, if it takes root, it is reared. By some Bēdars a vessel is filled with milk, and into it a headman throws the nose ornament of a married woman, which is searched for by the bride and bridegroom three times. The milk is then poured into a pit, which is closed up. In the North Arcot Manual it is stated that the Bōya bride, “besides having a golden tāli tied to her neck, has an iron ring fastened to her wrist with black string, and the bridegroom has the same. Widows may not remarry or wear black bangles, but they wear silver ones.”

“Divorce,” Mr. Mainwaring writes, “is permitted. Grounds for divorce would be adultery and ill-treatment. The case would be decided by a panchāyat (council). A divorced woman is treated as a widow. The remarriage of widows is not permitted, but there is nothing to prevent a widow keeping house for a man, and begetting children by him. The couple would announce their intention of living together by giving a feast to the caste. If this formality was omitted, they would be regarded as outcastes till it was complied with. The offspring of such unions are considered illegitimate, and they are not taken or given in marriage to legitimate children. Here we come to further social distinctions. Owing to promiscuous unions, the following classes spring into existence:—

1.Swajathee Sumpradayam.Pure Bōyas, the offspring of parents who have been properly married in the proper divisions and sub-divisions.
2.Koodakonna Sumpradayam.The offspring of a Bōya female, who is separated or divorced from her husband who is still alive, and who cohabits with another Bōya.
3.Vithunthu Sumpradayam.The offspring of a Bōya widow by a Bōya.
4.Arsumpradayam.The offspring of a Bōya man or woman, resulting from cohabitation with a member of some other caste.

The Swajathee Sumpradayam should only marry among themselves. Koodakonna Sumpradayam and Vithunthu Sumpradayam may marry among themselves, or with each other. Both being considered illegitimate, they cannot marry Swajathee Sumpradayam, and would not marry Arsumpradayam, as these are not true Bōyas, and are nominally outcastes, who must marry among themselves.”