Girls are usually married after puberty. A man can claim his paternal aunt’s daughter in marriage. When such a marriage is contemplated, his parents take a little rice and a pot of liquor to the home of the paternal aunt. If they are accepted, it is taken as a sign that the match is agreed to, and the jholla tonka (bride-price) of twelve rupees is paid. After some time has elapsed, the bride is conducted to the home of her future husband, and the marriage is there celebrated. A younger brother may marry the widow of an elder brother, and, if such a woman contracts a marriage with some other man, her second husband has to give a cow to the younger brother who has been passed over. The dead are burnt, and death pollution is observed for three days, during which the caste occupation is not carried on. On the third day, the ashes are collected together, and a fowl is killed. The ashes are then buried, or thrown into running water.
Chitrakāra or Chitrakāro.—The Chitrakāros of Ganjam, who are a class of Oriya painters (chitra, painting), are returned in the Census Report, 1901, as a sub-caste of Muchi. In the Mysore Census Report, 1891, the Chitragāras are said to be “also called Bannagāra of the Rāchevar (or Rāju) caste. They are painters, decorators and gilders, and make trunks, palanquins, ‘lacquer’ toys and wooden images for temples, cars, etc.” At Channapatna in Mysore, I interviewed a Telugu Chitrakāra, who was making toys out of the white wood of Wrightia tinctoria. The wood was turned on a primitive lathe, consisting of two steel spikes fixed into two logs of wood on the ground. Seated on the floor in front of his lathe, the artisan chucked the wood between the spikes, and rotated it by means of a bow held in the right hand, whereof the string was passed round the wood. The chisel was held between the sole of the right foot and palm of the left hand. Colours and varnish were applied to the rotating toy with sticks of paint like sealing-wax, and strips of palm leaf smeared with varnish. In addition to the turned toys, models of fruits were made from mud and sawdust, cane cradles made by Mēdaras were painted and idols manufactured for the Holi festival at Bangalore, and the figure of Sidi Vīranna for the local pseudo-hook-swinging ceremony. The Chitrakāras, whom I saw at Tumkūr, had given up making toys, as it did not pay. They manufacture big wooden idols (grāma dēvata), e.g., Ellamma and Māriamma, and vehicles for various deities in the shape of bulls, snakes, peacocks, lions, tigers, and horses. They further make painted figures of Lakshmi, and heads of Gauri, the wife of Siva, decorated with gold-leaf jewels, which are worshipped by Brāhmans, Vakkaligas, Kōmatis, and others at the annual Gauri pūja; and mandahāsa (god houses) with pillars carved with figures of Narasimha and conventional designs. These mandahāsas serve as a receptacle for the household gods (sālagrāma stone, lingam, etc.), which are worshipped daily by Smarta and Mādhva Brāhmans. These Chitrakāras claimed to be Suryavamsam, or of the lunar race of Kshatriyas, and wear the sacred thread.
Chitravaliar.—A synonym of Alavan.
Chōgan.—See Izhava.
Chōlapuram or Shōlavaram.—A sub-division of Chetti.
Chōliya Pattar.—A name for Pattar Brāhmans in Malabar.
Chondi.—See Sondi.
Chōutagāra.—A corrupt form of Chaptēgāra.
Chōvatton.—Priests of Mūttans and Tarakans.
Chuditiya.—See Kevuto.