The following account of Dāsis in Travancore, where their total strength is only about four hundred, is taken from a note by Mr. N. Subramani Aiyer. “While the Dāsis of Kartikappalli, Ambalapuzha, and Shertallay belonged originally to the Konkan coast, those of Shenkottah belonged to the Pāndian country. But the South Travancore Dāsis are an indigenous class. The female members of the caste are, besides being known by the ordinary name of Tēvadiyāl and Dāsi, both meaning servant of God, called Kudikkar, meaning those belonging to the house (i.e., given rent free by the Sirkar), and Pendukal, or women, the former of these designations being more popular than the latter. Males are called Tēvadiyan, though many prefer to be known as Nanchināt Vellālas. Males, like these Vellālas, take the title of Pillai. In ancient days Dēva-dāsis, who became experts in singing and dancing, received the title of Rāyar (king) which appears to have been last conferred in 1847 A.D. The South Travancore Dāsis neither interdine nor intermarry with the dancing-girls of the Tamil-speaking districts. They adopt girls only from a particular division of the Nāyars, Tamil Padam, and dance only in temples. Unlike their sisters outside Travancore, they do not accept private engagements in houses on the occasion of marriage. The males, in a few houses, marry the Tamil Padam and Padamangalam Nāyars, while some Padamangalam Nāyars and Nanchināt Vellālas in their turn take their women as wives.

“When a dancing-woman becomes too old or diseased, and thus unable to perform her usual temple duties, she applies to the temple authorities for permission to remove her ear-pendants (todus). The ceremony takes place at the palace of the Mahārāja. At the appointed spot the officers concerned assemble, and the woman, seated on a wooden plank, proceeds to unhook the pendants, and places them, with a nuzzur (gift) of twelve fanams (coins), on the plank. Directly after this she turns about, and walks away without casting a second glance at the ear-ornaments which have been laid down. She becomes immediately a taikkizhavi or old mother, and is supposed to lead a life of retirement and resignation. By way of distinction, a Dāsi in active service is referred to as ātumpātram. Though the ear-ornaments are at once returned to her from the palace, the woman is never again permitted to put them on, but only to wear the pampadam, or antiquated ear-ornament of Tamil Sūdra women. Her temple wages undergo a slight reduction, consequent on her proved incapacity.

“In some temples, as at Kēralapuram, there are two divisions of dancing-girls, one known as the Murakkudi to attend to the daily routine, the other as the Chirappukuti to serve on special occasions. The special duties that may be required of the South Travancore Dāsis are:—(1) to attend the two Utsavas at Sri Padmanābahswāmi’s temple, and the Dusserah at the capital; (2) to meet and escort members of the royal family at their respective village limits; (3) to undertake the prescribed fasts for the Apamargam ceremony in connection with the annual festival of the temple. On these days strict continence is enjoined, and they are fed at the temple, and allowed only one meal a day.

“The principal deities of the dancing-girls are those to whom the temples, in which they are employed, are dedicated. They observe the new and full-moon days, and the last Friday of every month as important. The Onam, Sivarātri, Tye-Pongal, Dīpāvali, and Chitrapurnami are the best recognised religious festivals. Minor deities, such as Bhadrakāli, Yakshi, and Ghandarva are worshipped by the figure of a trident or sword being drawn on the wall of the house, to which food and sweetmeats are offered on Fridays. The priests on these occasions are Ōcchans. There are no recognized headmen in the caste. The services of Brāhmans are resorted to for the purpose of purification, of Nampiyans and Saiva Vellālas for the performance of funeral rites, and of Kurukkals on occasions of marriage, and for the final ceremonies on the sixteenth day after death.

“Girls belonging to this caste may either be dedicated to temple service, or married to a male member of the caste. No woman can be dedicated to the temple after she has reached puberty. On the occasion of marriage, a sum of from fifty to a hundred and fifty rupees is given to the bride’s house, not as a bride-price, but for defraying the marriage expenses. There is a preliminary ceremony of betrothal, and the marriage is celebrated at an auspicious hour. The Kurukkal recites a few hymns, and the ceremonies, which include the tying of the tāli, continue for four days. The couple commence joint life on the sixteenth day after the girl has reached puberty. It is easy enough to get a divorce, as this merely depends upon the will of one of the two parties, and the woman becomes free to receive clothes from another person in token of her having entered into a fresh matrimonial alliance.

“All applications for the presentation of a girl to the temple are made to the temple authorities by the senior dancing-girl of the temple, the girl to be presented being in all cases from six to eight years of age. If she is closely related to the applicant, no enquiries regarding her status and claim need be made. In all other cases, formal investigations are instituted, and the records taken are submitted to the chief revenue officer of the division for orders. Some paddy (rice) and five fanams are given to the family from the temple funds towards the expenses of the ceremony. The practice at the Suchindrum temple is to convene, on an auspicious day, a yōga or meeting, composed of the Valiya Sri-kariyakkar, the Yogattil Potti, the Vattappalli Muttatu, and others, at which the preliminaries are arranged. The girl bathes, and goes to the temple on the morning of the selected day with two new cloths, betel leaves and nuts. The temple priest places the cloths and the tāli at the feet of the image, and sets apart one for the divine use. The tāli consists of a triangular bottu, bearing the image of Ganēsa, with a gold bead on either side. Taking the remaining cloth and the tāli, and sitting close to the girl, the priest, facing to the north, proceeds to officiate. The girl sits, facing the deity, in the inner sanctuary. The priest kindles the fire, and performs all the marriage ceremonies, following the custom of the Tirukkalyānam festival, when Siva is represented as marrying Parvati. He then teaches the girl the Panchakshara hymn if the temple is Saivite, and Ashtakshara if it is Vaishnavite, presents her with the cloth, and ties the tāli round her neck. The Nattuvan, or dancing-master, instructs her for the first time in his art, and a quantity of raw rice is given to her by the temple authorities. The girl, thus married, is taken to her house, where the marriage festivities are celebrated for two or three days. As in Brāhmanical marriages, the rolling of a cocoanut to and fro is gone through, the temple priest or an elderly Dāsi, dressed in male attire, acting the part of the bridegroom. The girl is taken in procession through the streets.

“The birth of male children is not made an occasion for rejoicing, and, as the proverb goes, the lamp on these occasions is only dimly lighted. Inheritance is in the female line, and women are the absolute owners of all property earned. When a dancing-girl dies, some paddy and five fanams are given from the temple to which she was attached, to defray the funeral expenses. The temple priest gives a garland, and a quantity of ashes for decorating the corpse. After this, a Nampiyan, an Ōcchan, some Vellāla headmen, and a Kudikkari, having no pollution, assemble at the house of the deceased. The Nampiyan consecrates a pot of water with prayers, the Ōcchan plays on his musical instrument, and the Vellālas and Kudikkari powder the turmeric to be smeared over the corpse. In the case of temple devotees, their dead bodies must be bathed with this substance by the priest, after which alone the funeral ceremonies may proceed. The Kartā (chief mourner), who is the nearest male relative, has to get his whole head shaved. When a temple priest dies, though he is a Brāhman, the dancing-girl, on whom he has performed the vicarious marriage rite, has to go to his death-bed, and prepare the turmeric powder to be dusted over his corpse. The anniversary of the death of the mother and maternal uncle are invariably observed.

“The adoption of a dancing-girl is a lengthy ceremony. The application to the temple authorities takes the form of a request that the girl to be adopted may be made heir to both kuti and pati, that is, to the house and temple service of the person adopting. The sanction of the authorities having been obtained, all concerned meet at the house of the person who is adopting, a document is executed, and a ceremony, of the nature of the Jātakarma, performed. The girl then goes through the marriage rite, and is handed over to the charge of the music teacher to be regularly trained in her profession.”

As bearing on the initiation, laws of inheritance, etc., of Dēva-dāsis, the following cases, which have been argued in the Madras High Court, may be quoted[26]:—

(a) In a charge against a dancing-girl of having purchased a young girl, aged five, with the intent that she would be used for the purpose of prostitution, or knowing it to be likely that she would be so used, evidence was given of the fact of purchase for sixty rupees, and that numerous other dancing-girls, residing in the neighbourhood, were in the habit of obtaining girls and bringing them up as dancing-girls or prostitutes, and that there were no instances of girls brought up by dancing-girls ever having been married. One witness stated that there were forty dancing-girls’ houses in the town (Adōni), and that their chief source of income was prostitution, and that the dancing-girls, who have no daughters of their own, get girls from others, bring them up, and eventually make them dancing-girls or prostitutes. He added that the dancing-girls get good incomes by bringing up girls in preference to boys. Another witness stated that dancing-girls, when they grow old, obtain girls and bring them up to follow their profession, and that good-looking girls are generally bought.[27]