Writing a century ago (1807) concerning the Kaikōlan Dāsis, Buchanan says[24] that “these dancing women, and their musicians, now form a separate kind of caste; and a certain number of them are attached to every temple of any consequence. The allowances which the musicians receive for their public duty is very small, yet, morning and evening, they are bound to attend at the temple to perform before the image. They must also receive every person travelling on account of the Government, meet him at some distance from the town, and conduct him to his quarters with music and dancing. All the handsome girls are instructed to dance and sing, and are all prostitutes, at least to the Brāhmans. In ordinary sets they are quite common; but, under the Company’s government, those attached to temples of extraordinary sanctity are reserved entirely for the use of the native officers, who are all Brāhmans, and who would turn out from the set any girl that profaned herself by communication with persons of low caste, or of no caste at all, such as Christians or Mussulmans. Indeed, almost every one of these girls that is tolerably sightly is taken by some officer of revenue for his own special use, and is seldom permitted to go to the temple, except in his presence. Most of these officers have more than one wife, and the women of the Brāhmans are very beautiful; but the insipidity of their conduct, from a total want of education or accomplishment, makes the dancing women to be sought after by all natives with great avidity. The Mussulman officers in particular were exceedingly attached to this kind of company, and lavished away on these women a great part of their incomes. The women very much regret their loss, as the Mussulmans paid liberally, and the Brāhmans durst not presume to hinder any girl who chose, from amusing an Asoph, or any of his friends. The Brāhmans are not near so lavish of their money, especially where it is secured by the Company’s government, but trust to their authority for obtaining the favour of the dancers. To my taste, nothing can be more silly and unanimated than the dancing of the women, nor more harsh and barbarous than their music. Some Europeans, however, from long habit, I suppose, have taken a liking to it, and have even been captivated by the women. Most of them I have had an opportunity of seeing have been very ordinary in their looks, very inelegant in their dress, and very dirty in their persons; a large proportion of them have the itch, and a still larger proportion are most severely diseased.”

Though the Kaikōlans are considered to belong to the left-hand faction, Dāsis, except those who are specially engaged by the Bēri Chettis and Kammālans, are placed in the right-hand faction. Kaikōlan Dāsis, when passing through a Kammālan street, stop dancing, and they will not salute Kammālans or Bēri Chettis.

A peculiar method of selecting a bride, called siru tāli kattu (tying the small tāli), is said to be in vogue among some Kaikōlans. A man, who wishes to marry his maternal uncle’s or paternal aunt’s daughter, has to tie a tāli, or simply a bit of cloth torn from her clothing, round her neck, and report the fact to his parents and the headman. If the girl eludes him, he cannot claim her, but, should he succeed, she belongs to him. In some places, the consent of the maternal uncle to a marriage is signified by his carrying the bride in his arms to the marriage pandal (booth). The milk-post is made of Erythrina indica. After the tāli has been tied, the bridegroom lifts the bride’s left leg, and places it on a grinding-stone. Widows are stated by Mr. Stuart to be “allowed to remarry if they have no issue, but not otherwise; and, if the prevalent idea that a Kaikōla woman is never barren be true, this must seldom take place.”

On the final day of the death ceremonies, a small hut is erected, and inside it stones, brought by the barber, are set up, and offerings made to them.

The following proverbs are current about or among the Kaikōlans:—

Narrate stories in villages where there are no Kaikōlans.

Why should a weaver have a monkey?

This, it has been suggested,[25] implies that a monkey would only damage the work.

On examining the various occupations, weaving will be found to be the best.

A peep outside will cut out eight threads.