The Kallans are stated by Mr. Hemingway to be very fond of bull-baiting. This is of two kinds. The first resembles the game played by other castes, except that the Kallans train their animals for the sport, and have regular meetings, at which all the villagers congregate. These begin at Pongal, and go on till the end of May. The sport is called tolu mādu (byre bull). The best animals for it are the Pulikkolam bulls from the Madura district. The other game is called pāchal mādu (leaping bull). In this, the animals are tethered to a long rope, and the object of the competition is to throw the animal, and keep it down. A bull which is good at the game, and difficult to throw, fetches a very high price.
It is noted in the Gazetteer of the Tanjore district, that “the Kallans have village caste panchayats (councils) of the usual kind, but in some places they are discontinuing these in imitation of the Vellālans. According to the account given at Orattanādu, the members of Ambalakāran families sit by hereditary right as Kāryastans or advisers to the headman in each village. One of these households is considered superior to the others, and one of its members is the headman (Ambalakāran) proper. The headmen of the panchayats of villages which adjoin meet to form a further panchayat to decide on matters common to them generally. In Kallan villages, the Kallan headman often decides disputes between members of other lower castes, and inflicts fines on the party at fault.”
In the Gazetteer, of the Madura district, it is recorded that “the organization of the Kilnād Kallans differs from that of their brethren beyond the hills. Among the former, an hereditary headman, called the Ambalakāran, rules in almost every village. He receives small fees at domestic ceremonies, is entitled to the first betel and nut, and settles caste disputes. Fines inflicted are credited to the caste fund. The western Kallans are under a more monarchial rule, an hereditary headman called Tirumala Pinnai Tēvan deciding most caste matters. He is said to get this hereditary name from the fact that his ancestor was appointed (with three co-adjutors) by King Tirumala Nāyakkan, and given many insignia of office including a state palanquin. If any one declines to abide by his decision, excommunication is pronounced by the ceremony of ‘placing the thorn,’ which consists in laying a thorny branch across the threshold of the recalcitrant party’s house, to signify that, for his contumacy, his property will go to ruin and be overrun with jungle. The removal of the thorn, and the restitution of the sinner to Kallan society can only be procured by abject apologies to Pinnai Tēvan.”
The usual title of the Kallans is Ambalakāran (president of an assembly), but some, like the Maravans and Agamudaiyans, style themselves Tēvan (god) or Sērvaikkāran (commander).[60]
Kallankanadōru (stone).—A sub-division of Kōmati, said to be descended from those who sat on the stone (kallu) mantapa outside the Penukonda Kanyakamma temple, when the question whether to enter the fire-pits or not was being discussed by the caste elders.
Kallan Mūppan.—In the Madras Census Report, 1901, Kallan Mūppan is returned as “a sub-caste of the Malabar Kammālans, the members of which are stone-workers.” A correspondent writes to me that, “while the Kammālans are a polluting and polyandrous class, the Kallan Mūppans are allowed to enter the outside enclosure of temples. They do not remarry their widows, and are strictly monogamous. Their purōhits are Tamil barbers, who officiate at their marriages. The barber shaves the bridegroom before the wedding ceremony. The purōhit has also to blow the conch-shell all the way from the bridegroom’s house to that of the bride.”
The names Kallan and Kalkōtti are also those by which the Malabar stone-masons are known.
Kallangi.—Kallangi and Kallavēli (Kallan’s fence) are fanciful names, returned by Pallis at times of census.
Kallasāri (stone-workers).—The occupational name of a sub-division of Malayālam Kammālans.
Kallātakurup.—A sub-division of Ambalavāsis, who sing in Bhagavati temples. They play on a stringed instrument, called nandurini, with two strings and a number of wooden stops glued on to the long handle, and a wooden plectrum.