“There are slight differences in the ceremonies described above according to the district and sect of the people. In the eastern Telugu country, during the marriage ceremonies, there is a sort of bridesmaid, who accompanies the bride on the day of the wedding. In the western country, largely under the influence of the Canarese, the bridesmaid is scarcely distinguishable from the real bride, but she is not, as at home, an unmarried girl, but must be a mature woman following the functions of a married life. There is another slight difference between the two sections concerning the Bhūmala ceremony. The Vaishnavites, after the arranged people have partaken of the feast, distribute the remainder of the food; the Saivites, on the other hand, if any food is left, bury it somewhere inside the house.
“Mālas may be married many times, and indeed it is not considered respectable to remain a widower. A widower is unable to make arrangements for the marriage of others, to take part in any of the ceremonies connected therewith, except in the capacity of a spectator. It is not the correct thing for a man to have two wives at one time unless the first one is barren, or unless there is other good cause. A woman must on no account marry again. She need not, according to Telugu morals, be ashamed of living, after she is widowed, with another man as his concubine, but, at the very mention of marriage, she covers her face with shame. If such people become Christians, it is a most difficult thing to overcome their prejudice, and persuade them to become legally man and wife. Almost the only way to do so is by refusing to marry their children. In the Canarese country, there is a kind of half marriage (chīra kattinchinaru, they have tied her cloth), which may be attained by widows. It is not reckoned as a proper marriage, nor is the woman considered a concubine. The ceremony for this is not performed at the great length of an ordinary marriage, but it must receive the sanction of the elders. In spite of their sanction, the man must pay a fine imposed by the caste guru. The woman is permitted to wear the tāli or marriage token, but not bangles or other jewels usually worn by a married woman. The children are part inheritors, and are not entirely without rights, as the children of concubines are. A man’s second wife must wear two tālis—that of the first wife as well as her own.”
The following variants of the Pedda Tāmbūlam ceremony, which is performed during the marriage rites, may be noted. As soon as all are assembled in the front yard of the bride’s house, a blanket is spread on the floor, and covered with a cloth. About ten seers of cholam (millet: Sorghum) are heaped up, and a brass vessel (kalasam) is placed thereon. By its side, a lamp is kept burning. A Dāsari, or a Māla priest, stands on one side of it, and a married woman on the other. The names of the gods are mentioned, one after the other, and the woman throws two betel leaves and a nut on the kalasam for each name uttered. The bride is then brought from within the house, and the leaves and nuts are tied up in a cloth. This, with the kalasam, is put in the bride’s cloth, and she is led inside. In some places, the ceremony is more elaborate. For the betrothal ceremony some leading men of the village, and the headmen of the bride and bridegroom’s villages, are required to be present. The Chalavati (caste servant) hands over a bag containing betel leaves, areca nuts, pieces of turmeric, and Rs. 4–6, to the headman of the bride’s village. All these articles are displayed on a new bamboo sieve, or on the lid of a bamboo box. The two headmen discuss the proposed match, and exchange betel and nut thrice. After this, the bride-elect (chinnapāpa) is brought from the house, and seated on a plank or on a cloth roller (dhone). Three handfuls of betel leaves and areca nuts are placed in her lap. Her maternal uncle then puts on her neck a string of unwoven unbleached cotton thread dyed with turmeric. The bride’s headman asks the assembly if he may proceed with the thonuku ceremony. With their permission, he takes from a sieve betel leaves, nuts, and a cocoanut with his right hand, using only the thumb, first, and ring fingers. While doing this, he is expected to stand on one leg, and to take up the various things, without letting even a single leaf or nut fall. In some places, the headman has the privilege of doing this seated near the sieve. In other places, he is said to hold a knife in his hand, with a blade passed below the middle finger, and over the first ring finger.
In connection with birth ceremonies, Mr. Nicholson writes as follows. “During labour, a sickle and some nīm (Melia Azadirachta) leaves are always kept upon the cot, to ward off evil spirits, which will not approach iron. Difficulty during labour is considered to be the effect of kharma, and the method employed for easing it is simple. Some mother, who has had an ‘easy time,’ is called in, and presents the labouring woman with betel, etc. Should this not be effective, a line of persons is drawn up from the well to the house, and water is passed from hand to hand until it reaches the ‘easy time’ woman, who gives the water to the sufferer. This last resort is only sought in extreme cases, but, when it is appealed to, even the caste people will join in the line and help. After the placenta has come away, the child is placed on a winnowing basket, which has been previously filled with grain, and covered with a cloth. The umbilical cord is cut, and the child is washed, and branded with a hot needle in all places, over twenty in all, which are considered vital. When the umbilical cord is cut, some coin is placed over the navel for luck. This, with the grain in the basket, is the midwife’s perquisite. Should the child present with the cord round its neck, a cocoanut is immediately offered. If the child survives, a cock is offered to the gods on the day the mother takes her first bath. The placenta is put in a pot, in which are nīm leaves, and the whole is buried in some convenient place, generally in the backyard. The reason for this is said to be that, unless the afterbirth was buried, dogs or other animals might carry it off, and ever after the child would be of a wandering disposition. The first bath of the mother takes place on the third, fifth, seventh, or ninth day after delivery. Every house in the particular quarter sends a potful of hot water. All the pots are placed near the spot where the afterbirth was buried. The mother then comes from the house supported by two women, carrying in her hand the sickle and nīm leaves. After worshipping the four mud gods which have been placed on the spot, she takes her seat on the cot on which she was confined, and, after having her body covered with turmeric, and her head anointed with a mixture of rice, chunam (lime) and turmeric, she is bathed by the women in attendance. After the bath, both the mother and child are garlanded with a root strung on strings, and worn round the neck and wrists. One of these is eaten every day by the mother. The mother rises and enters the house, but, before doing so, she worships the four quarters on the threshold. The women who assisted in the bathing operation go to their homes, and bathe their own children, afterwards returning to take part in a feast provided by the parents of the newly-born child. On this day also a name is given to the child. If all previous children have died, the child is rolled in leaf plates and rice, after which the nose and ears are pierced. The rice is given to the dogs, and the child is named Pulligadu (used up leaf plates) or Pullamma according to sex. Should the parents consider that they have a sufficiently large family, they name the child Salayya or Salakka (enough). There are several superstitions about teething. If the teeth come quickly, people say that the afterbirth has not been buried deeply enough. Should the top teeth come first, it is supposed to imply danger to the maternal uncle, who generally gives his daughter in marriage to his nephew. He is called, and brings with him a cocoanut, the inner shell of which he crushes on the child’s head. This must be done without looking on the child. In order that girls may not grow hair on their faces, their lips and chins are rubbed with the afterbirth. The dried navel is highly prized as a remedy for sterility.
In connection with death ceremonies, Mr. Nicholson writes as follows. “There is a difference in the ceremonies performed by the Vishnuvite and Saivite sects. The former allow their people to die in the house; the latter, fearing pollution, remove the person outside the door, as soon as it is recognised that death is at hand. The following description relates chiefly to the Vishnuvites or Namdaris, but, wherever possible, the difference of ceremony between the two sects is noticed. As soon as it is recognized that a person is at the point of death, the wife and children, or near relations, gather round the rough string cot, and ask what the dying person’s last wishes are. However bad a life may have been led, the dying words are considered imperatively binding. If at all possible, the son or brother of the dying person will give a little food and a drink of water; and, if there is no one to perform this office—the rite which entitles the dying to heaven—great is the grief. ‘May you have no one to give you water to drink’ is a most bitter curse. As soon as life has departed, those who are standing by will close the eyes and mouth, and stop the nostrils and ears. The two great toes are tied together, whilst the wife and sons burn incense at the head of the corpse. A lamp is lit, and left in the house. Before this, the near relations have heard that things were serious, and have come to render assistance. They now bring water for the bathing, and some go to the bazar for sweetmeats, etc., required in the subsequent ceremonies. Some of the elders go to call the Dāsari, or priest, and, by the time he arrives, rice will have been prepared, and the blood of a fowl sprinkled over the place where the death occurred. It should be mentioned that the head of the dying is always placed to the south. Yamudu, the god of death and lord of Hades, is god of the south. Consequently, if the dead arose, if facing south he would go to the evil place. By lying on the back with the head to the south, they rise facing north, and so escape an evil fate. When the food is prepared, the corpse is removed outside, bathed, and wrapped in a new cloth. Betel nut and leaf are ground and put into the mouth, whilst the priest puts the nāmam (the mark of Vishnu) upon both the forehead of the corpse and of the bearers. After the bathing of the corpse, and before it is wrapped in the new cloth, a small square piece is torn out of the cloth, and presented to the Nambi of the temple. The corpse being prepared, the priest and the wife and relations of the deceased, along with the bearers, eat a small portion of the food which has been got ready. Immediately upon rising after having eaten, the corpse is lifted, and placed upon a rough bier, wrapped in a cloth, and the party proceed to the burying ground. The priest goes first singing a funeral hymn, and at the end of each verse all the people cry Govinda (one of the names of Vishnu). Following the priest comes the Chalavādhi, carrying his belt and insignia of office. At every other step the bell is rung by coming in contact with his leg. After the Chalavādhi comes the corpse carried by men who are, according to Telugu relationship, brothers (actual brothers, or sons of father’s brother or mother’s sister). In the case of a married woman, the bearers must be either husband or brothers. Following the corpse comes the wife or son, bearing water and fire. Shortly before reaching the burial-ground, a halt is made. The son sprinkles a little water on the ground, and the bier is placed upon the spot with the fire at the head. The face is then uncovered, and all look upon the dead features for the last time. The reason given for the halt is that upon one occasion, according to tradition, the bearers became exhausted, and, when they rested the bier upon the ground, the corpse arose alive. In carrying a dead body, it is always carried feet first. The grave, which has been prepared beforehand, and which is usually not more than three feet deep, is reached, and the body is placed therein with the head towards the south. In the case of a male, after being placed in the grave, the waist-cord and toe-rings are removed, and left in the grave. In the case of a woman, the glass bracelets, bell-metal toe-rings, and bead necklace are left, but no jewels of value or the marriage token are left. After this is over, the body is covered with leaves of the tangēdu tree (Cassia auriculata). As a rule, Vishnuvites, before covering the body with leaves, take off the cloth in which it is wrapped, leaving it naked. This is supposed to be emblematic of the nakedness with which we enter upon life. The corpse is buried face upwards, and it is considered a means of future happiness to the deceased if those assembled throw earth into the grave. The nearer the relationship of those doing so, the greater is the happiness conferred. Hence it is always desired that a son should be present. After the grave has been filled up half way with earth, three stones are placed, one at the head, one in the middle, and one at the feet. Only the Vishnuvites do this. Upon the middle of these stones stands the priest, while the relatives of the deceased wash his feet, and put upon them the nāmam or sign of Vishnu. Whilst standing thus, they bargain and haggle as to what fee is to be paid. After this is over, the grave is completely filled in, and great care is taken that the corpse is so covered that it may not be disturbed by jackals and other animals, at any rate before the fifth day. If it should be disturbed, heaven will not be reached. So the Telugu curse ‘May the jackals eat your tongue’ is a curse of damnation. The Saivites bury their dead in the cloth, face downwards. After the grave has been filled in, the fire carried by the son is placed at the head of the grave, and incense is burnt. Then the water carried from the house is sprinkled over the grave, and the procession departs homeward. On their way, they stop at some wayside well, and wash away their defilement, afterwards sitting on the edge of the well to chew betel and eat sweetmeats. They may also pay a visit to the temple, where they again sit and gossip, but perform no worship. If the deceased be a woman leaving a husband, the talk will be about arrangements for the marriage which will shortly take place. Immediately the body is taken from the house for burial, the lamp which was first lighted is extinguished, and another lighted in its place. Then those who stay at home (the women do not usually attend a funeral) clean sweep the house, plastering it with cow-dung. After this, they wait outside the house for the return of the burial party. The blood relations who have attended the burial come, and, without entering the house, glance at the newly-lighted lamp, afterwards going to their own homes, where, before entering, and without touching any of the pots, they must bathe in hot water. Toddy flows freely at the close of a funeral. Indeed, this is one of the occasions when excess is most common. From now until the fifth day, when the Divasālu ceremony takes place, fire and a lamp are lighted at the grave each evening at sunset.
“The Divasālu ceremony, which is observed by all castes which follow the Rāmānuja matham or Sātāni cult, is generally performed at the dead of night, and with as much ceremony as possible. All the Namdaris in the village are invited, each being separately called by the Kondigadu, who is a kind of messenger belonging to the Dāsari or Māla priest. In former days, many of the Sūdras used to attend this ceremony, but of late, either through Mālas more openly eating the flesh of cows, or for some other reason, they rarely attend, and, if they do so, it is with great secrecy. The Nambi, however, who is a Sātāni, should attend. Indeed, it is he who is the performer of the ceremony. The flesh required for the sacrifice is found by slaughtering a sheep or a goat. Before killing it, holy water is poured into its mouth, and incense is burnt before it. When the animal has been dismembered, the head, guts, and blood are cooked in one pot, the bones in another, the flesh in a third, whilst in a fourth pot bread is baked. Toddy and arrack (native spirit) are also placed in readiness. After these preparations, the Nambi draws upon the floor, on the spot where the death occurred, the ashtakshari (eight-cornered) mantram, repeating the while magical words. The mantram is usually drawn with treble lines, one black, one yellow, and one white. At each corner are placed a cocoanut, betel, dates, and a lump of molasses, whilst a rupee is placed in the middle at one side. The words repeated are in Tamil, and, roughly translated, are as follows: ‘This is the mantram of Manar Nambi. This is the holy water of the sacred feet of ... Nambi. This is the secret of holiness of the 108 sacred places. These are the means for obtaining heaven. They are for the saving of the sinner. This drawing is the seal of the saints. Countless sins have I committed; yet by thought on the saints is sin cleansed.’ After the completion of the drawing, the officiating priest puts the holy mark of Vishnu on the foreheads of those who bring the vessels of cooked food. Then, to the east side of the drawing, he makes two little piles of millet. He then asks (in Tamil) for the pot containing the head, and for the toddy. The two bearers bring the pots, keeping exactly together, and, as they reach the Nambi, each must exchange places with the other. The priest then inscribes on one pot the wheel (chakra), and on the other the conch shell, these being the sacred symbols of Vishnu. Before doing so, he wets the leaves of the tulasi plant (Ocimum sanctum) in a rice plate, and places them in a brass vessel containing holy water by his side. Then, with the conch shell which he carries, he pours some of the holy water into each pot, afterwards placing the pots upon the heaps of millet. Next, a leaf plate is placed in the middle of the drawing. Upon it is placed some of each variety of food cooked, along with milk and ghī. Over all, another plate is placed as a cover. During this time, so that no one may see the ceremony, a sheet or blanket is held up before the Nambi as a screen. He then takes two little sticks with cotton-wool in a notch at the end, and puts them to steep in castor-oil. Whilst they are steeping, he takes a cocoanut, and, after breaking it, pours the milk into the vessel containing holy water, and places the two pieces by the side of the heaps of grain upon which are the two pots. Then, taking up the two sticks, and having made passes with them over the whole drawing, he lights them and holds them aloft above the screen, so that the people on the other side may see them. All then bow down, and worship the two lights. Then the bearers of the corpse are invested with the nāmam, after which the whole of those assembled drink of the holy water in the brass vessel. A little holy water, betel, etc., are now put into the rice plate, which is afterwards covered with soil upon the top of the grave. The party then eat the small portion of food which may be left, and, after trimming the lamp, proceed to their homes. The Nambi who officiates is supposed to be particularly holy. If he is wicked and unclean, and yet draws and sits upon the magic diagrams, he will bring loss and sorrow upon his own head.
“There is no other ceremony until the night of the twelfth day. On this day, not only is the floor plastered with cow-dung, but the whole house is cleaned outside and in. All the inmates of the house bathe, shave, and put on clean clothes. Then, as on the fifth day, an animal is killed, and the flesh is cooked exactly as before. In the north-east or god’s corner, the panchakshari (five cornered) diagram is inscribed, and a handful of rice is put in the middle. As before, cocoanuts, etc., are placed at the five corners, and before the drawing are placed five copper images. The Dāsari who performs the ceremony places two leaf plates before these images, and, breaking a couple of cocoanuts, sacrifices to them. After this, the Nambi, Dāsaris, Kondigadu, corpse-bearers, and bearers of the pots, each drink two measures of toddy, and eat some of the flesh cooked in the second pot. The party, consisting entirely of males, now take as much food as will be required for the forthcoming ceremony, and proceed towards the grave, which has been previous to this plastered and decorated, and a little shrine erected at the head. On their arrival, a diagram, called panchakshari is drawn on the grave in black, yellow, and white. At the five corners are placed cocoanut, lime, etc. In the middle is placed a leaf plate with food on it, and a cocoanut is offered, the two halves being placed one on each side of the plate. A lamp is now lighted, and placed in the little shrine at the head of the grave, which the Nambi worships. It may be noted that the ashtakshari diagram is the sign of Vishnu or Narayanamurti, and the panchakshari is the sign of Siva. The reason for both being used is that Vishnu is the preserver, and Siva the destroyer. If Siva alone is worshipped, he will only cease from destroying; if Vishnu alone is worshipped, he cannot keep from destruction. Hence there is a sort of compromise, so that the benefits rendered by each god may be reaped. The Nambi now invests all the males present with the nāmam, and, if there is a widow, she is made to put on the bottu or small circular mark, the symbol most often being associated with Siva. The widow is made to sit in the middle of the house, with a leaf plate set before her. There she is stripped of all the jewels she wore as a married woman. Afterwards she is taken inside by some widows, and, after bathing, dons a cloth which has been brought for her by her brothers. Her own cloth is left outside, and must be sent from there to the washerman. It afterwards becomes a perquisite of the Dāsari. If the deceased was a married woman, the widower would be deprived of his toe-ring, bathed, and clothed in a new cloth.
“On the occasion of Divasālu, blood relatives are all supposed to be present, and the ceremony is an expensive one, poor people often spending on this occasion alone as much as they can earn in a couple of months. The first ceremony is not so expensive, and will only cost about five rupees. All the male relatives of the dead man, or the brothers-in-law of a dead woman, must bring a little rice and some sticks of incense. If they are quite unable to attend the ceremony, they will clean their own houses, and will then perform some ceremony to the deceased. The relatives of the wife who come to the ceremony will not proceed to the house, or even to the caste quarters, but will go to the toddy shop, whence they send word of their arrival. As soon as the head of the house hears of this, he also proceeds to the toddy shop, and each one treats the other to drink. If they do not wish to drink, the one will pour a little liquor into the palm of the other. This ceremony is called chēdupāputa (the taking away of bitterness), and without it they cannot visit one another’s houses. These relatives must only partake of food on the night of their arrival and next day, but on no account must they linger till the light is lit on the thirteenth day.
“The above ceremony is that performed by the Namdaris or Vishnuvites, who are not afraid of pollution, but who must do all things according to a prescribed ritual. We will now consider the ceremonies of the Mondis or Saivites, who think little of ceremony, but much of defilement. These take the dying person outside, and, as soon as it is realised that the end is near, all arrangements are made as to who is to cook, carry the corpse, etc. Before the breath has left the body, some go to the bazaar to purchase a new cloth. The women smear themselves with turmeric as at a wedding, and put a circular red mark (bottu) on the forehead, whilst the men smear ashes on their foreheads. As soon as the food is cooked, the dead body is washed, and placed upon a bier. Most of the Vishnuvites do not use a bier. The corpse is carried to the grave, accompanied with fire and water as in the Vishnuvite ceremony. Shortly before the grave-yard is reached, a halt is made. The cloth which has been placed over the face is torn, and a cooking pot is broken, after which the body is taken to the grave, and buried without covering, lying prone on the face. After the earth has been filled in, the son of the deceased takes an earthen water-pot full of water, and bores a hole in it, so that the water may escape. He then makes three circuits of the grave, allowing the water to flow on the ground. After each circuit, he makes a fresh hole in the pot. He then goes away without looking back on the grave. When the funeral party, which consists only of men, reaches the house, they find that some of the old women have made a heap of cow-dung, at the top of which is a little hollow filled with water. Those who have returned from the grave dip their great toes in this water, and then linger on the threshold to worship the lamp which is inside. After this, the lamp is taken, and thrown outside the village, and, on their return, they bathe in hot water. The Saivites perform the first ceremony for the dead on the third day, and they have neither Nambi nor priest, but perform the whole ceremony themselves. Like the Vishnuvites, they thoroughly cleanse and plaster the house. There is no animal sacrifice, but food is prepared with vegetables. A tray is plaited from the twigs of the tamarind tree (Tamarindus indica), and in this is placed a leaf plate containing food, frankincense, betel, etc. This food offering is carried to the grave along with fire and water at about eight o’clock in the morning. The man who carries the food must wear only a torn cloth, and yet with this he must manage to cover his head. On reaching the grave, they worship. The tray is left at the head of the grave, and the people retire a short distance, and there wait until a crow or a kite comes, and takes food from the tray. The more quickly this occurs, the greater the merit obtained by the deceased. They never go away until either the one or the other of these birds comes. They afterwards proceed to the well, and bathe fully. On the twelfth day, another ceremony is performed. In the morning, all those taking part in the ceremony proceed to some place outside the village where they shave, and put on clean clothes which have come direct to that place from the washerman. They then go to some temple, and there obtain a little holy water, with which they afterwards sprinkle themselves, the widow, and the house of the deceased. The widow is then arrayed in all her clothes and jewels, and is taken weeping to the ‘widow’s harbour.’ There a stone image is set up, and worshipped. Then the woman’s jewels are taken off, and her bracelets broken. Sweet food is cooked and partaken of, all bathe, and return to their homes. After this ceremony, poor people will stay in their houses for three days, and rich people for a much longer period. For several years, on the anniversary of the death, some little ceremony is usually performed.”
In connection with Māla Dāsaris, to whom reference has already been made, Mr. Nicholson writes as follows. “There is a considerable number of individuals who obtained their living through religious mendicancy. They are known as Dāsaris. There is usually a Nambi or Dāsari for every three or four villages. Some few Dāsaris have inām (rent-free) lands, but the majority live on the charity of the people. They do not ask alms, but sing hymns in honour of Chennudu or Pedda Muni. They also officiate as a sort of priest, and their services are requisitioned at the time of death, marriage, hair-cutting, and the creation of Basavis and Dāsaris. The Dāsari who officiates at a wedding ceremony cannot act in a case of death. There is, in the west Telugu country, a class called Vārapu Dāsari, who act as pujāris for the Sūdras, and in all places the Dāsari receives certain emoluments from Sūdras for singing at weddings and funerals. They receive alms from all classes. Occasionally disturbances take place on account of the Saivites objecting to the Dāsaris coming into their streets, and it is at such times as these that pavādamu is said to take place. It is firmly believed that, if a Dāsari is offended, he will revenge himself in smaller offences by piercing his cheeks or side, for a serious offence by killing himself, generally by severing the head from the body. If one kills himself in this way, the news is said to be immediately and miraculously communicated to every Dāsari and Nambi in the country. They all come to the place where the body lies. Until their arrival, this has been kept covered with a new cloth, and water is constantly sprinkled over it, to keep the wounds from drying up. When the Gurus, Dāsaris, and others are collected, they show their magic power by frying fish, which come to life again on being placed in water, and by cutting limes in two and making them join together, while the remainder sing hymns to Chennudu, and call on the name of Govinda. The Gurus then dig a hole, and in it light the sacred fire of sandal-wood, which must be kindled by the friction of two pieces of wood. All assemble before this sacred fire, and join in singing or reciting the Dandakamu, after which the Dāsaris dance a dance called the request dance. A lotus flower is simulated by arranging betel leaves in a small chembu (metal vessel), and this is placed in a plate along with the severed head. The tray is then carried three times round the corpse by the wife of the deceased if he was married; if not, by his mother; and, if he had no kin, by a Basavi. The head is then taken by the Guru, and fixed properly to the trunk, the junction being plentifully daubed with sacred earth (tirumani). A new cloth is then spread over the corpse, and a network of flowers over all. The Dāsaris again walk round the corpse, calling on Tembaru Manara, repeating at the same time a mantram. Then Kurumayya, the caste Guru, strokes the corpse from head to foot three times with his staff, after which he places his foot on the head of the corpse, and calls on the body to rise. The ability of the Dāsaris to perform this marvel is implicitly believed in. Some I have asked have seen it attempted, but on one occasion it failed because the wife was unwell (under menstrual pollution). On another occasion, the ceremony was not carried out with fitting reverence, and failed in consequence.