Castes and Tribes of Southern India. Vol. 5 of 7

by Edgar Thurston

As among other Malayālam castes, Mukkuva girls must go through a ceremony before they attain puberty. This is called pandal kizhikkal, and corresponds to the tāli-kettu kalyānam of the other castes. The consent of the Arayan is necessary for the performance of this ceremony. On the night previous thereto, the girl is smeared with turmeric paste and oil. Early on the following morning, she is brought to the pandal (booth), which is erected in front of the house, and supported by four bamboo posts. She is bathed by having water poured over her by girls of septs other than her own. After the bath, she stands at the entrance to the house, and a Kāvuthiyachi (barber woman) sprinkles sea-water over her with a tuft of grass (Cynodon Dactylon). A cloth is thrown over her, and she is led into the house. The barber woman receives as her fee a cocoanut, some rice, and condiments. A tāli (marriage badge) is tied on the girl’s neck by her prospective husband’s sister if a husband has been selected for her, or by a woman of a sept other than her own. The girl must fast until the conclusion of the ceremony, and should remain indoors for seven days afterwards. At the time of ceremony, she receives presents of money at the rate of two vellis per family. The Arayan receives two vellis, a bundle of betel leaves, areca nuts, and tobacco.

Girls are married after puberty according to one of two forms of rite, called kōdi-udukkal (tying the cloth) and vīttil-kūdal. The former is resorted to by the more prosperous members of the community, and lasts over two days. On the first day, the bridegroom goes to the home of the bride, accompanied by his relations and friends, and sweets, betel leaves and areca nuts, etc., are given to them. They then take their departure, and return later in the day, accompanied by musicians, in procession. At the entrance to the bride’s house they stand while someone calls out the names of the eleven Arayans of the caste, who, if they are present, come forward without a body-cloth or coat. Betel leaves and areca nuts are presented to the Arayans or their representatives, and afterwards to the Rājyakkar, or chief men of the village. The bridegroom then goes inside, conducted by two men belonging to the septs of the contracting parties, to the bride’s room. The bridegroom sits down to a meal with nine or eleven young men in a line, or in the same room. On the second day, the bride is brought to the pandal. Two persons are selected as representatives of the bridegroom and bride, and the representative of the former gives thirty-nine vellis to the representative of the latter. Some sweetened water is given to the bridegroom’s relations. A woman who has been married according to the kōdi-udukkal rite ties a new cloth round the waist of the bride, after asking her if she is willing to marry the bridegroom, and obtaining the consent of those assembled. Sometimes a necklace, composed of twenty-one gold coins, is also tied on the bride’s neck. At night, the bridal couple take their departure for the home of the bridegroom. In South Canara, the ceremonial is spread over three days, and varies from the above in some points of detail. The bridegroom goes in procession to the bride’s house, accompanied by a Sangāyi or Mūnan (best or third man) belonging to a sept other than that of the bridal couple. The bride is seated in a room, with a lamp and a tray containing betel leaves, areca nuts, and flowers. The Sangāyi takes a female cloth in which some money is tied, and throws it on a rope within the room. On the third day, the bride puts on this cloth, and, seated within the pandal, receives presents.

The vīttil-kūdal marriage rite is completed in a single day. The bridegroom comes to the home of the bride, and goes into her room, conducted thither by two men belonging to the septs of the contracting couple. The newly-married couple may not leave the bride’s house until the seventh day after the marriage ceremony, and the wife is not obliged to live at her husband’s house.

There is yet another form of alliance called vechchirukkal, which is an informal union with the consent of the parents and the Arayans. It is recorded, in the Gazetteer of Malabar, that “amongst Mukkuvas the vidāram marriage obtains, but for this no ceremony is performed. The vidāram wife is not taken to her husbands house, and her family pay no stridhanam. A vidāram marriage can at any time be completed, as it were, by the performance of the kalyānam ceremonies. Even if this be not done, however, a child by a vidāram wife has a claim to inherit to his father in South Malabar, if the latter recognises him by paying to the mother directly after her delivery a fee of three fanams called mukkapanam. A curious custom is that which prescribes that, if a girl be married after attaining puberty, she must remain for a period in the status of a vidāram wife, which may subsequently be raised by the performance of the regular kalyānam.”

Divorce is easily effected by payment of a fine, the money being divided between the husband or wife as the case may be, the temple, the Arayans, and charity.

A pregnant woman has to go through a ceremony called puli or ney-kudi in the fifth or seventh month. A ripe cocoanut, which has lost its water, is selected, and heated over a fire. Oil is then expressed from it, and five or seven women smear the tongue and abdomen of the pregnant woman with it. A barber woman is present throughout the ceremony. The husband lets his hair grow until his wife has been delivered, and is shaved on the third day after the birth of the child. At the place where he sits for the operation, a cocoanut, betel leaves and areca nuts are placed. The cocoanut is broken in pieces by some one belonging to the same sept as the father of the child. Pollution is got rid of on this day by a barber woman sprinkling water at the houses of the Mukkuvans. A barber should also sprinkle water at the temple on the same day.

The dead are, as a rule, buried. Soon after death has taken place, the widow of the deceased purchases twenty-eight cubits of white cloth. A gold ring is put into the hand of the corpse, and given to the widow or her relations, to be returned to the relations of the dead man. The corpse is bathed in fresh water, decorated, and placed on a bier. The widow then approaches, and, with a cloth over her head, cuts her tāli off, and places it by the side of the corpse. Sometimes the tāli is cut off by a barber woman, if the widow has been married according to the kōdi-udukkal rite. In some places, the bier is kept in the custody of the barber, who brings it whenever it is required. In this case, the articles requisite for decorating the corpse, e.g., sandal paste and flowers, are brought by the barber, and given to the son of the deceased. Some four or five women belonging to the Kadavar families are engaged for mourning. The corpse is carried to the burial-ground, where a barber tears a piece of cloth from the winding-sheet, and gives it to the son. The bearers anoint themselves, bathe in the sea, and, with wet cloths, go three times round the corpse, and put a bit of gold, flowers, and rice, in its nose. The relations then pour water over the corpse, which is lowered into the grave. Once more the bearers, and the son, bathe in the sea, and go three times round the grave. The son carries a pot of water, and, at the end of the third round, throws it down, so that it is broken. On their return home, the son and bearers are met by a barber woman, who sprinkles them with rice and water. Death pollution is observed for seven days, during which the son abstains from salt and tamarind. A barber woman sprinkles water over those under pollution. On the eighth, or sometimes the fourteenth day, the final death ceremony is performed. Nine or eleven boys bathe in the sea, and offer food near it. They then come to the house of the deceased, and, with lamps on their heads, go round seven or nine small heaps of raw rice or paddy (unhusked rice), and place the lamps on the heaps. The eldest son is expected to abstain from shaving his head for six months or a year. At the end of this time, he is shaved on an auspicious day. The hair, plantains, and rice, are placed in a small new pot, which is thrown into the sea. After a bath, rice is spread on the floor of the house so as to resemble the figure of a man, over which a green cloth is thrown. At one end of the figure, a light in a measure is placed. Seven or nine heaps of rice or paddy are made, on which lights are put, and the son goes three times round, throwing rice at the north, south, east, and west corners. This brings the ceremonial to a close.

Mulaka (Solanum xanthocarpum).—A sept of Balija. The fruit of this plant is tied to the big toe of Brāhman corpses.

Mūli.—Recorded, in the Madras Census Report, 1901, as a class of blacksmiths in Ganjam, and stone-cutters in Vizagapatam. It is said to be a sub-division of Lohāra. Mūli also occurs as an occupational sub-division of Savara.

Mūli Kurava.—A name for Kuravas in Travancore.