Paraiyans of Malabar, Cochin and Travancore.—For the following note on the Paraiyans or Paraiyas of Cochin I am indebted to Mr. L. K. Anantha Krishna Aiyar.[69] Paraiyas belong to a very low caste of the agrestic serfs of Cochin, next to Pulayas in order of social precedence. They will eat at the hands of all castes, save Ullādans, Nāyādis, and Pulayas. But orthodox Pulayas have to bathe five times, and let blood flow, in order to be purified from pollution if they touch a Paraiya. In rural parts, a Paraiya’s hut may be seen far away on the hill-side. At the approach of a member of some higher caste, the inmates run away to the forest. They cannot walk along the public roads, or in the vicinity of houses occupied by the higher castes. It is said that they at times steal the children of Nāyars, and hide them in the forest, to bring them up as their own. They are extremely filthy in person and habits. They very rarely bathe, or wash their bodies, and a cloth, purchased at harvest time, is worn till it falls to pieces. They will eat the flesh of cattle, and are on this account despised even by the Pulayas. They are their own barbers and washermen.
A legend runs to the effect that Vararuchi, the famous astrologer, and son of a Brāhman named Chandragupta and his Brāhman wife, became the King of Avanthi, and ruled till Vikramāditya, the son of Chandragupta by his Kshatriya wife, came of age, when he abdicated in his favour. Once, when he was resting under an ashwastha tree (Ficus religiosa), invoking the support of the deity living therein, he overheard the conversation of two Gandarvas on the tree, to the effect that he would marry a Paraiya girl. This he prevented by requesting the king to have her enclosed in a box, and floated down a river with a nail stuck into her head. The box was taken possession of by a Brāhman, who was bathing lower down, and, on opening it, he found a beautiful girl, whom he considered to be a divine gift, and regarded as his own daughter. One day the Brāhman, seeing Vararuchi passing by, invited him to mess with him, and his invitation was accepted on condition that he would prepare eighteen curries, and give him what remained after feeding a hundred Brāhmans. The Brāhman was puzzled, but the maiden, taking a long leaf, placed thereon a preparation of ginger corresponding to eighteen curries, and with it some boiled rice used as an offering at the Vaiswadēva ceremony, as the equivalent of the food for Brāhmans. Knowing this to be the work of the maiden, Vararuchi desired to marry her, and his wish was acceded to by the Brāhman. One day, while conversing with his wife about their past lives, he chanced to see a nail stuck in her head, and he knew her to be the girl whom he had caused to be floated down the stream. He accordingly resolved to go on a pilgrimage with his wife, bathing in rivers, and worshipping at temples. At last they came to Kērala, where the woman bore him twelve sons, all of whom, except one, were taken care of by members of different castes. They were all remarkable for their wisdom, and believed to be the avatar (incarnation) of Vishnu, gifted with the power of performing miracles. One of them was Pakkanar, the great Malayālam bard. Once, it is said, when some Brāhmans resolved to go to Benares, Pakkanar tried to dissuade them from so doing by telling them that the journey to the sacred city would not be productive of salvation. To prove the fruitlessness of their journey, he plucked a lotus flower from a stagnant pool, and gave it to them with instructions to deliver it to a hand which would rise from the Ganges, when they were to say that it was a present for the goddess Ganga from Pakkanar. They did as directed, and returned with news of the miracle. Pakkanar then led them to the stagnant pool, and said “Please return the lotus flower, Oh! Ganga,” when it appeared in his hand. Pakkanar is said to have earned his living by the sale of the wicker-work, which he made. One day he could not sell his baskets, and he had to go starving. A neighbour, however, gave him some milk, which Pakkanar accepted, and told the donor to think of him if ever he was in danger. The neighbour had a married daughter living with him, who, some time after, was dying of snake-bite. But her father remembered the words of Pakkanar, who came to the rescue, and cured her. One of Pakkanar’s brothers was named Narayana Branthan, who pretended to be a lunatic, and whose special delight was in rolling huge stones up a hill, for the pleasure of seeing them roll down. Though the son of a Brāhman, he mixed freely with members of all castes, and had no scruple about dining with them. A Nambūtiri Brāhman once asked him to choose an auspicious day for the performance of his son’s upanayanam (thread ceremony). He selected a most inauspicious day and hour, when the boy’s family assembled and asked Narayana whether the rite should be celebrated. He told the father to look at the sky, which became brilliantly illuminated, and a Brāhman was seen changing his sacred thread. The omen being considered favourable, the investiture ceremony was proceeded with.
The Paraiyas of Malabar and Cochin are celebrated for their knowledge of black magic, and are consulted in matters relating to theft, demoniacal influence, and the killing of enemies. Whenever anything is stolen, the Paraiya magician is consulted. Giving hopes of the recovery of the stolen article, he receives from his client some paddy (rice) and a few panams (money), with which he purchases plantain fruits, a cocoanut or two, toddy, camphor, frankincense, and rice flour. After bathing, he offers these to his favourite deity Parakutti, who is represented by a stone placed in front of his hut. Rattling an iron instrument, and singing till his voice almost fails, he invokes the god. If the lost property does not turn up, he resorts to a more indignant and abusive form of invocation. If the thief has to be caught, his prayers are redoubled, and he becomes possessed, and blood passes out of his nose and mouth. When a person is ill, or under the influence of a demon, an astrologer and a magician named by the former are consulted. The magician, taking a cadjan (palm) leaf or copper or silver sheet, draws thereon cabalistic figures, and utters a mantram (prayer). Rolling up the leaf or sheet, he ties it to a thread, and it is worn round the neck in the case of a woman, and round the loins in the case of a man. Sometimes the magician, taking a thread, makes several knots in it, while reciting a mantram. The thread is worn round the neck or wrist. Or ashes are thrown over a sick person, and rubbed over the forehead and breast, while a mantram is repeated. Of mantrams, the following may be cited as examples. “Salutation to god with a thousand locks of matted hair, a thousand hands filling the three worlds and overflowing the same. Oh! Goddess mother, out of the supreme soul, descend. Oh! Sundara Yaksha (handsome she-devil), Swaha (an efficacious word).” “Salutation to god. He bears a lion on his head, or is in the form of a lion in the upper part of his body. In the mooladhara sits Garuda, the lord of birds, enemy of serpents, and vāhana (vehicle) of Vishnu. He has Lakshmana to the left, Rāma to the right, Hanumān in front, Rāvana behind, and all around, above, below, everywhere he has Srī Narayana Swaha. Mayst thou watch over or protect me.”
The Paraiyans are notorious for the performance of marana kriyakal, or ceremonies for the killing of enemies. They resort to various methods, of which the following are examples:—
(1) Make an image in wax in the form of your enemy. Take it in your right hand, and your chain of beads in your left hand. Then burn the image with due rites, and it shall slay your enemy in a fortnight.
(2) Take a human bone from a burial-ground, and recite over it a thousand times the following mantra:—“Oh, swine-faced goddess! seize him, seize him as a victim. Drink his blood; eat, eat his flesh. Oh, image of imminent death! Malayala Bhagavathi.” The bone, thrown into the enemy’s house, will cause his ruin.
Odi or oti cult (breaking the human body) is the name given to a form of black magic practiced by the Paraiyans, who, when proficient in it, are believed to be able to render themselves invisible, or assume the form of a bull, cat, or dog. They are supposed to be able to entice pregnant women from their houses at dead of night, to destroy the fœtus in the womb, and substitute other substances for it; to bring sickness and death upon people; and so to bewitch people as to transport them from one place to another. A Paraiya who wishes to practice the cult goes to a guru (preceptor), and, falling at his feet, humbly requests that he may be admitted into the mysteries of the art. The master first tries to dissuade him, but the disciple persists in the desire to learn it. He is then tried by various tests as to his fitness. He follows his master to the forests and lonely places at midnight. The master suddenly makes himself invisible, and soon appears before him in the form of a terrible bull, a ferocious dog, or an elephant, when the novice should remain calm and collected. He is also required to pass a night or two in the forest, which, according to his firm belief, is full of strange beings howling horribly. He should remain unmoved. By these and other trials, he is tested as to his fitness. Having passed through the various ordeals, the guru initiates him into the brotherhood by the performance of pūja on an auspicious day to his favourite Nīli, called also Kallatikode Nīli, through whose aid he works his black art. Flesh and liquor are consumed, and the disciple is taught how to prepare pilla thilam and angola thilam, which are the potent medicines for the working of his cult. The chief ingredient in the preparation of pilla thilam, or baby oil, is the sixth or seventh month’s fœtus of a primipara, who should belong to a caste other than that of the sorcerer. Having satisfied himself that the omens are favourable, he sets out at midnight for the house of the woman selected as his victim, and walks several times round it, waving a cocoanut shell containing a mixture of lime and turmeric water (gurusi), and muttering mantrams to secure the aid of the deity. He also draws yantrams (cabalistic devices) on the ground. The woman is compelled to come out of her house. Even if the door is locked, she will bang her head against it, and force it open. The sorcerer leads her to a retired spot, strips her naked, and tells her to lie flat on the ground. This she does, and a vessel made of a gourd (Lagenaria) is placed close to her vagina. The uterus then contracts, and the fœtus emerges. Sometimes, it is said, the uterus is filled with some rubbish, and the woman instantly dies. Care is taken that the fœtus does not touch the ground, as the potency of the drug would thereby be ruined. The fœtus is cut to pieces, and smoked over a fire. It is then placed in a vessel provided with a few holes, below which is another vessel. The two are placed in a larger receptacle filled with water, which is heated over a fire. From the fœtus a liquid exudes, which is collected in the lower vessel. A human skull is then reduced to a fine powder, which is mixed with a portion of the liquid (thilam). With the mixture a mark is made on the forehead of the sorcerer, who rubs some of it over various parts of his body, and drinks a small quantity of cow-dung water. He then thinks that he can assume the form of any animal he likes, and achieve his object in view, be it murder or bodily injury. The magic oil, called angola thilam, is extracted from the angola tree (Alangium Lamarckii), which bears a very large number of fruits. One of these is believed to be endowed with life and power of motion, and to be capable of descending and returning to its original position on dark nights. Its possession can be attained by demons, or by an expert watching at the foot of the tree. When it has been secured, the extraction of the oil involves the same operations as those for extracting the pilla thilam, and they must be carried out within seven hours. A mark made on the forehead with the oil enables its wearer to achieve his desires, and to transform himself into some animal.
When a person has an enemy whom he wishes to get rid of, the Paraiya magician is consulted, and the name of the enemy given to him. Identifying his residence, the Paraiya starts off on a dark night, and anyone whom he comes across is at once dispatched with a blow. The victim comes out of his house in a state of stupefaction, and the magician puts him to death either by a blow on the head, or by suffocating him with two sticks applied to his neck. Odi cult is said to have been practiced till only a few years ago in the rural parts of the northern part of the State, and in the tāluks of Palghāt and Walluvanād in Malabar, and even now it has not entirely died out. But cases of extracting fœtuses and putting persons to death are not heard of at the present day, owing to the fear of Government officials, landlords, and others. The story is current of a Nāyar village official, who had two fine bullocks, which a Māppila wished to purchase. The Nāyar, however, was unwilling to part with them. The Māppila accordingly engaged some men to steal the animals. Availing themselves of the absence of the Nāyar from home, the robbers went to his house, where they saw a Paraiya and his wife practicing the odi cult, and compelling a young woman to come out of the house, and lie on the ground. Catching hold of the Paraiya, the robbers tied him to a tree, and secured him. The man and his wife were beaten, and the would-be robbers rewarded with a present of the bullocks.
The Paraiyans have no temples of their own, but worship Siva or Kāli. According to a legend, in Tretayūga (the second age), a Paraiya named Samvara, and his wife Pulini were living in a forest, and one day came across a Sivalinga (stone lingam) at a dilapidated temple, which they kept, and worshipped with offerings of flesh, and by smearing it with ashes from the burial-ground. On a certain day, no ashes were available, and the woman offered to have her body burnt, so that the ashes thereof might be used. With much reluctance her husband sacrificed her, and performed pūja. Then he turned round to offer, as usual, the prasadam to his wife forgetting that she was dead, and he was surprised to see her standing before him, receiving his offering (prasadam), in flesh and blood. Highly pleased with their conduct, Siva appeared in person before them, and gave them absolution.
In every small village in the rural parts, is a small Bhagavati temple, to the deity of which the Paraiyas are devotedly attached, and look to it for protection in times of cholera, small-pox, or other calamities. Kodungallūr Bhagavati is their guardian deity, and they take part in the festivals (yēla) at the shrine. A few days before the festival, a piece of cloth is given to the Velichapād (oracle), who dresses himself in it, wears a piece of red cloth round his neck, a peculiar dress around his loins, and ties a few small bells (chelamba) round his legs. Accompanied by others with drums and fife and a basket, he goes to every Nāyar house daily for seven days, and receives presents of paddy, wherewith to defray the expenses of the festival. During the celebration thereof, the Velichapād and others go to a shed at a distance from the temple (kavu), some dressed up as ghosts, and dance and sing, to the accompaniment of a band, in honour of the deity.