A Pulluvan and his wife preside at the ceremony called Pāmban Tullal to propitiate the snake gods of the nāgāttān kāvus, or serpent shrines. For this, a pandal (booth) is erected by driving four posts into the ground, and putting over them a silk or cotton canopy. A hideous figure of a huge snake is made on the floor with powders of five colours. Five colours are essential, as they are visible on the necks of snakes. Rice is scattered over the floor. Worship is performed to Ganēsa, and cocoanuts and rice are offered. Incense is burnt, and a lamp placed on a plate. The members of the family go round the booth, and the woman, from whom the devil has to be cast out, bathes, and takes her seat on the western side, holding a bunch of palm flowers. The Pulluvan and his wife begin the music, vocal and instrumental, the woman keeping time with the pot-drum by striking on a metal vessel. As they sing songs in honour of the snake deity, the young female members of the family, who have been purified by a bath, and are seated, begin to quiver, sway their heads to and fro in time with the music, and the tresses of their hair are let loose. In their state of excitement, they beat upon the floor, and rub out the figure of the snake with palm flowers. This done, they proceed to the snake-grove, and prostrate themselves before the stone images of snakes, and recover consciousness. They take milk, water from a tender cocoanut, and plantains. The Pulluvan stops singing, and the ceremony is over. “Sometimes,” Mr. Gopal Panikkar writes, “the gods appear in the bodies of all these females, and sometimes only in those of a select few, or none at all. The refusal of the gods to enter into such persons is symbolical of some want of cleanliness in them: which contingency is looked upon as a source of anxiety to the individual.
Pulluvan with pot-drum.
It may also suggest the displeasure of these gods towards the family, in respect of which the ceremony is performed. In either case, such refusal on the part of the gods is an index of their ill-will or dissatisfaction. In cases where the gods refuse to appear in any one of those seated for the purpose, the ceremony is prolonged until the gods are so properly propitiated as to constrain them to manifest themselves. Then, after the lapse of the number of days fixed for the ceremony, and, after the will of the serpent gods is duly expressed, the ceremonies close.” Sometimes, it is said, it may be considered necessary to rub away the figure as many as 101 times, in which case the ceremony is prolonged over several weeks. Each time that the snake design is destroyed, one or two men, with torches in their hands, perform a dance, keeping step to the Pulluvan’s music. The family may eventually erect a small platform or shrine in a corner of their grounds, and worship at it annually. The snake deity will not, it is believed, manifest himself if any of the persons, or articles required for the ceremony, are impure, e.g., if the pot-drum has been polluted by the touch of a menstruating female. The Pulluvan, from whom a drum was purchased for the Madras Museum, was very reluctant to part with it, lest it should be touched by an impure woman.
The Pulluvans worship the gods of the Brāhmanical temples, from a distance, and believe in spirits of all sorts and conditions. They worship Velayuthan, Ayyappa, Rāhu, Mūni, Chāthan, Mukkan, Karinkutti, Parakutti, and others. Mūni is a well-disposed deity, to whom, once a year, rice, plantains, and cocoanuts are offered. To Mukkan, Karinkutti, and others, sheep and fowls are offered. A floral device (padmam) is drawn on the floor with nine divisions in rice-flour, on each of which a piece of tender cocoanut leaf, and a lighted wick dipped in cocoanut oil, are placed. Parched rice, boiled beans, jaggery (crude sugar), cakes, plantains, and toddy are offered, and camphor and incense burnt. If a sheep has to be sacrificed, boiled rice is offered, and water sprinkled over the head of the sheep before it is killed. If it shakes itself, so that it frees itself from the water, it is considered as a favourable omen. On every new-moon day, offerings of mutton, fowls, rice-balls, toddy, and other things, served up on a plantain leaf, are made to the souls of the departed. The celebrants, who have bathed and cooked their own food on the previous day, prostrate themselves, and say “Ye dead ancestors, we offer what we can afford. May you take the gifts, and be pleased to protect us.”
The Pulluvans bury their dead. The place of burial is near a river, or in a secluded spot near the dwelling of the deceased. The corpse is covered with a cloth, and a cocoanut placed with it. Offerings of rice-balls are made by the son daily for fifteen days, when pollution ceases, and a feast is held.
At the present day, some Pulluvans work at various forms of labour, such as sowing, ploughing, reaping, fencing, and cutting timber, for which they are paid in money or kind. They are, in fact, day-labourers, living in huts built on the waste land of some landlord, for which they pay a nominal ground-rent. They will take food prepared by Brāhmans, Nāyars, Kammālans, and Izhuvas, but not that prepared by a Mannān or Kaniyan. Carpenters and Izhuvas bathe when a Pulluvan has touched them. But the Pulluvans are polluted by Cherumas, Pulayas, Paraiyans, Ullādans, and others. The women wear the kacha, like Izhuva women, folded twice, and worn round the loins, and are seldom seen with an upper body-cloth.[116]
Puluvan.—The Puluvans have been described[117] as “a small tribe of cultivators found in the district of Coimbatore. Puluvans are the learned men among the Coimbatore Vellālas, and are supposed to be the depositaries of the poet Kamban’s works. One authority from Coimbatore writes that the traditional occupation of this caste is military service, and derives the word from bhū, earth, and valavan, a ruler; while another thinks that the correct word is Pūruvan, aborigines. Their girls are married usually after they attain maturity. In the disposal of the dead, both cremation and burial are in vogue, the tendency being towards the former. They are flesh-eaters. Their customs generally resemble those of the Konga Vellālas.”
The Puluvans call themselves Puluva Vellālas.