Omens and Superstitions of Southern India

by Edgar Thurston

It is considered auspicious if a girl attains puberty on a Monday, Wednesday, Thursday, or Friday, and the omens vary according to the month in which the first menstrual period occurs. Thus the month of Vaiyāsi ensures prosperity, Āni male issue, Māsi happiness, Margali well-behaved children, Punguni long life and many children. At the first menstrual ceremony of a Tiyan girl in Malabar, her aunt, or, if she is married, her husband’s sister, pours gingelly (Sesamum) oil over her head, on the top of which a gold fanam (coin) has been placed. The oil is poured from a little cup made from a leaf of the jak tree (Artocarpus integrifolia), flows over the forehead, and is received with the fanam in a dish. It is a good omen if the coin falls with the obverse upwards.

If a Brāhman woman loses her tāli (marriage badge), it is regarded as a bad omen for her husband. As a Dēva-dāsi (dancing-girl) can never become a widow, the beads in her tāli are considered to bring good luck to those who wear them. And some people send the tāli required for a marriage to a Dēva-dāsi, who prepares the string for it, and attaches to it black beads from her own tāli. A Dēva-dāsi is also deputed to walk at the head of Hindu marriage processions. Married women do not like to do this, as they are not proof against evil omens, which the procession may come across, and it is believed that Dēva-dāsis, to whom widowhood is unknown, possess the power of warding off the effects of unlucky omens. It may be remarked, en passant, that Dēva-dāsis are not at the present day so much patronised at Hindu marriages as in former days. Much is due in this direction to the progress of enlightened ideas, which have of late been strongly put forward by Hindu social reformers. General Burton narrates[49] how a civilian of the old school built a house at Bhavāni, and established a corps de ballet, i.e., a set of nautch girls, whose accomplishments extended to singing God Save the King, and this was kept up by their descendants, so that, when he visited the place in 1852, he was “greeted by the whole party, bedizened in all their finery, and squalling the National Anthem.” With this may be contrasted a circular from a modern European official, which states that “during my jamabandy (land revenue settlement) tour, people have sometimes been kind enough to arrange singing or dancing parties, and, as it would have been discourteous to decline to attend what had cost money to arrange, I have accepted the compliment in the spirit in which it was offered. I should, however, be glad if you would let it be generally known that I am entirely in accord with what is known as the anti-nautch movement in regard to such performances.”

It was unanimously decided, in 1905, by the Executive Committee of the Prince and Princess of Wales’ reception committee, that there should be no performance by nautch girls at the entertainment to their Royal Highnesses at Madras.

The marriage ceremonies of Ārē Dammaras (Marāthi-speaking acrobats) are supervised by an old Basavi woman, and the marriage badge is tied round the bride’s neck by a Basavi (public woman dedicated to the deity).

When a marriage is contemplated among the Idaiyans (Tamil shepherds) of Coimbatore, the parents of the prospective bride and bridegroom go to the temple, and throw before the idol a red and white flower, each wrapped in a betel leaf. A small child is then told to pick up one of the leaves. If the one selected contains the white flower, it is considered auspicious, and the marriage will be contracted. The Dēvānga weavers, before settling the marriage of a girl, consult some village goddess or the tribal goddess Chaudēswari, and watch the omens. A lizard chirping on the right is good, and on the left bad. Sometimes, red and white flowers wrapped in green leaves are thrown in front of the idol, and the omen is considered good or bad, according to the flower which a child picks up. Among the hill Urālis of Coimbatore, a flower is placed on the top of a stone or figure representing the tribal goddess, and, after worship, it is addressed in the words: “Oh! swāmil (goddess), drop the flower to the right if the marriage is going to be propitious, and to the left if otherwise.” Should the flower remain on the image without falling either way, it is greeted as a very happy omen. When a marriage is in contemplation among the Agamudaiyans (Tamil cultivators), some close relations of the young man proceed to some distance northward, and wait for omens. If these are auspicious, they are satisfied. Some, instead of so doing, go to a temple, and seek the omens either by placing flowers on the idol, and watching the directions in which they fall, or by picking up a flower from a large number strewn in front of the idol. If the flower picked up, and the one thought of, are of the same colour, it is regarded as a good omen. Among the Gudigāras (wood-carvers) of South Canara, the parents of the couple go to a temple, and receive from the priest some flowers which have been used in worship. These are counted, and, if their number is even, the match is arranged. At a marriage among the Malaiālis of the Kollaimalai hills, the garlands with which the bridal couple are adorned, are thrown into a well after the tāli has been tied on the bride’s neck. If they float together, it is an omen that the two will love each other.

Among the Telugu Janappans (gunny-bag makers), on the day fixed for the betrothal, those assembled wait silently listening for the chirping of a lizard, which is an auspicious sign. It is said that the match is broken off if the chirping is not heard. If the omen proves auspicious, a small bundle of nine to twelve kinds of pulses and grain is given by the bridegroom’s father to the father of the bride. This is preserved, and examined several days after the marriage. If the pulses and grain are in good condition, it is a sign that the newly married couple will have a prosperous career. During the marriage ceremonies of the Muhammadan Daknis or Deccanis, two big pots, filled with water, are placed near the milk-post. They are kept for forty days, and then examined. If the water remains sweet, and does not “teem with vermin,” it is regarded as a good omen. The seed grains, too, which, as among many Hindu castes, were sown at the time of the wedding, should by this time have developed into healthy seedlings. At a Rona (Oriya cultivator) wedding, the Dēsāri who officiates ties to the ends of the cloths of the bridal couple a new cloth, to which a quarter-anna piece is attached, betel leaves and areca nuts, and seven grains of rice. Towards the close of the marriage rites on the third day, the rice is examined, to see if it is in a good state of preservation, and its condition is regarded as an omen for good or evil.

On the occasion of a wedding among the Badagas of the Nīlgiris, a procession goes before dawn on the marriage day to the forest, where two sticks of Mimusops hexandra are collected, to do duty as the milk-posts. The early hour is selected, to avoid the chance of coming across inauspicious objects. At the close of the Agamudaiyan marriage ceremonies, the twig of Erythrina indica or Odina wodier, of which the milk-post was made, is planted. If it takes root and grows, it is regarded as a favourable omen. At a Palli (Tamil cultivator) wedding two lamps, called kuda vilakku (pot light) and alankara vilakku (ornamental light), are placed by the side of the milk-post. The former consists of a lighted wick in an earthenware tray placed on a pot. It is considered an unlucky omen if it goes out before the conclusion of the ceremonial.

Prior to the betrothal ceremony of the Kammas (Telugu cultivators), a near relation of the future bridegroom proceeds with a party to the home of the future bride. On the way thither, they look for omens, such as the crossing of birds in an auspicious direction. Immediately on the occurrence of a favourable omen, they burn camphor, and break a cocoanut, which must split in two with clean edges. One half is sent to the would-be bridegroom, and the other taken to the bride’s house. When this is reached, she demands the sagunam (omen) cocoanut. If the first cocoanut does not split properly, others are broken till the desired result is obtained.

In the Telugu country, the services of a member of the Bōya caste are required if a Brāhman wishes to perform Vontigadu, a ceremony by which he hopes to induce favourable auspices, under which to celebrate a marriage. The story has it that Vontigadu was a destitute Bōya, who died of starvation. On the morning of the day on which the ceremony, for which favourable auspices are required, is performed, a Bōya is invited to the house. He is given a present of gingelly (Sesamum) oil, wherewith to anoint himself. This done, he returns, carrying in his hand a dagger, on the point of which a lime has been stuck. He is directed to the cowshed, and there given a good meal. After finishing the meal, he steals from the shed, and dashes out of the house, uttering a piercing yell, and waving his dagger. He on no account looks behind him. The inmates of the house follow for some distance, throwing water wherever he has trodden. By this means, all possible evil omens for the coming ceremony are done away with.

A curious mock marriage ceremony is celebrated among Brāhmans, when an individual marries a third wife. It is believed that a third marriage is very inauspicious, and that the bride will become a widow. To prevent this mishap, the man is made to marry the arka plant (Calotropis gigantea), which grows luxuriantly in wastelands, and the real marriage thus becomes the fourth. The bridegroom, accompanied by a Brāhman priest and another Brāhman, repairs to a spot where this plant is growing. It is decorated with a cloth and a piece of string, and symbolised into the sun. All the ceremonies, such as making hōmam (sacred fire), tying the tāli (marriage badge), etc., are performed as at a regular marriage, and the plant is cut down. On rathasapthami day, an orthodox Hindu should bathe his head and shoulders with arka leaves in propitiation of Surya (the sun). The leaves are also used during the worship of ancestors by some Brāhmans. Among the Tangalān Paraiyans, if a young man dies before he is married, a ceremony called kannikazhital (removing bachelorhood) is performed. Before the corpse is laid on the bier, a garland of arka flowers is placed round its neck, and balls of mud from a gutter are laid on the head, knees, and other parts of the body. In some places, a variant of the ceremony consists in the erection of a mimic marriage booth, which is covered with leaves of the arka plant, flowers of which are placed round the neck as a garland. Adulterers were, in former times, seated on a donkey, with their face to the tail, and marched through the village. The public disgrace was enhanced by placing a garland of the despised arka leaves on their head. Uppiliyan women convicted of immorality are said to be garlanded with arka flowers, and made to carry a basket of mud round the village. A Konga Vellāla man, who has been found guilty of undue intimacy with a widow, is readmitted to the caste by being taken to the village common, where he is beaten with an arka stick, and by providing a black sheep for a feast. When a Kuruvikkāran man has to submit to trial by ordeal, seven arka leaves are tied to his palms, and a piece of red-hot iron is placed thereon. His innocence is established, if he is able to carry it while he takes seven long strides. The juice of the arka plant is a favourite agent in the hands of suicides.