The old gentleman interrupted him with a soft laugh.
“No, no, I wasn’t offended, I was amused. You needed a haunted house: I could even supply that quality, though I will not promise you that my family ghost will walk. The Dower House has been haunted for hundreds of years. A former occupant in a fit of frenzy murdered his daughter there, and the unhappy lady is supposed to walk. I have never seen her, though many years ago one of my servants did. Fortunately, I am relieved of that form of annoyance: I no longer keep servants in the house,” he smiled, “though, if you care to stay the night, I shall be honoured to entertain five or six of your company.”
Knebworth heaved a sigh of relief. He had made diligent inquiries and found that it was almost impossible to secure lodgings in the neighbourhood, and he was most anxious to take night pictures, and for one scene he particularly desired the peculiar light value which he could only obtain in the early hours of the morning.
“I’m afraid that would give you a lot of trouble, Mr. Longvale,” he said. “And here and now I think we might discuss that delicate subject of——”
The old man stopped him with a gesture.
“If you are going to speak of money, please don’t,” he said firmly. “I am interested in cinematography; in fact, I am interested in most modern things. We old men are usually prone to decry modernity, but I find my chiefest pleasure in the study of those scientific wonders which this new age has revealed to us.”
He looked at the director quizzically.
“Some day you shall take a picture of me in the one rôle in which I think I should have no peer—a picture of me in the rôle of my illustrious ancestor.”
Jack Knebworth stared, half amused, half startled. It was no unusual experience to find people who wished to see themselves on the screen, but he never expected that little piece of vanity from Mr. Sampson Longvale.
“I should be glad,” he said formally. “Your people were pretty well known, I guess?”