She made no reply. There was fear in her eyes, and all the time she was conscious of many unpleasant interviews with her father—interviews which had taken place in Kieff and in other towns—the details of which she could never recall. And she was filled with a dread of some happening to which she could not give form or description. He saw her shifting in her chair and smiled slowly.
"Get me the little box which is on my dressing-table, Sophia Kensky," he said.
He was seated by the fire, his hands outstretched to the red coal. After a moment's hesitation she got up, went to the dressing-table, and brought back a small box. It was heavy and made of some metal over which a brilliant black enamel had been laid.
"Open the box, Sophia Kensky," said the old man, not turning his head.
She had a dim recollection that she had been asked to do this before, but again could not remember when or in what circumstances. She opened the lid and looked within. On a bed of black velvet was a tiny convex mirror, about the size of a sixpence. She looked at this, and was still looking at it when she walked slowly back to her chair and sat down. It had such a fascination, this little mirror, that she could not tear her eyes away.
"Close your eyes," said Kensky in a monotonous voice, and she obeyed. "You cannot open them," said the old man, and she shook her head and repeated:
"I cannot open them."
"Now you shall tell me, Sophia Kensky, where you went this night."
In halting tones she told him of her meeting with Yakoff, of their walk, of the cab, of the little door in the back street, and the stone stairs that led to the whitewashed passage; and then she gave, as near as she knew, a full account of all that had taken place. Only when she came to describe Bim and to tell of what he said, did she flounder. Bim had spoken in a foreign language, and the translation of Yakoff had conveyed very little to her. But in this part of the narrative the old man was less interested. Again and again he returned to Boolba and the plot.