Lady Dinsmore smiled. "I will do better than that," she said kindly. "I will be your very good friend and give you a chance to ask her why. Frank,"—she bent forward and tapped the young man upon the shoulder with her fan,—"will you come over here and tell me what your editor means?"
The Count resigned his seat courteously, and took the vacant place beside the girl. A silence fell between them, which presently the man broke.
"Miss Gray," he began, seriously, "your aunt kindly gave me this opportunity to ask you a question. Have I your permission also?"
The girl arched her eyebrows. Her lip curled ever so slightly.
"A question to which you and my Aunt Patricia could find no answer between you! It must be subtle indeed! How can I hope to succeed?"
He ignored her sarcasm. "Because it concerns yourself."
"Ah!" She drew herself up and regarded him with sparkling eyes. One small foot began to tap the floor ominously. Then she broke into a vexed little laugh.
"I am no match for you with the foils, Count. I admit it freely. I should have learned by this time that you never say what you mean, or mean what you say."
"Forgive me, Miss Gray, if I say that you mistake me utterly. I mean always what I say—most of all to you. But to say all that I mean—to put into speech all that one hopes or dreams—or dares,"—his voice dropped to a whisper—"to turn oneself inside out like an empty pocket to the gaze of the multitude—that is—imbecile." He threw out his hands with an expressive gesture.
"But to speak concretely—I have unhappily offended you, Miss Gray. Something I have done, or left undone—or my unfortunate personality does not engage your interest. Is it not true?"