Merry groups and jovial couples were, of course, quite in Hals' way, though probably he painted them for his own pleasure rather than for love of gain. "Junkheer Rampf and his Lass" (1623)—somewhere in Paris, Mons. Cocret's "Merry Supper Party," and a number of "Rommel-pot-speelers"—perhaps "Drinks all round!" in English—at the Hague, Berlin, and elsewhere, offer ample evidence of the painter's free-and-easy manners and humorous genre.

PLATE V.—THE OFFICERS OF THE SHOOTING GUILD OF ST. ADRIAEN

(Town Hall, Haarlem)

Painted in 1633. This, the second group of the St. Adriaen Officers, is the finest of all the five "Schutters-Doelen" at Haarlem. For clever arrangement of the figures and instantaneous catch of character it is unsurpassed. The armourer had furbished up the old halberds of the Company, which, with the banners, are quite significant features. The costumes are peculiarly rich and the sashes gaily ample; whilst the variety of ruffs and collars, and the trimming of the beards, indicate the vagaries of fashion. The Colonel—Jan Claesz Van Loo, with his hunt-stick—no doubt he was getting gouty!—sits, looking at you full in the face. The other Officers have all their eyes upon you; they are inviting you to join in their conviviality. The background of trees and farm-buildings suggests the delights of a picnic in the open air.

Mevrouw Lysbeth knew all about these junketings, and, good soul, she made no complaint, but on the contrary she challenged Franz to add his own portrait with hers to the suite of jolly partners.

She put on her best black brocade gown, with its modish heliotrope bodice, and went to the expense of the newest things in ruffs and cuffs. Her hair—she was not richly dowered that way!—she coiffed neatly round her head, and tied on the nattiest of little lace caps.

With Franz, no doubt, she had some trouble. He disliked very much fashionable garments, but inasmuch as he had something of a position to keep up as a member of the Haarlem municipality, she persuaded him to get into his Groote Keerke and Stadhuis suit of black silk and stuff. She brushed well his best beaver hat, carefully gauffered his cambric cuffs, and pinned round his throat the best Mechlin lace collar he possessed. His shoes were new and neatly bowed, and he, worthy fellow, responded to his loving wife's playful whim by putting on—a thing quite unusual for him—a pair of white kid gloves.