Land of the Burnt Thigh

by Edith Eudora Kohl

We had now seen the inside of a few shacks over the prairie. The attempts the women had made to convert them into homes were pitiful, although some of them had really accomplished wonders with practically nothing. It is pretty hard to crush the average woman's home-making instinct. The very grimness of the prairie increased their determination to raise a bulwark against it.

Up to now we had been uneasy guests in the shack, ready for flight whenever Huey Dunn got around to taking us back to Pierre. But trying to dig out a few things now and then from grips and trunks without unpacking from top to bottom is an unsatisfactory procedure. So we unpacked.

Then we had to find a place for our things and thought we might as well try to make the cabin more comfortable at the same time, even if we weren't staying. We looked about us. There wasn't much to work with. In the walls of our shack the boards ran up and down with a 2 × 4 scantling midway between floor and ceiling running all the way around the room. This piece of lumber served two purposes. It held the shack together and served as a catch-all for everything from toilet articles to hammer and nails. The room had been lined with patches of building paper, some red, some blue, and finished out with old newspapers.

The patchwork lining had become torn in long cracks where the boards of the shack were split, and through the holes the dry wind drove dust and sand. The shack would have to be relined, for there was not sufficient protection from the weather and we would freeze in the first cold spell.

This regulation shack lining was a great factor in the West's settlement. We should all have frozen to death without it. It came in rolls and was hauled out over the plains like ammunition to an army, and paper factories boomed. There were two kinds—red and blue—and the color indicated the grade. The red was a thinner, inferior quality and cost about three dollars a roll, while the heavy blue cost six. Blue paper on the walls was as much a sign of class on the frontier as blue blood in Boston. We lined our shack with red.

The floor was full of knotholes, and the boards had shrunk, leaving wide cracks between. The bachelor homesteader had left it black with grease. When Huey hauled us an extra keg of water we proceeded to take off at least a few layers.

We were filling the cracks with putty when a bachelor homesteader stopped by and watched the operation in disgust.

"Where you goin' to run your scrub-water," he wanted to know, "with the cracks and knotholes stopped up?"

In the twenty-dollar box was a 6 × 9-foot faded Brussels rug, with a couple of rolls of cheap wallpaper. From a homesteader who was proving up and leaving we bought an old wire cot. With cretonnes we made pillows, stuffed with prairie grass; hung bright curtains at the little windows, which opened by sliding back between strips of wood. In the big wooden box we had also packed a small, light willow rocker. In one corner we nailed up a few boards for a bookcase, painting it bright red. Little by little the old tar-paper shack took on a homelike air.

It is curious how much value a thing has if one has put some effort into it. We were still as disillusioned with the country as we had been the first day, we felt as out of place on a homestead as a coyote sauntering up Fifth Avenue, we felt the tar-paper shack to be the most unhomelike contraption we had ever seen; but from the moment we began to make improvements, transforming the shack, it took on an interest for us out of all proportion to the changes we were able to make. Slowly we were making friends, learning to find space restful and reassuring instead of intimidating, adapting our restless natures to a country that measured time in seasons; imperceptibly we were putting down our first roots into that stubborn soil.