Land of the Burnt Thigh

by Edith Eudora Kohl

We got along fairly well unless the wind blew the tar paper off. There was not a tree, not a weather-break of any kind for protection. Sometimes the wind, coming in a clean sweep, would riddle the tar paper and take it in great sheets across the prairie so fast no one could catch up with it. The covering on our shack had seen its best days and went ripping off at the least provocation. With plenty of fuel one could get along fairly well unless the tar paper was torn off in strips, leaving the cracks and knotholes open. Then we had to stop up the holes with anything we had, and patch the paper as best we could.

We had our piano out there that winter and Ida Mary bought a heating stove for the front room. "The Ammons girls are riding high," some of the settlers said good-naturedly. But when the stove, the cheapest listed in the mail-order catalog, arrived, Ida Mary cried with disappointment and then began to laugh. It was so small we could not tell whether it was a round heater or a bulge in the stovepipe. With it the temperature of the room ran automatically from roasting to freezing point unless one kept stoking in fuel.

In some ways Ida Mary and I remained objects of curiosity. Occasionally we saw indications of it. There had been a hot Sunday afternoon during the summer when Ida Mary and I were sitting in the open door of the shack. A strange cowboy rode up to the door. "Is this the place where the newspaper and everything is?"

We told him that it was. He threw one leg over the saddlehorn and fanned himself with his sombrero, looking us over, gaudy in a red and black checkered shirt, fringed leather chaps and bright green neckerchief.

"Well, you ain't the ones I heard about that's runnin' it, are you?" He seemed puzzled.

Yes, we were the ones. Anything he wanted?

"No. I'm a new wrangler over on Bad Horse creek—I come from Montana. Montana Joe, they call me. And a bunch of the punchers was just a wondering what you looked like; wanted me to come over and find out," he admitted candidly.

"But," and he stared disapprovingly at our slippered feet, "them don't look like range hoofs to me. They look like Ramblin' Rosie's." Ramblin' Rosie, it appeared, was a notorious dance-hall girl.

And about that time a Chicago newspaper came out, carrying a big headline story, complete with drawings, about our adventures in taming the frontier. It pictured Ida Mary and me with chaps and six-shooters; running claim-jumpers off our land and fighting Indians practically single-handed, plowing the land in overalls, two large, buxom, hardy girls. In fact, it had us shooting and tearing up the West in general. A friend sent us a copy and we laughed over it hysterically, marveling at this transformation of two girls who were both as timid as field mice, into amazons. We hid it quickly so that no one could see it, and forgot about it until long afterwards.

But we weren't the only girls on the plains with problems. A surprising number of homesteaders were girls who had come alone. They had a purpose in being there. With the proceeds of a homestead they could finish their education or go into business.