We will now turn to two styles of legato bowing: eight notes to a bow; two tied notes followed by six tied. Use the whole bow, also upper and lower half. The next bowing is two tied followed by the short staccato at the point of the bow. Then use two tied, two cut, at the middle or point of the bow. Apply the principles of Sevcik, 4,000 Bowings, Sections III, IV, and V.
I would introduce a style of bowing very much used in solo and orchestral work: a running legato at the point in triplets. Same at the middle of the bow. Same at the heel. Three tied legato, followed by three flying staccato, lower half of bow. Three down-stroke middle, spiccato, three up-stroke.
These are all the practical bowings I use, but notes played in one bow, at the point, are useful.
FOOTNOTES:
[1] For detailed and thorough study of the Kreutzer Études see How to Prepare for Kreutzer and The Study of the Kreutzer Études, both by Edith L. Winn. Published by Carl Fischer, New York.
[2] See newly revised edition by Ovide Musin. Published by Carl Fischer, New York.
[3] See newly revised edition by Gustav Saenger. Published by Carl Fischer, New York.
[4] See The Study of the Kreutzer Études, by Edith L. Winn.
[5] School of Bowing, by O. Sevcik, Op. 2 in two Books. Systematic and progressively graded technical bowing exercises. Published by Carl Fischer, New York. Price, 75 cents each book.