By one of the charming oppositions of French travel, one may return from this classic pilgrimage through the mediæval town of Uzès; and, as if such contrasts were not fruitful enough, may pause on the way to smile at the fantastic château d’Angivilliers—a half-ruined eighteenth-century “Folly” with an anachronistic medley of kiosks, arcades, pagodas, a chapel like a Roman temple, and a ruined box-garden haunted by peacocks.
CARCASSONNE: THE PORTE DE L’AUDE
Uzès itself, a steep town clustered about the ducal keep of the Crussols, has a stately terrace above the valley, and some fine eighteenth-century houses, in shabby streets insufficiently swept; but its chief feature is of course the castle which, planted protectingly in the centre of the town, thrusts up its central dungeon over a fine feudal jumble of subsidiary masonry.
From Nîmes to the Mediterranean the impressions are packed too thick. First the Rhone, with the castles of Tarascon and Beaucaire taunting each other across its yellow flood, Beaucaire from a steep cliff, Tarascon from the very brink of the river; then, after a short flight through olive-orchards and vineyards, the pretty leafy town of Saint Remy on the skirts of the Alpilles; and a mile to the south of Saint Remy, on a chalky ledge of the low mountain-chain, the two surviving monuments of the Roman city of Glanum. They are set side by side, the tomb and the triumphal arch, in a circular grassy space enclosed with olive-orchards and backed by delicate fretted peaks: not another vestige of Roman construction left to connect them with the past. Was it, one wonders, their singular beauty that saved them, that held even the Visigoths’ hands when they wiped out every other trace of the populous city of stone-quarriers, with its aqueducts, walls and temples? Certainly, seeing the two buildings thus isolated under the radiant lonely sky, one is tempted to exclaim that they might well have checked even barbarian violence, and that never again did the stout Roman trunk throw out two such flowers of grace and lightness. It is as though, from that packed Provençal soil, some dust of Greece had passed into the Latin stem, clearing a little its thick sap; yet it is just because the monuments remain so sturdily Roman that the grace and the lightness count so much.
This Alpilles country between Rhone and Durance is itself the most Grecian thing west of Greece: Provence of Provence in every line of its bare sharp-cut heights, tufted with a spare classic growth of olive, cistus and myrtle, it explains why the Greek colonist found himself at home on these ultimate shores, and why the Roman conqueror bowed here to Attic influences.
Pushing southeast from Saint Remy, one comes, through a broadening landscape, to the old town of Salon, where Nostradamus is buried, and thence, by a winding road among the hills, to the wide valley where Aix-en-Provence lies encircled in mountains.
SAINT-REMY: THE MAUSOLEUM
For a town so nobly seated it seems, at first approach, a little commonplace and insignificant; the eye, lighting on it from the heights, seeks a sky-line like that of Clermont or Périgueux. Aix, in this respect, remains inadequate; yet presents itself to closer inspection as a charming faded old place, tinged with legal and academic memories, with a fine double row of balconied and sculptured hôtels along its leafy cours, and a number of scattered treasures in the folds of its crooked streets.