“Why, if you and I are really off on this long trek——”
“Oh, of course,” agreed Campton, relieved. “You’d much better lunch with them. I always want you to do what’s decent.” He paused on the threshold to add: “By the way, don’t forget Adele.”
“Well, rather not,” his son responded. “And we’ll keep the evening free for something awful.”
As he left the room he heard George rapping on the telephone and calling out Miss Anthony’s number.
Campton had to have reassurance at any price; and he got it, as usual, irrationally but irresistibly, through his eyes. The mere fact that the midsummer sun lay so tenderly on Paris, that the bronze dolphins of the fountains in the square were spraying the Nereids’ Louis Philippe chignons as playfully as ever; that the sleepy Cities of France dozed as heavily on their thrones, and the Horses of Marly pranced as fractiously on their pedestals; that the glorious central setting of the city lay there in its usual mellow pomp—all this gave him a sense of security that no crisscrossing of Reuters and Havases could shake.
Nevertheless, he reflected that there was no use in battling with the silly hysterical crowd he would be sure to encounter at Cook’s; and having left word with the hotel-porter to secure two “sleepings” on the Naples express, he drove to the studio.
On the way, as his habit was, he thought hard of his model: everything else disappeared like a rolled-up curtain, and his inner vision centred itself on the little yellow face he was to paint.
Peering through her cobwebby window, he saw old Mme. Lebel on the watch. He knew she wanted to pounce out and ask if there would be war; and composing his most taciturn countenance he gave her a preoccupied nod and hurried by.
The studio looked grimy and disordered, and he remembered that he had intended, the evening before, to come back and set it to rights. In pursuance of this plan, he got out a canvas, fussed with his brushes and colours, and then tried once more to make the place tidy. But his attempts at order always resulted in worse confusion; the fact had been one of Julia’s grievances against him, and he had often thought that a reaction from his ways probably explained the lifeless neatness of the Anderson Brant drawing-room.
Campton had fled to Montmartre to escape a number of things: first of all, the possibility of meeting people who would want to talk about the European situation, then of being called up by Mrs. Brant, and lastly of having to lunch alone in a fashionable restaurant. In his morbid dread of seeing people he would have preferred an omelette in the studio, if only Mariette had been at hand to make it; and he decided, after a vain struggle with his muddled “properties,” to cross over to the Luxembourg quarter and pick up a meal in a wine-shop.