They found one, and sat down among early clerks and shop-girls, and a few dishevelled women with swollen faces whom Campton had noticed in the station. One of them, who sat opposite an elderly man, had drawn out a pocket mirror and was powdering her nose.
Campton hated to see women powder their noses—one of the few merits with which he credited Julia Brant was that of never having adopted these dirty modern fashions, of continuing to make her toilet in private “like a lady,” as people used to say when he was young. But now the gesture charmed him, for he had recognized the girl who had been sobbing in the station.
“How game she is! I like that. But why is she so frightened?” he wondered. For he saw that her chocolate was untouched, and that the smile had stiffened on her lips.
Since his talk with Adamson he could not bring himself to be seriously alarmed. Fear had taken him by the throat for a moment in the station, at the sound of the girl’s sobs; but already he had thrown it off. Everybody agreed that the war was sure to be over in a few weeks; even Dastrey had come round to that view; and with Fortin’s protection, and the influences Anderson Brant could put in motion, George was surely safe—as safe at his depot as anywhere else in this precarious world. Campton poured out Adele’s coffee, and drank off his own as if it had been champagne.
“Do you know anything about the people George was dining with last night?” he enquired abruptly.
Miss Anthony knew everything and everybody in the American circle in Paris; she was a clearing-house of Franco-American gossip, and it was likely enough that if George had special reasons for wishing to spend his last evening away from his family she would know why. But the chance of her knowing what had been kept from him made Campton’s question, as soon as it was put, seem indiscreet, and he added hastily: “Not that I want——”
She looked surprised. “No: he didn’t tell me. Some young man’s affair, I suppose....” She smirked absurdly, her lashless eyes blinking under the pushed-back veil.
Campton’s mind had already strayed from the question. Nothing bored him more than Adele doing the “sad dog,” and he was vexed at having given her such a chance to be silly. What he wanted to know was whether George had spoken to his old friend about his future—about his own idea of his situation, and his intentions and wishes in view of the grim chance which people, with propitiatory vagueness, call “anything happening.” Had the boy left any word, any message with her for any one? But it was useless to speculate, for if he had, the old goose, true as steel, would never betray it by as much as a twitch of her lids. She could look, when it was a question of keeping a secret, like such an impenetrable idiot that one could not imagine any one’s having trusted a secret to her.
Campton had no wish to surprise George’s secrets, if the boy had any. But their parting had been so hopelessly Anglo-Saxon, so curt and casual, that he would have liked to think his son had left, somewhere, a message for him, a word, a letter, in case ... in case there was anything premonitory in the sobbing of that girl at the next table.
But Adele’s pink nose confronted him, as guileless as a rabbit’s, and he went out with her unsatisfied. They parted at the door of the restaurant, and Campton went to the studio to see if there were any news of his maid-servant Mariette. He meant to return to sleep there that night, and even his simple housekeeping was likely to be troublesome if Mariette should not arrive.