A gleam of hope came to me and I pronounced: “One can’t judge of a picture in this weather.”
“Of course not. I’m coming for you to-morrow.”
“I’ve an engagement to-morrow.”
“I’ll come before or after your engagement.”
The afternoon paper lay at my elbow and I contrived a furtive consultation of the weather-report. It said “Rain to-morrow,” and I answered briskly: “All right, then; come at ten”—rapidly calculating that the clouds on which I counted might lift by noon.
My ingenuity failed of its due reward; for the heavens, as if in league with my cousin, emptied themselves before morning, and punctually at ten Eleanor and the sun appeared together in my office.
I hardly listened, as we descended the Museum steps and got into Eleanor’s hansom, to her vivid summing-up of the case. I guessed beforehand that the lady we were about to visit had lapsed by the most distressful degrees from opulence to a “hall-bedroom”; that her grandfather, if he had not been Minister to France, had signed the Declaration of Independence; that the Rembrandt was an heirloom, sole remnant of disbanded treasures; that for years its possessor had been unwilling to part with it, and that even now the question of its disposal must be approached with the most diplomatic obliquity.
Previous experience had taught me that all Eleanor’s “cases” presented a harrowing similarity of detail. No circumstance tending to excite the spectator’s sympathy and involve his action was omitted from the history of her beneficiaries; the lights and shades were indeed so skilfully adjusted that any impartial expression of opinion took on the hue of cruelty. I could have produced closetfuls of “heirlooms” in attestation of this fact; for it is one more mark of Eleanor’s competence that her friends usually pay the interest on her philanthropy. My one hope was that in this case the object, being a picture, might reasonably be rated beyond my means; and as our cab drew up before a blistered brown-stone door-step I formed the self-defensive resolve to place an extreme valuation on Mrs. Fontage’s Rembrandt. It is Eleanor’s fault if she is sometimes fought with her own weapons.
The house stood in one of those shabby provisional-looking New York streets that seem resignedly awaiting demolition. It was the kind of house that, in its high days, must have had a bow-window with a bronze in it. The bow-window had been replaced by a plumber’s devanture, and one might conceive the bronze to have gravitated to the limbo where Mexican onyx tables and bric-a-brac in buffalo-horn await the first signs of our next aesthetic reaction.
Eleanor swept me through a hall that smelled of poverty, up unlit stairs to a bare slit of a room. “And she must leave this in a month!” she whispered across her knock.