Aristiù di montone

pasted in one of its fly-blown window-panes. Here the consumption of tough macaroni or of an ambiguous frittura sufficed to transport me to the Cappello d’Oro in Venice, while my cup of coffee and a wasp-waisted cigar with a straw in it turned my greasy table-cloth into the marble top of one of the little round tables under the arcade of the Caffè Pedrotti at Padua. This feat of the imagination was materially aided by Agostino, the hollow-eyed and low-collared waiter, whose slimy napkin never lost its Latin flourish and whose zeal for my comfort was not infrequently displayed by his testing the warmth of my soup with his finger. Through Agostino I became acquainted with the inner history of the colony, heard the details of its feuds and vendettas, and learned to know by sight the leading characters in these domestic dramas.

The restaurant was frequented by the chief personages of the community: the overseer of the Italian hands at the Meriton Mills, the doctor, his wife the levatrice (a plump Neapolitan with greasy ringlets, a plush picture-hat, and a charm against the evil-eye hanging in a crease of her neck) and lastly by Don Egidio, the parocco of the little church across the street. The doctor and his wife came only on feast days, but the overseer and Don Egidio were regular patrons. The former was a quiet saturnine-looking man, of accomplished manners but reluctant speech, and I depended for my diversion chiefly on Don Egidio, whose large loosely-hung lips were always ajar for conversation. The remarks issuing from them were richly tinged by the gutturals of the Bergamasque dialect, and it needed but a slight acquaintance with Italian types to detect the Lombard peasant under the priest’s rusty cassock. This inference was confirmed by Don Egidio’s telling me that he came from a village of Val Camonica, the radiant valley which extends northward from the lake of Iseo to the Adamello glaciers. His step-father had been a laborer on one of the fruit-farms of a Milanese count who owned large estates in the Val Camonica; and that gentleman, taking a fancy to the lad, whom he had seen at work in his orchards, had removed him to his villa on the lake of Iseo and had subsequently educated him for the Church.

It was doubtless to this picturesque accident that Don Egidio owed the mingling of ease and simplicity that gave an inimitable charm to his stout shabby presence. It was as though some wild mountain-fruit had been transplanted to the Count’s orchards and had mellowed under cultivation without losing its sylvan flavor. I have never seen the social art carried farther without suggestion of artifice. The fact that Don Egidio’s amenities were mainly exercised on the mill-hands composing his parish proved the genuineness of his gift. It is easier to simulate gentility among gentlemen than among navvies; and the plain man is a touchstone who draws out all the alloy in the gold.

Among his parishioners Don Egidio ruled with the cheerful despotism of the good priest. On cardinal points he was inflexible, but in minor matters he had that elasticity of judgment which enables the Catholic discipline to fit itself to every inequality of the human conscience. There was no appeal from his verdict; but his judgment-seat was a revolving chair from which he could view the same act at various angles. His influence was acknowledged not only by his flock, but by the policeman at the corner, the “bar-keep’” in the dive, the ward politician in the corner grocery. The general verdict of Dunstable was that the Point would have been hell without the priest. It was perhaps not precisely heaven with him; but such light of the upper sky as pierced its murky atmosphere was reflected from Don Egidio’s countenance. It is hardly possible for any one to exercise such influence without taking pleasure in it; and on the whole the priest was probably a contented man; though it does not follow that he was a happy one. On this point the first stages of our acquaintance yielded much food for conjecture. At first sight Don Egidio was the image of cheerfulness. He had all the physical indications of a mind at ease: the leisurely rolling gait, the ready laugh, the hospitable eye of the man whose sympathies are always on the latch. It took me some time to discover under his surface garrulity the impenetrable reticence of his profession, and under his enjoyment of trifles a levelling melancholy which made all enjoyment trifling. Don Egidio’s aspect and conversation were so unsuggestive of psychological complexities that I set down this trait to poverty or home-sickness. There are few classes of men more frugal in tastes and habit than the village priest in Italy; but Don Egidio, by his own account, had been introduced, at an impressionable age, to a way of living that must have surpassed his wildest dreams of self-indulgence. To whatever privations his parochial work had since accustomed him, the influences of that earlier life were too perceptible in his talk not to have made a profound impression on his tastes; and he remained, for all his apostolic simplicity, the image of the family priest who has his seat at the rich man’s table.

It chanced that I had used one of my short European holidays to explore afoot the romantic passes connecting the Valtelline with the lake of Iseo; and my remembrance of that enchanting region made it seem impossible that Don Egidio should ever look without a reminiscent pang on the grimy perspective of his parochial streets. The transition was too complete, too ironical, from those rich glades and Titianesque acclivities to the brick hovels and fissured sidewalks of the Point.

This impression was confirmed when Don Egidio, in response to my urgent invitation, paid his first visit to my modest lodgings. He called one winter evening, when a wood-fire in its happiest humor was giving a factitious lustre to my book-shelves and bringing out the values of the one or two old prints and Chinese porcelains that accounted for the perennial shabbiness of my wardrobe.

“Ah,” said he with a murmur of satisfaction, as he laid aside his shiny hat and bulging umbrella, “it is a long time since I have been in a casa signorile.”

My remembrance of his own room (he lodged with the doctor and the levatrice) saved this epithet from the suggestion of irony and kept me silent while he sank into my arm-chair with the deliberation of a tired traveller lowering himself gently into a warm bath.

“Good! good!” he repeated, looking about him. “Books, porcelains, objects of virtù—I am glad to see that there are still such things in the world!” And he turned a genial eye on the glass of Marsala that I had poured out for him.