From the park on top of the hill we looked down on another picture. All about us was the plain, its distant rim merged in northern sea-mist; and through the mist, in the glitter of the afternoon sun, far-off towns and shadowy towers lay steeped, as it seemed, in summer quiet. For a moment, while we looked, the vision of war shrivelled up like a painted veil; then we caught the names pronounced by a group of English soldiers leaning over the parapet at our side. "That's Dunkerque"—one of them pointed it out with his pipe—"and there's Poperinghe, just under us; that's Furnes beyond, and Ypres and Dixmude, and Nieuport..." And at the mention of those names the scene grew dark again, and we felt the passing of the Angel to whom was given the Key of the Bottomless Pit.
That night we went up once more to the rock of Cassel. The moon was full, and as civilians are not allowed out alone after dark a staff-officer went with us to show us the view from the roof of the disused Casino on top of the rock. It was the queerest of sensations to push open a glazed door and find ourselves in a spectral painted room with soldiers dozing in the moonlight on polished floors, their kits stacked on the gaming tables. We passed through a big vestibule among more soldiers lounging in the half-light, and up a long staircase to the roof where a watcher challenged us and then let us go to the edge of the parapet. Directly below lay the unlit mass of the town. To the northwest a single sharp hill, the "Mont des Cats," stood out against the sky; the rest of the horizon was unbroken, and floating in misty moonlight. The outline of the ruined towns had vanished and peace seemed to have won back the world. But as we stood there a red flash started out of the mist far off to the northwest; then another and another flickered up at different points of the long curve. "Luminous bombs thrown up along the lines," our guide explained; and just then, at still another point a white light opened like a tropical flower, spread to full bloom and drew itself back into the night. "A flare," we were told; and another white flower bloomed out farther down. Below us, the roofs of Cassel slept their provincial sleep, the moonlight picking out every leaf in the gardens; while beyond, those infernal flowers continued to open and shut along the curve of death.
June 21st.
On the road from Cassel to Poperinghe. Heat, dust, crowds, confusion, all the sordid shabby rear-view of war. The road running across the plain between white-powdered hedges was ploughed up by numberless motor-vans, supply-waggons and Red Cross ambulances. Labouring through between them came detachments of British artillery, clattering gun-carriages, straight young figures on glossy horses, long Phidian lines of youths so ingenuously fair that one wondered how they could have looked on the Medusa face of war and lived. Men and beasts, in spite of the dust, were as fresh and sleek as if they had come from a bath; and everywhere along the wayside were improvised camps, with tents made of waggon-covers, where the ceaseless indomitable work of cleaning was being carried out in all its searching details. Shirts were drying on elder-bushes, kettles boiling over gypsy fires, men shaving, blacking their boots, cleaning their guns, rubbing down their horses, greasing their saddles, polishing their stirrups and bits: on all sides a general cheery struggle against the prevailing dust, discomfort and disorder. Here and there a young soldier leaned against a garden paling to talk to a girl among the hollyhocks, or an older soldier initiated a group of children into some mystery of military housekeeping; and everywhere were the same signs of friendly inarticulate understanding with the owners of the fields and gardens.
From the thronged high-road we passed into the emptiness of deserted Poperinghe, and out again on the way to Ypres. Beyond the flats and wind-mills to our left were the invisible German lines, and the staff-officer who was with us leaned forward to caution our chauffeur: "No tooting between here and Ypres." There was still a good deal of movement on the road, though it was less crowded with troops than near Poperinghe; but as we passed through the last village and approached the low line of houses ahead, the silence and emptiness widened about us. That low line was Ypres; every monument that marked it, that gave it an individual outline, is gone. It is a town without a profile.
The motor slipped through a suburb of small brick houses and stopped under cover of some slightly taller buildings. Another military motor waited there, the chauffeur relic-hunting in the gutted houses.
We got out and walked toward the centre of the Cloth Market. We had seen evacuated towns—Verdun, Badonviller, Raon-l'Etape—but we had seen no emptiness like this. Not a human being was in the streets. Endless lines of houses looked down on us from vacant windows. Our footsteps echoed like the tramp of a crowd, our lowered voices seemed to shout. In one street we came on three English soldiers who were carrying a piano out of a house and lifting it onto a hand-cart. They stopped to stare at us, and we stared back. It seemed an age since we had seen a living being! One of the soldiers scrambled into the cart and tapped out a tune on the cracked key-board, and we all laughed with relief at the foolish noise... Then we walked on and were alone again.
We had seen other ruined towns, but none like this. The towns of Lorraine were blown up, burnt down, deliberately erased from the earth. At worst they are like stone-yards, at best like Pompeii. But Ypres has been bombarded to death, and the outer walls of its houses are still standing, so that it presents the distant semblance of a living city, while near by it is seen to be a disembowelled corpse. Every window-pane is smashed, nearly every building unroofed, and some house-fronts are sliced clean off, with the different stories exposed, as if for the stage-setting of a farce. In these exposed interiors the poor little household gods shiver and blink like owls surprised in a hollow tree. A hundred signs of intimate and humble tastes, of humdrum pursuits, of family association, cling to the unmasked walls. Whiskered photographs fade on morning-glory wallpapers, plaster saints pine under glass bells, antimacassars droop from plush sofas, yellowing diplomas display their seals on office walls. It was all so still and familiar that it seemed as if the people for whom these things had a meaning might at any moment come back and take up their daily business. And then—crash! the guns began, slamming out volley after volley all along the English lines, and the poor frail web of things that had made up the lives of a vanished city-full hung dangling before us in that deathly blast.
We had just reached the square before the Cathedral when the cannonade began, and its roar seemed to build a roof of iron over the glorious ruins of Ypres. The singular distinction of the city is that it is destroyed but not abased. The walls of the Cathedral, the long bulk of the Cloth Market, still lift themselves above the market place with a majesty that seems to silence compassion. The sight of those facades, so proud in death, recalled a phrase used soon after the fall of Liege by Belgium's Foreign Minister—"La Belgique ne regrette rien "—which ought some day to serve as the motto of the renovated city.
We were turning to go when we heard a whirr overhead, followed by a volley of mitrailleuse. High up in the blue, over the centre of the dead city, flew a German aeroplane; and all about it hundreds of white shrapnel tufts burst out in the summer sky like the miraculous snow-fall of Italian legend. Up and up they flew, on the trail of the Taube, and on flew the Taube, faster still, till quarry and pack were lost in mist, and the barking of the mitrailleuse died out. So we left Ypres to the death-silence in which we had found her.