Luckily, too, these incessant comings and goings involved much walking of the beautiful idle summer streets, which grew idler and more beautiful each day. Never had such blue-grey softness of afternoon brooded over Paris, such sunsets turned the heights of the Trocadero into Dido's Carthage, never, above all, so rich a moon ripened through such perfect evenings. The Seine itself had no small share in this mysterious increase of the city's beauty. Released from all traffic, its hurried ripples smoothed themselves into long silken reaches in which quays and monuments at last saw their unbroken images. At night the fire-fly lights of the boats had vanished, and the reflections of the street lamps were lengthened into streamers of red and gold and purple that slept on the calm current like fluted water-weeds. Then the moon rose and took possession of the city, purifying it of all accidents, calming and enlarging it and giving it back its ideal lines of strength and repose. There was something strangely moving in this new Paris of the August evenings, so exposed yet so serene, as though her very beauty shielded her.

So, gradually, we fell into the habit of living under martial law. After the first days of flustered adjustment the personal inconveniences were so few that one felt almost ashamed of their not being more, of not being called on to contribute some greater sacrifice of comfort to the Cause. Within the first week over two thirds of the shops had closed—the greater number bearing on their shuttered windows the notice "Pour cause de mobilisation," which showed that the "patron" and staff were at the front. But enough remained open to satisfy every ordinary want, and the closing of the others served to prove how much one could do without. Provisions were as cheap and plentiful as ever, though for a while it was easier to buy food than to have it cooked. The restaurants were closing rapidly, and one often had to wander a long way for a meal, and wait a longer time to get it. A few hotels still carried on a halting life, galvanized by an occasional inrush of travel from Belgium and Germany; but most of them had closed or were being hastily transformed into hospitals.

The signs over these hotel doors first disturbed the dreaming harmony of Paris. In a night, as it seemed, the whole city was hung with Red Crosses. Every other building showed the red and white band across its front, with "Ouvroir" or "Hopital" beneath; there was something sinister in these preparations for horrors in which one could not yet believe, in the making of bandages for limbs yet sound and whole, the spreading of pillows for heads yet carried high. But insist as they would on the woe to come, these warning signs did not deeply stir the trance of Paris. The first days of the war were full of a kind of unrealizing confidence, not boastful or fatuous, yet as different as possible from the clear-headed tenacity of purpose that the experience of the next few months was to develop. It is hard to evoke, without seeming to exaggerate it, that the mood of early August: the assurance, the balance, the kind of smiling fatalism with which Paris moved to her task. It is not impossible that the beauty of the season and the silence of the city may have helped to produce this mood. War, the shrieking fury, had announced herself by a great wave of stillness. Never was desert hush more complete: the silence of a street is always so much deeper than the silence of wood or field.

The heaviness of the August air intensified this impression of suspended life. The days were dumb enough; but at night the hush became acute. In the quarter I inhabit, always deserted in summer, the shuttered streets were mute as catacombs, and the faintest pin-prick of noise seemed to tear a rent in a black pall of silence. I could hear the tired tap of a lame hoof half a mile away, and the tread of the policeman guarding the Embassy across the street beat against the pavement like a series of detonations. Even the variegated noises of the city's waking-up had ceased. If any sweepers, scavengers or rag-pickers still plied their trades they did it as secretly as ghosts. I remember one morning being roused out of a deep sleep by a sudden explosion of noise in my room. I sat up with a start, and found I had been waked by a low-voiced exchange of "Bonjours" in the street...

Another fact that kept the reality of war from Paris was the curious absence of troops in the streets. After the first rush of conscripts hurrying to their military bases it might have been imagined that the reign of peace had set in. While smaller cities were swarming with soldiers no glitter of arms was reflected in the empty avenues of the capital, no military music sounded through them. Paris scorned all show of war, and fed the patriotism of her children on the mere sight of her beauty. It was enough.

Even when the news of the first ephemeral successes in Alsace began to come in, the Parisians did not swerve from their even gait. The newsboys did all the shouting—and even theirs was presently silenced by decree. It seemed as though it had been unanimously, instinctively decided that the Paris of 1914 should in no respect resemble the Paris of 1870, and as though this resolution had passed at birth into the blood of millions born since that fatal date, and ignorant of its bitter lesson. The unanimity of self-restraint was the notable characteristic of this people suddenly plunged into an unsought and unexpected war. At first their steadiness of spirit might have passed for the bewilderment of a generation born and bred in peace, which did not yet understand what war implied. But it is precisely on such a mood that easy triumphs might have been supposed to have the most disturbing effect. It was the crowd in the street that shouted "A Berlin!" in 1870; now the crowd in the street continued to mind its own business, in spite of showers of extras and too-sanguine bulletins.

I remember the morning when our butcher's boy brought the news that the first German flag had been hung out on the balcony of the Ministry of War. Now I thought, the Latin will boil over! And I wanted to be there to see. I hurried down the quiet rue de Martignac, turned the corner of the Place Sainte Clotilde, and came on an orderly crowd filling the street before the Ministry of War. The crowd was so orderly that the few pacific gestures of the police easily cleared a way for passing cabs, and for the military motors perpetually dashing up. It was composed of all classes, and there were many family groups, with little boys straddling their mothers' shoulders, or lifted up by the policemen when they were too heavy for their mothers. It is safe to say that there was hardly a man or woman of that crowd who had not a soldier at the front; and there before them hung the enemy's first flag—a splendid silk flag, white and black and crimson, and embroidered in gold. It was the flag of an Alsatian regiment—a regiment of Prussianized Alsace. It symbolized all they most abhorred in the whole abhorrent job that lay ahead of them; it symbolized also their finest ardour and their noblest hate, and the reason why, if every other reason failed, France could never lay down arms till the last of such flags was low. And there they stood and looked at it, not dully or uncomprehendingly, but consciously, advisedly, and in silence; as if already foreseeing all it would cost to keep that flag and add to it others like it; forseeing the cost and accepting it. There seemed to be men's hearts even in the children of that crowd, and in the mothers whose weak arms held them up. So they gazed and went on, and made way for others like them, who gazed in their turn and went on too. All day the crowd renewed itself, and it was always the same crowd, intent and understanding and silent, who looked steadily at the flag, and knew what its being there meant. That, in August, was the look of Paris.

III

FEBRUARY

FEBRUARY dusk on the Seine. The boats are plying again, but they stop at nightfall, and the river is inky-smooth, with the same long weed-like reflections as in August. Only the reflections are fewer and paler; bright lights are muffled everywhere. The line of the quays is scarcely discernible, and the heights of the Trocadero are lost in the blur of night, which presently effaces even the firm tower-tops of Notre-Dame. Down the damp pavements only a few street lamps throw their watery zigzags. The shops are shut, and the windows above them thickly curtained. The faces of the houses are all blind.