“No——” he assented.
There was a long interval of silence, during which she imagined that he was searching her face for more light on what she had revealed to him; and a flush of shame swept over her.
“I know the way you must feel about me,” she broke out, “...telling you such things....”
But once more, as she spoke, she became aware that he was no longer listening. He came close and caught her to him as if he were snatching her from some imminent peril: his impetuous eyes were in hers, and she could feel the hard beat of his heart as he held her against it.
“Kiss me again—like last night,” he said, pushing her hair back as if to draw her whole face up into his kiss.
XII
ONE afternoon toward the end of August a group of girls sat in a room at Miss Hatchard's in a gay confusion of flags, turkey-red, blue and white paper muslin, harvest sheaves and illuminated scrolls.
North Dormer was preparing for its Old Home Week. That form of sentimental decentralization was still in its early stages, and, precedents being few, and the desire to set an example contagious, the matter had become a subject of prolonged and passionate discussion under Miss Hatchard's roof. The incentive to the celebration had come rather from those who had left North Dormer than from those who had been obliged to stay there, and there was some difficulty in rousing the village to the proper state of enthusiasm. But Miss Hatchard's pale prim drawing-room was the centre of constant comings and goings from Hepburn, Nettleton, Springfield and even more distant cities; and whenever a visitor arrived he was led across the hall, and treated to a glimpse of the group of girls deep in their pretty preparations.
“All the old names... all the old names....” Miss Hatchard would be heard, tapping across the hall on her crutches. “Targatt... Sollas... Fry: this is Miss Orma Fry sewing the stars on the drapery for the organ-loft. Don't move, girls... and this is Miss Ally Hawes, our cleverest needle-woman... and Miss Charity Royall making our garlands of evergreen.... I like the idea of its all being homemade, don't you? We haven't had to call in any foreign talent: my young cousin Lucius Harney, the architect—you know he's up here preparing a book on Colonial houses—he's taken the whole thing in hand so cleverly; but you must come and see his sketch for the stage we're going to put up in the Town Hall.”