"Andreoni? At this hour?"
"For reasons so urgent that he makes no doubt of your Highness's consent; and to prove his good faith, and the need of presenting himself at so undue an hour, and in this private manner, he charged me to give this to your Highness."
He laid in the Duke's hand a small object in blackened silver, which on nearer inspection proved to be the ducal coat-of-arms.
Odo stood gazing fixedly at this mysterious token, which seemed to come as an answer to his inmost thoughts. His heart beat high with confused hopes and fears, and he could hardly control the voice in which he answered: "Bid Andreoni come to me."
4.4.
The bookseller began by excusing himself for the liberty he had taken. He explained that the Signorina Fulvia Vivaldi, in whose behalf he came, was in urgent need of aid, and had begged him to wait on the Duke as soon as the court had risen from the play.
"She is in Pianura, then?" Odo exclaimed.
"Since yesterday, your Highness. Three days since she was ordered by the police to leave Milan within twenty-four hours, and she came at once to Pianura, knowing that my wife and I would gladly receive her. But today we learned that the Holy Office was advised of her presence here, and of the reason of her banishment from Lombardy; and this fresh danger has forced her to implore your Highness's protection."
Andreoni went on to explain that the publication of her father's book was the immediate cause of Fulvia's persecution. The Origin of Civilisation, which had been printed some months previously in Amsterdam, had stirred Italy more profoundly than any book since Beccaria's great work on Crime and Punishment. The author's historical investigations were but a pretext for the development of his political theories, which were set forth with singular daring and audacity, and supported by all the arguments that his long study of the past commanded. The temperate and judicial tone which he had succeeded in preserving enhanced the effect of his arraignment of Church and state, and while his immense erudition commended his work to the learned, its directness of style gave it an immediate popularity with the general reader. It was an age when every book or pamphlet bearing on the great question of personal liberty was eagerly devoured by an insatiable public; and a few weeks after Vivaldi's volume had been smuggled into Italy it was the talk of every club and coffee-house from Calabria to Piedmont. The inevitable result soon followed. The Holy Office got wind of the business, and the book was at once put on the Index. In Naples and Bologna it was publicly burned, and in Modena a professor of the University who was found to have a copy in his possession was fined and removed from his chair.
In Milan, where the strong liberal faction among the nobility, and the comparative leniency of the Austrian rule, permitted a more unrestrained discussion of political questions, the Origin of Civilisation was received with open enthusiasm, and the story of the difficulties that Fulvia had encountered in its publication made her the heroine of the moment. She had never concealed her devotion to her father's doctrines, and in the first glow of filial pride she may have yielded too openly to the desire to propagate them. Certain it is that she began to be looked on as having shared in the writing of the book, or as being at least an active exponent of its principles. Even in Lombardy it was not well to be too openly associated with the authorship of a condemned book; and Fulvia was suddenly advised by the police that her presence in Milan was no longer acceptable to the government.