But at the fortifications her pleasure returned. She would go with Jupillon and sit upon the slope of the embankment. Beside her were families innumerable, workmen lying flat upon their faces, small annuitants gazing at the horizon through spy-glasses, philosophers of want, bent double, with their hands upon their knees, the greasy coats characteristic of old men, and black hats worn as red as their red beards.
At the foot of the slope the pavement came to an end. The street was succeeded by a broad, white, chalky, dusty road, made of débris, old pieces of plaster, crumbs of lime and bricks; a sunken road, with deep ruts, polished on the edges, made by the iron tires of the huge great wheels of carts laden with hewn stone. At that point began the things that collect where Paris ends, the things that grow where grass does not grow, one of those arid landscapes that large cities create around them, the first zone of suburbs intra muros where nature is exhausted, the soil used up, the fields sown with oyster shells. Beyond was a wilderness of half-enclosed yards displaying numbers of carts and trucks with their shafts in the air against the sky, stone-cutters' sheds, factories built of boards, unfinished workmen's houses, full of gaps and open to the light, and bearing the mason's flag, wastes of gray and white sand, kitchen gardens marked out with cords, and, on the lower level, bogs to which the embankment of the road slopes down in oceans of small stones.
Soon they would reach the last lantern hanging on a green post. People were still coming and going about them. The road was alive and amused the eyes. They met women carrying their husband's canes, lorettes in silk dresses leaning on the arms of their blouse-clad brothers, old women in bright-colored ginghams walking about with folded arms, enjoying a moment's rest from labor. Workmen were drawing their children in little wagons, urchins returning with their rods from fishing at Saint-Ouen, and men and women dragging branches of flowering acacia at the ends of sticks.
Sometimes a pregnant woman would pass, holding out her arms to a yet small child, and casting the shadow of her pregnancy upon the wall.
And everyone moved tranquilly, blissfully, at a pace that told of the wish to delay, with the awkward ease and the happy indolence of those who walk for pleasure. No one was in a hurry, and against the unbroken horizon line, crossed from time to time by the white smoke of a railroad train, the groups of promenaders were like black spots, almost motionless, in the distance.
Behind Montmartre, they came to those great moats, as it were, those sloping squares, where narrow, gray, much-trodden paths cross and recross. A few blades of shriveled, yellow grass grew thereabout, softened by the rays of the setting sun, which they could see, all ablaze, between the houses. And Germinie loved to watch the wool-combers at work there, the quarry horses at pasture in the bare fields, the madder-red trousers of the soldiers who were playing at bowls, the children flying kites that made black spots in the clear air. Passing all these, they turned to cross the bridge over the railroad by the wretched settlement of ragpickers, the stonemasons' quarter at the foot of Clignancourt hill. They would walk quickly by those houses built of materials stolen from demolished buildings, and exuding the horrors they conceal; the wretched structures, half cabin, half burrow, caused Germinie a vague feeling of terror: it seemed to her as if all the crimes of Night were lurking there.