"I say, Denoisel, I'm afraid it is all up with that, don't you think so?"
"Yes, I think it is."
"Oh, dear! Will you tell me, my dear fellow, what made you humour Renée in all the nonsense that came into her head this evening? You have a great deal of influence over her and——"
"My dear boy," answered Denoisel, puffing at his cigar, "you must let me give you a social, philosophical, and historical parenthesis. We have quite finished, have we not, and when I say we, I mean the majority of the French people, with the pretty little young ladies who used to talk like mechanical dolls. They could say 'papa' and 'mamma,' and when they went to a dance they never lost sight of their parents. The little childlike young lady who was always so timid and bashful and who used to blush and stammer, brought up to be ignorant of everything, neither knowing how to stand up on her legs nor how to sit down on a chair—all that sort of thing's done with, old-fashioned, worn out. That was the marriageable young lady of the days of the Gymnase Theatre. There is nothing of that kind nowadays. The process of culture has changed; it used to be a case of the fruit-wall, but at present the young person grows in the open. We ask a girl now about her impressions and we expect her to say what she thinks naturally and originally. She is allowed to talk, and indeed is expected to talk, about everything, as that is the accepted thing now. She need no longer act sweet simplicity, but native intelligence. If only she can shine in society her parents are delighted. Her mother takes her to classes. If she should have any talent it is encouraged and cultivated. Instead of ordinary governesses she must have good masters, professors from the Conservatoire, or artists whose pictures have been hung. She goes in for being an artist and every one is delighted. Come, now, isn't that the way girls are being educated now in middle-class society?'
"And the result?"
"Now, then," continued Denoisel without answering the question, "in the midst of this education, which I am not criticising, remember—in the midst of all this, let us imagine a father who is an excellent sort of man, goodness and kindness personified, encouraging his daughter in her new freedom by his weakness and his worship of her. Let us suppose, for instance, that this father has countenanced all the daring and all the mischievousness of a boy in a woman, that he has allowed his daughter little by little to cultivate manly accomplishments, which he sees with pride and which are after his own heart——"
"And you, my dear fellow, who know my sister so well and the way she has been brought up, the style she has gone in for, authorized as she considers herself (thanks to father's indulgence), you, knowing how difficult it is to get her married, allowed her to do all kinds of unseemly things this evening when you might have stopped her short with just a few words such as you always find to say and which you alone can say to her?"
The friend to whom Henri Mauperin was speaking, Denoisel, was the son of a compatriot, and old school friend and brother-in-arms of M. Mauperin. The two men had been in the same battles, they had shed their blood in the same places, and during the retreat from Russia they had eaten the same horse-flesh.
A year after his return to France, M. Mauperin had lost this friend, who on his death-bed had left him guardian to his son. The boy had found a second father in his guardian. When at college, he had spent all his holidays at Morimond, and he looked upon the Mauperins as his own family.