M. Mauperin was speechless. His wife in the early days of her married life had gone regularly on Sundays to church. Later she had accompanied her daughters to their catechism class, and these were all the religious duties he had ever known her to accomplish. For the last ten years it seemed to him that she had been as indifferent as he was about such things—naturally and frankly indifferent. When the first moment of stupefaction had passed, he opened his mouth to speak, looked at her, said nothing, and, turning suddenly on his heels, went out of the room humming a kind of air to which music and words were about all that were missing.
On arriving at a handsome, cheerful-looking house in the Rue de la Madeleine, Mme. Mauperin went upstairs to the fourth story and rang at a door where there was no attempt at any style. It was opened promptly.
"M. l'Abbé Blampoix?"
"Yes, madame," answered a servant-man in black livery.
He spoke with a Belgian accent and bowed as he spoke. He took Mme. Mauperin across the entrance-hall, where a faint odour was just dying away, and through a dining-room flooded with sunshine, where the cloth was simply laid for one person. Mme. Mauperin then found herself in a drawing-room decorated and scented with flowers. Above a harmonium with rich inlaid work was a copy of Correggio's "Night." On another panel, framed in black, was the Communion of Marie Antoinette and of her gendarmes at the Conciergerie, lithographed according to a story that was told about her. Keepsakes, a hundred little things that might have been New Year's gifts, filled the brackets. A small bronze statue of Canova's "Madeleine" was on a table in the middle of the room.
The tapestry chairs, each one of a different design and piously worked by hand, were evidently presents which devoted women had done for the abbé.
There were men and women waiting there, and each by turn went into the abbé's room, stayed a few minutes, then came out again and went away. The last person waiting, a woman, stayed a long time, and when she came out of the room Mme. Mauperin could not see her face through her double veil.
The abbé was standing by his chimney-piece when Mme. Mauperin entered. He was holding apart the flaps of his cassock like the tails of a coat.