Mamma tried to speak; but Silvia said: “No; it must be thus. We have decided. And until papa has money again, we don’t want any fruit or anything else; broth will be enough for us, and we will eat bread in the morning for breakfast: thus we shall spend less on the table, for we already spend too much; and we promise you that you will always find us perfectly contented. Is it not so, Enrico?”
I replied that it was. “Always perfectly contented,” repeated Silvia, closing mamma’s mouth with one hand. “And if there are any other sacrifices to be made, either in the matter of clothing or anything else, we will make them gladly; and we will even sell our presents; I will give up all my things, I will serve you as your maid, we will not have anything done out of the house any more, I will work all day long with you, I will do everything you wish, I am ready for anything! For anything!” she exclaimed, throwing her arms around my mother’s neck, “if papa and mamma can only be saved further troubles, if I can only behold you both once more at ease, and in good spirits, as in former days, between your Silvia and your Enrico, who love you so dearly, who would give their lives for you!”
Ah! I have never seen my mother so happy as she was on hearing these words; she never before kissed us on the brow in that way, weeping and laughing, and incapable of speech. And then she assured Silvia that she had not understood rightly; that we were not in the least reduced in circumstances, as she imagined; and she thanked us a hundred times, and was cheerful all the evening, until my father came in, when she told him all about it. He did not open his mouth, poor father! But this morning, as we sat at the table, I felt at once both a great pleasure and a great sadness: under my napkin I found my box of colors, and under hers, Silvia found her fan.
THE FIRE.
Thursday, 11th.
This morning I had finished copying my share of the story, From the Apennines to the Andes, and was seeking for a theme for the independent composition which the teacher had assigned us to write, when I heard an unusual talking on the stairs, and shortly after two firemen entered the house, and asked permission of my father to inspect the stoves and chimneys, because a smoke-pipe was on fire on the roof, and they could not tell to whom it belonged.
My father said, “Pray do so.” And although we had no fire burning anywhere, they began to make the round of our apartments, and to lay their ears to the walls, to hear if the fire was roaring in the flues which run up to the other floors of the house.
And while they were going through the rooms, my father said to me, “Here is a theme for your composition, Enrico,—the firemen. Try to write down what I am about to tell you.
“I saw them at work two years ago, one evening, when I was coming out of the Balbo Theatre late at night. On entering the Via Roma, I saw an unusual light, and a crowd of people collecting. A house was on fire. Tongues of flame and clouds of smoke were bursting from the windows and the roof; men and women appeared at the windows and then disappeared, uttering shrieks of despair. There was a dense throng in front of the door: the crowd was shouting: ‘They will be burned alive! Help! The firemen!’ At that moment a carriage arrived, four firemen sprang out of it—the first who had reached the town-hall—and rushed into the house. They had hardly gone in when a horrible thing happened: a woman ran to a window of the third story, with a yell, clutched the balcony, climbed down it, and remained suspended, thus clinging, almost suspended in space, with her back outwards, bending beneath the flames, which flashed out from the room and almost licked her head. The crowd uttered a cry of horror. The firemen, who had been stopped on the second floor by mistake by the terrified lodgers, had already broken through a wall and precipitated themselves into a room, when a hundred shouts gave them warning:—