One cannot decide whether it is a city or a harbor, whether there is more land than water, or whether the ships are more numerous than the houses.
The town is divided by long, wide canals into many islands, which are united by drawbridges, turning bridges, and stone bridges. From both sides of each canal extend two streets, with rows of trees on the side next to the water and lines of houses on the opposite side. Each of these canals forms a port where the water is deep enough to float the largest vessels, and every one of them is full of shipping throughout its length, a narrow space being kept clear in the middle which serves as a thoroughfare for the vessels. It seems like a great fleet imprisoned in a town.
I arrived at the hour of greatest activity, and took my stand on the highest bridge of the principal crossway.
Thence I could see four canals, four forests of ships, flanked on either side by eight rows of trees.
The streets were encumbered with people and merchandise. Droves of cattle passed over the bridges, which were being raised and swung to let the ships pass. The moment they closed or lowered again fresh crowds of people, carriages, and carts passed over them. Ships as fresh and shining as the models in a museum passed in and out of the canals, carrying on their decks the wives and children of the sailors, while smaller boats glided rapidly from ship to ship. Customers thronged the shops. Servants were washing the walls and windows. This busy scene with all its movement was made yet more cheerful by its reflection in the water,—by the green of the trees, the red of the houses, by the high windmills, whose black tops and white wings were outlined against the blue sky, and still more by an air of repose and simplicity never seen in any other northern town.
I examined a Dutch ship attentively.
Almost all of the vessels which are crowded in the canals of Rotterdam sail only on the Rhine and in Holland. They have only one mast, and are broad and strongly built. They are painted in various colors like toy boats. The planks of the hull are generally of a bright grass green, ornamented at the edge by a white or bright-red stripe, or by several stripes which look like broad bands of different colored ribbons. The poop is usually gilded. The decks and the masts are varnished and polished like the daintiest drawing-room floor. The hatches, the buckets, the barrels, the sailyards and the small planks are all painted red, and striped with white or blue. The cabin in which the families of the sailors live is also colored like a Chinese joss-house; its windows are scrupulously clean, and are hung with white embroidered curtains tied with pink ribbons. In all their spare moments the sailors, the women, and the children are washing, brushing, and scrubbing everything with the greatest care; and when their vessel makes its exit from the port, all bright and pompous like a triumphal car, they stand proudly erect on the poop and search for a mute compliment in the eyes of the people who are gathered along the canal.
Passing from canal to canal, from bridge to bridge, I arrived at the dyke of the Boompjes, in front of the Meuse, where is centred the whole life of this great commercial town. To the left extends a long line of gay little steamers, which leave every hour of the day for Dordrecht, Arnhem, Gouda, Schiedam, Briel, and Zealand. They are continually filling the air with the lively sound of their bells and with clouds of white smoke. To the right are the larger vessels that run between the different European ports, and among them are to be seen the beautiful three-masted ships that sail to and from the East Indies, with their names, Java, Sumatra, Borneo, Samarang, written on them in letters of gold, bringing to the imagination those far-off ports and savage nations like the echo of far-off voices. In front, the Meuse is crowded by numbers of boats and barges, while its opposite bank is covered with a forest of beech trees, windmills, and workshop chimneys. Above this scene is a restless sky, with flashes of light mingling with ominous darkness, with scudding clouds and changing forms, which seemed to be trying to reproduce the busy activity of the earth.
Rotterdam, with the exception of Amsterdam, is the most important commercial city in Holland. It was a flourishing commercial town as early as the thirteenth century. Ludovico Guicciardini, in his work on the Netherlands which I have already mentioned, tells, in proof of the riches of the town, that in the sixteenth century within a year it rebuilt nine hundred houses which had been destroyed by fire. Bentivoglio, in his history of the war of Flanders, calls it "the greatest and the most important commercial town that Holland possesses." But its greatest prosperity dates only from 1830; that is to say, after the separation of Holland from Belgium, which brought to Rotterdam all that prosperity of which it deprived her rival, Antwerp. Her situation is most advantageous. By means of the Meuse she communicates with the sea, and this river can carry the largest merchantmen into her ports in a few hours; through the same river she communicates with the Rhine, which brings her whole forests from the mountains of Switzerland and Bavaria—an immense quantity of timber, which in Holland is changed into ships, dykes, and villages. More than eighty splendid ships come and go between Rotterdam and India in the space of nine months. From every port merchandise pours in with such abundance that it has to be divided among the neighboring towns. Meanwhile, Rotterdam increases in size: the citizens are now constructing vast new store-houses, and are now working on a huge bridge which will span the Meuse and cross the entire town, thus extending the railway, which now stops on the left bank of the river, as far as the gate of Delft, where it will join the railway of the Hague.
In short, Rotterdam has a more brilliant future than Amsterdam, and for a long time has been feared as a rival by her elder sister. She does not possess the great riches of the capital, but she is more industrious in using what wealth she has; she risks, dares, and undertakes, after the manner of a young and adventurous city. Amsterdam, like a wealthy merchant who has grown cautious after a life of daring speculations, has begun to doze and to rest on her laurels. To briefly characterize the three Dutch cities, it may be said that one makes a fortune at Rotterdam, one consolidates it in Amsterdam, and one spends it at the Hague.