Service is being held before the great Buddhas as we enter, and a thunderous harmony like an organ-peal breaks the interval for meditation. The Abbot, who is in the centre, leans forward from his chair and takes a bundle of peacock-feathers from a vase by his side. As he points it to the earth there is a clashing of cymbals, a beating of drums, and a blowing of trumpets and conch shells.

Then the music dies away like the reverberation of cannon in the hills. The Abbot begins the chant, and the monks, facing each other like singing-men in a choir, repeat the litany. They have extraordinary deep, devotional voices, at once unnatural and impressive. The deepest bass of the West does not approach it, and their sense of time is perfect.

The voice of the thousand monks is like the drone of some subterranean monster, musically plaintive—the wail of the Earth God praying for release to the God of the Skies.

The chant sounds like the endless repetition of the same formula; the monks sway to it rhythmically. The temple would be dark if it were not for the flickering of many thousands of votive candles and butter lamps. Rows upon rows of them are placed before every shrine.

In an inner temple we found the three great images of the Buddhist trinity—the Buddhas of the past, present, and future. The images were greater than life-size, and set with jewels from foot to crown. As in the cloisters of an English cathedral, there were little side-chapels, which held sacred relics and shrines.

There were lamps of gold, and solid golden bowls set on altars, and embossed salvers of copper and bronze.

A hanging grille of chainwork protected the precincts from sacrilege, and an extended hand, bloody and menacing, was stretched from the wall, terrible enough when suddenly revealed in that dim light to paralyze and strike to earth with fright any profane thief who would dare to enter.

In the upper story we found a place which we called 'Hell,' where some Lamas were worshipping the demon protectress of the Grand Lama. The music here was harsh and barbaric. There were displayed on the pillars and walls every freak of diabolical invention in the shape of scrolls and devil-masks. The obscene object of this worship was huddled in a corner—a dwarfish abortion, hideous and malignant enough for such rites.

All about the Lamas' feet ran little white mice searching for grain. They are fed daily, and are scrupulously reverenced, as in their frail white bodies the souls of the previous guardians of the shrine are believed to be reincarnated.

In another temple we found the Lamas holding service in worship of the many-handed Buddha, Avalokitesvara. The picture of the god hung from pillars by the altar. The chief Lamas were wearing peaked caps picturesquely coloured with subdued blue and gold, and vestments of the same hue. The lesser Lamas were bare-headed, and their hair was cropped.