'O Asenath, hear me! Hast thou never felt a strange voice in thy heart calling for eyes like thine, and lips like wine, and strong arms to gather thee close and crush thee like a flower?'
'Never have I. Hast thou, Ashtar?'
'Never. Yet I have heard it sung in songs, when I doubt not it is the sweet music only that holds one in a close embrace till the heart beats wildly and——'
'Stay thy tongue, Ashtar,' broke in Asenath with scorn. 'Thy words strike upon the back of my head, and fall at my heels. I see the light of madness in thine eyes.'
And Ashtar, withered by her glance, hid her face in her hands and drowned that light of madness in a storm of tears.
'Tush, girl!' said Asenath, 'surely thou hast gone from thy mind to speak such words.' The others sat mute and still, fearing to sympathise with Ashtar lest they should arouse their mistress's anger still further. And yet each maiden leaned her body and turned her eyes a little—a very little—towards the culprit, for she had spoken bold words which they had never dared to frame.
'Look you,' cried Asenath, raising herself and speaking high, 'this day I learn that the first-born of Pharaoh hath desired me as wife. But I will none of him. I told his messenger that the king of Egypt would desire a greater personage than I as his son's wife, and therefore he had best look to the king of Moab, whose daughter is not only beautiful, but a queen. Faugh! I will none of them. I am a maiden, and a maiden I will remain.'
Now, although Asenath treasured her mother's memory, and for Hebrew loveliness was as beautiful as Rachel; although she liked not the Egyptians and their rule, yet, perforce, she knew no other religion than theirs. Her father had brought her up in the worship and fear of the Egyptian gods. Every day she repaired to the highest story of the tower, where, in the central chamber of twelve—a chamber splendidly adorned with rare stones of many colours and workmanship—those gods, who were many, were wrought in silver and gold, even upon the purple ceiling. There, day by day, she worshipped and feared and paid them sacrifice. This done, she would retire into a luxurious chamber which had a great window looking towards the east, and there she would sit and muse and ponder, gazing out beyond the palace courtyard and away to the lonely waters of the Nile, now plying her needle on delicate embroideries which she loved, and now playing sweet music on her lute and singing to the silver moon. Always her damsels were about her; and always the feet of men, for whom she had neither love nor fear, trod far below in the ways of the city, no foot among those thousands ever destined to tread the marble stairway leading to her palace tower.
Rich and rare were the priceless things the twelve chambers contained. Apart from treasure-rooms stocked with precious stones and rare ornaments and linen and silk of striking splendour there were broad balconies and pillared alcoves where the soft breezes rustled in the branches of great palms and the spray of clear fountains sparkled in the sunlight ere it fell to rest on a bed of moss or strayed further to caress the foliage of rare ferns nodding dreamily in deep grot or cool recess. No flower that ever delighted the eyes of king or peasant was absent from Asenath's abode, and such a fragrance hung upon the air that one had but to close one's eyes and yield to the sweet influences of Paradise.
On the day when Asenath was speaking to her maidens, as has been told already, she was reclining on a golden couch decked with purple, woven with threads of gold, while all about it and upon were set jewels that sparkled like stars in the midnight sky. She was gazing out at the great window towards the east, when suddenly she was startled by a great commotion in the courtyard below. Slaves ran hither and thither at the word of the steward of the palace. All seemed in preparation for some great event.