"You rescued him, did you not, Alexis?"
"I found him lying upon the beach, with the lady who is now his wife tightly clasped in his arms, so tightly that I had no end of trouble to separate them. Both were unconscious at the time, and no wonder, for the sea was furious and they must have been dashed about at a fearful rate. It was a miracle they escaped with their lives. Near them lay that dark-skinned African, their servant, who styles himself Ali, as well as the corpses of several sailors. The African, however, revived just as I approached him. He's a man of iron, I tell you, for he immediately leaped to his feet and helped me to restore his master and mistress. When they came to, I took the whole party to my hut and cared for them. The next day I rowed the Count and the African out to the wreck of their vessel on that rock you see away over there, and they brought back with them a fabulous amount of money and jewels that they found in the strangest closets I ever saw in the cabin. Then the Count bought this island and has lived here ever since. He took the lady to Athens and was married to her there, and on his return he had the palace they now occupy built in the midst of the palm grove."
By this time the fishermen had completed their preparations and, leaping into their boats, they started on their expedition.
The palace in the palm grove to which old Alexis had alluded was, indeed, a magnificent dwelling, suitable in every respect for the residence of an oriental monarch. It was built in the Turkish fashion and its exterior was singularly beautiful and imposing. Huge palm trees surrounded it; they were planted in regular rows upon a vast lawn that was adorned with costly statues and fountains, while at intervals were scattered great flower beds filled with choice exotics and blooming plants of endless variety. A wide graveled walk and carriage-road led to the palace, the main entrance to which was flanked on either side by columns of dark-veined marble. The edifice itself was of green stone, and sparkled in the sunlight like a colossal emerald. It was surmounted by three zinc-covered domes, above each of which towered a gilded crescent.
Within all was elegance and luxury. There were immense salons, with marble floors, and walls covered with Smyrna hangings of the most beautiful description that of themselves must have cost a fortune. These salons were furnished with rich divans, tables of malachite, cabinets of ebony, and oriental rugs of the most artistic and complicated workmanship. There were dazzling reception rooms filled with exquisite statues and superb paintings, the works of the greatest sculptors and artists of the east and west, of the past and the present. Figures by Thorwaldsen, Powers and other modern celebrities of the block and chisel stood beside antique masterpieces framed by the genius of Phidias and his brother sculptors of old Greece and Rome, masterpieces that had been torn from the ruins of antiquity by the hand of the untiring and enterprising excavator. Among the paintings were fine specimens of the skill of Albert Dürer, Murillo, Rubens, Van Dyck, Rembrandt, Sir Joshua Reynolds and other votaries of the brush whose names are immortal. These paintings did not hang on the walls, for they were covered with rich tapestry from the looms of Benares and the Gobelins, but rested on delicately fashioned easels, themselves entitled to a high, rank as works of art. In the salons were statues by Michael Angelo, Pierre Puget and Pompeo Marchesi, and paintings by Claude Lorraine, Titian, Sir Thomas Lawrence, Correggio and Salvator Rosa.
The vast library was encircled by lofty bookcases of walnut and ebony, filled with rare and costly volumes from the curiously illuminated missals of monkish days to the latest scientific works, together with a liberal sprinkling of poetry and fiction; upon tables, stands and mantels were superb ornaments in brass repoussé work and grand old faïence, including some wonderful specimens of ancient Chinese crackle ware, the peculiar secret of the manufacture of which had been lost in the flight of ages.
At an exquisite desk of walnut, carved with grotesque images, sat the Count of Monte-Cristo; he was busily engaged in writing, and beside him lay a huge pile of manuscript that was ever and anon augmented by an additional sheet, hastily scrawled in strange, bewildering Semitic characters.
The Count showed but small trace of the passage of years; he did not look much older than when he left the Isle of Monte-Cristo with Haydée on that voyage which was destined to result so disastrously for the Alcyon and her ill-fated crew. To be sure, his hair was slightly flecked with gray, but his visage still retained its full outline, and not a wrinkle marred its masculine beauty. He was clad in an exceedingly picturesque costume, half Greek and half Turkish, while upon his head was a red fez from the centre of which hung down a gilt tassel.
As he wrote his eyes sparkled and he seemed filled with enthusiasm. At length he threw aside his pen, and rising began to pace the vast apartment with long strides. "Alas!" he muttered, "perhaps after all I am only a vain dreamer, as hosts of others have been before me. But no, my scheme is feasible and cannot fail; it is based on sound principles and a thorough knowledge of mankind; besides, the immense wealth that an all-wise God has placed at my disposal will aid me and form a mighty factor in the cause. In the past I used that wealth solely for my own selfish ends, but now all is different; I have no thought of self—the philanthropist has replaced the egotist; I have aided the poor, relieved the stricken and brought joy to many a sorrowing home, but hitherto I have acted only in isolated cases; now I meditate a grand, a sublime stroke—to give freedom to man throughout the entire length and breadth of the Continent of Europe. If I succeed, and succeed I must, every down-trodden human being from the coast of France to the Ural Mountains, from the sunny Mediterranean to the frozen Arctic Ocean, will reap the benefit of my efforts and shake off the yoke of tyranny. Where shall I begin? Ah! with France, my own country, the land that gave me birth. I shall thus return good for evil, and Edmond Dantès, the prisoner of the Château d'If, will free the masses from their galling chains. My most potent instrument will be the public press; by means of journals I will found, or buy, the minds of all Europeans shall become familiarized with the theory of universal liberty and ripened for sweeping revolutions and the establishment of republics; I will also call fiction to my aid; struggling novelists and feuilletonists shall receive liberal subsidies from my hand on condition that they disseminate my ideas, theories and plans in their romances and feuilletons; thus will I reach thousands upon thousands who hold themselves aloof from politics, and almost insensibly they will be transformed into zealous, active partisans of the order of things that is to be; poets, too, shall sing the praises of freedom louder and more enthusiastically than ever before; in fine, no instrument, no means, however humble and apparently insignificant, shall be neglected when the proper moment arrives, but until it does arrive I must wait, wait patiently, wait though while waiting an internal fire consume me, and my veins throb with anxiety and expectation to the point of bursting."
He sank into a chair, and, burying his face in his hands, was lost in profound thought.