"Oh! that was only some twelve or thirteen hundred thousand francs," said Debray. "Three months after her settlement at Marseilles, in a small house in the Allées de Meillan, said to be her own by maternal inheritance, a letter came to her from Thomson and French, of Rome, stating that there was a deposit in their house, to the credit of the estate of the late Count, of the enormous sum of two millions of francs, subject to her sole control and order, as the Count's only heir, in the absence of his son."
"Two millions of francs!" cried the two young men in a breath.
"Even so, Messieurs," said Debray. "The story does sound rather oriental; but I have reason to know that it is entirely true, for I made diligent inquiry about it when last at Marseilles."
"And what took you to Marseilles, Lucien?" asked the Count significantly.
"The Ministry," replied Debray, with evident confusion, coloring deeply.
"But why does not the Countess marry again?" asked Château-Renaud, surveying her faultless form and face through his glass. "In the prime of life, rich, and, despite her past troubles, most exquisitely beautiful, it is strange she don't make herself and some one else happy!"
"Especially as no one could ever accuse her of having very desperately loved her dear first husband," added the journalist. "Why don't she marry, Lucien?"
"How the devil should I know!" replied the Secretary in great confusion. "You don't suppose I ever asked her the question, do you?"
"Upon my word," exclaimed the Count, laughing, "I shall begin to think you have, if you take it so warmly. But, hist! the bell! The curtain rises. We mustn't lose the third act of Donizetti's chef d'œuvre, with such a Lucrezia, for any woman living."
But it was very evident that much of the magnificent performance of the débutante and her companion, in the thrilling scene between the Duke and Duchess of Ferrara and the young Captain Gennaro, was lost to the Secretary.