CHAPTER XI.
THE BEGGAR AND HIS MATES.
A year had elapsed since the events already recorded. Zuleika, having finished her studies at the convent school of the Sisterhood of the Sacred Heart, the Count of Monte-Cristo had quitted Rome and, with his family, was established in Paris in the palatial mansion, No. 27 Rue du Helder, formerly occupied by the Count de Morcerf. He was a member of the Chamber of Deputies, representing Marseilles, and was wedded to his first love, Mercédès, who had mysteriously reappeared and nursed him through a severe illness, which was immediately followed by their marriage. The revolution of 1848, which had placed M. Lamartine at the head of the Provisional Government, had put power and office within his grasp, but he had declined both, preferring to work in the wider field of universal human freedom. His eminent services during the revolution had rendered him immensely popular with the masses, and the fame of his matchless eloquence added to the vast influence he so modestly wielded. His colossal wealth, which he lavishly used to promote the great cause he championed, also tended to make him a conspicuous figure in the political and high social circles of the capital, though he strove to court retirement.
Zuleika and Espérance fairly adored their mild, kindly stepmother, who, on her side, was as devotedly attached to them as if they had been her own children. The Count noted this mutual attachment, which time only served to strengthen, and it filled his heart with joy and gratification. The family was, indeed, a happy one, and even the servants shared the general felicity.
Mlle. d' Armilly's influence over Captain Joliette great as it undoubtedly was, had been insufficient to induce that gallant and honorable young soldier to seek a rupture with the wonderful man to whom he was so vastly indebted and whom he so highly revered. This had at first caused a coldness between the revengeful prima donna and her admirer, but a reconciliation had ultimately taken place between them and they were now man and wife. Prior to their marriage Mlle. d' Armilly had acknowledged herself to be Eugénie Danglars, and thus the motive of her bitter hostility to the Count of Monte-Cristo was revealed. She had retired from the operatic stage, and had received a large sum of money, stated to be a legacy from her father, but generally believed to be a gift from the Count, intended by him in some degree to make amends to her for the sufferings she had endured by reason of his vengeance on the banker Danglars. The prima donna's brother Léon had turned out to be a woman masquerading in male attire, no other than Mlle. d' Armilly herself, Eugénie's former music-teacher, who had loaned her name to her friend when the latter started on her operatic career. These transformations had been immediately followed by another, Captain Joliette discarding his pseudonym and appearing as Albert de Morcerf. Paris had talked over and wondered at all this for a week, and then had completely forgotten it, turning its fickle attention to newer and more engrossing sensations. Albert's marriage and the legacy healed the breach between Eugénie and the Count of Monte-Cristo, and the young couple, together with the real Mlle. d' Armilly, had been added to the happy family in the mansion of the Rue du Helder.
The Viscount Giovanni Massetti had appeared in Paris. Immediately after his reckless visit to Zuleika in the convent garden and his wild interview with her there, he had gone to the Count of Monte-Cristo, avowed his love for Haydée's child and solicited her hand in marriage. He had been told to wait a year, a period he had passed he scarcely knew how, but it had been an eternity to him, an eternity fraught with restless anxiety, with alternations between ardent hope and the depths of despair. The expiration of his probation found him in the mansion of the Rue du Helder, renewing his earnest suit with the Count, who had granted him permission to win his daughter if he could. The young Italian had at once sought Zuleika, who had welcomed him as her lover and betrothed. Then a clash had suddenly arisen; Espérance had expressed his abhorrence of his sister's suitor, had given mysterious hints that had recalled the half-forgotten Roman scandal, and a separation between Giovanni and Zuleika had ensued, the former refusing to speak out and clear himself, pleading his terrible oath of silence. In the course of his vague, unsatisfactory disclosures, Espérance had unguardedly mentioned the name of Luigi Vampa, and the Count of Monte-Cristo had written to the brigand chief, requesting such information as he possessed in regard to the impenetrable mystery. Vampa's reply had been a fearful arraignment of the youthful Viscount, but Zuleika could not believe her lover the depraved and guilty wretch the brigand chief represented him to be, asserting that there was something yet unexplained, something that would effectually exculpate him could it be reached. The Count of Monte-Cristo had at first inclined to the belief that Massetti was merely the victim of circumstances, of some remarkable coincidence, but Vampa's letter scattered this belief to the winds and he demanded that the Viscount should conclusively prove his innocence. Zuleika had meanwhile banished her lover from her presence, but her heart yearned for him and defended him in spite of everything. She therefore sent him Vampa's letter, assuring him of her belief in his innocence and commanding him to prove it to her and to the world. Thereupon Giovanni had instantly quitted Paris. His sudden disappearance seemed like a flight; it caused scandal's thousand tongues to wag remorselessly; but, although he left no word for her, Zuleika knew her command had sent him to Italy to clear his name and record in her eyes; she was firmly convinced that she would see him again, that he would return to Paris rehabilitated.
Such was the general condition of affairs, as affecting the Monte-Cristo family, at the time the thread of this narrative is resumed.