The Story of Siena and San Gimignano

by Edmund G. Gardner

GENERAL INDEX

[A], [B], [C], [D], [E], [F], [G], [H], [I], [J], [L], [M], [N], [O], [P], [Q], [R], [S], [T], [U], [V], [W], [Z]

A.
Abati, Bocca degli, Florentine traitor at Montaperti, [15].
Accona, desert of, [315], [316].
Agazzari, Fra Filippo, author of the Assempri, [23], [305-311].
Agostino di Giovanni, architect and sculptor (died in 1350), [99], [278], [284], [285].
Agnolo di Tura (“Grasso”), chronicler, his description of the pestilence, [25], [26]; quoted, [127].
Agnolo di Ventura, architect (died in 1348), [99], [278], [284].
Aggregati, Monte degli, [75].
Albany, Duke of (John Stuart), [210], [211].
Albertinelli, Mariotto, painter (1474-1515), [124].
Albizzeschi, Bernardino. See Bernardino.
Aldobrandeschi, Counts of Santa Fiora, [7], [14], [15].
Airoldi, Fra Domenico, Abbot of Monte Oliveto, [317], [318], [320].
Alexander III., Pope (Orlando Bandinelli), his pontificate, [5];
consecrates the older Duomo, [6];
frescoes depicting his life, [143], [144];
honoured by modern Siena, [144];
statue of in the Duomo, [160].
—— IV., Pope (Rinaldo Conti), unites the Augustinian hermits into one order, [305].
—— VI., Pope (Roderigo Borgia), threatens the liberty of Siena, [86];
recalls Cesare, [89];
dies, [90];
patron of Pinturicchio, [171];
portraits of, [174].
—— VII., Pope (Fabio Chigi), character of, [160].
Allegretti, Allegretto di Nanni, diarist, quoted [74], [75];
describes the reconciliation of Noveschi and Popolani in the Duomo, [78], [79];
quoted [129], [130], [157] (note);
describes a festa in the Via del Capitano, [257];
referred to, [267] (note);
his account of the reducing the Monti to one and the presentation of the keys to the Madonna, [272-274].
Altoviti, Bartolommeo, Florentine captain in San Gimignano, [338].
Alviano, Bartolommeo, condottiere, [91].
Amerighi, Amerigo, plots the liberation of Siena, [224].
—— Marcantonio, ambassador to the Emperor, [219].
Andrea di Vanni, painter (end of Trecento), [107], [206], [207], [208] (note), [296].
Andrea Pisano (1270-1348), sculptor and architect, referred to, [99], [100].
Anguillara, Conte Virginio dell’, papal condottiere, [212], [213];
routed outside Porta Camollia, [214].
Ansanus, St, Apostle of Siena, [105], [139], [162], [179], [187], [261], [305].
Andrea Dei, [177].
Aragona, Alfonso da, Duke of Calabria (afterwards King of Naples), attempts to obtain the lordship of Siena, [74], [75];
his victory at Poggio Imperiale, [138];
referred to, [272], [314].
—— Eleonora da (afterwards Duchess of Ferrara), [254], [257].
Arbia, the, [17], [314].
Ardinghelli, family of the, lead the Guelfs of San Gimignano, [328], [329], [331];
their factious conduct, [336], [337];
feud with the Salvucci, [337], [338];
get possession of San Gimignano, [338];
forced to surrender to the Florentines, [339];
urge complete submission to Florence, [340];
their palace, [355].
—— Francesco degli, leads an attack upon San Gimignano, [337].
—— Primerano degli, attacks San Gimignano, [337];
judicial murder of, [338], [352]. Ardinghelli, Rossellino degli, fined, [337];
judicial murder of, [338], [352].
—— Scolaio degli, arbitrates between the clergy and people of San Gimignano, [352].
Aringhieri, Alberto, [156], [161], [212].
—— Luzio, executed, [212].
—— Niccolò, monument to, [283].
Arras, Count of, at Montaperti, [14], [15].
Asinate, [130], [131].
Athens, Duke of (Walter de Brienne), [24], [336], [337].
Avila, Don Franzese de, commands Spanish garrison in Siena, [225], [226].
Augustine, St., his legendary visit to Lecceto, [305];
Gozzoli’s frescoes concerning him, [358], [359].
B.
Baglioni, Andrea, his defence of Monticchiello, [228].
—— Giampaolo, his plot against Cesare Borgia, [86];
allied with Pandolfo Petrucci, [87-90].
—— Oreste, condottiere, [93].
Balducci, Matteo, painter (early Cinquecento), [118], [119], [123], [175], [180], [293].
Balìa, Collegio di, institution of, [70];
in the hands of the Popolani, [75];
in those of the Noveschi, [79];
nominally divided among the three Monti, [85];
subservient to Pandolfo, [85];
decrees his banishment, [88];
recalls him, [89], [90];
ruled by Raffaello, [94];
the assassination of Giberto da Correggio by, [144-146];
various changes in and measures of, [211], [213], [218];
subservient to Don Diego, [219], [220];
abolished, [227];
appointed by Cosimo de’ Medici, [244].
Balzana, legend of origin of the, [1], [2].
Bandinelli, Orlando. See Alexander III., Pope.
—— Sozzo, [30].
Bandini, Sallustio, father of Francesco and Mario, [283].
Bandini (Piccolomini), Francesco, Archbishop of Siena, [168];
relations with Michelangelo, [170];
sent to the Emperor, [219];
escapes to Montalcino, [236], [239].
Bandini (Piccolomini), Mario, heads the rising against Fabio Petrucci, [98], [210];
a leader of the Libertini, [210], [211];
calls the people to arms against Alessandro Bichi, [211];
captures the papal artillery at the Battle of Camollia, [214];
heads the opposition to the Noveschi, [216];
arrested by Ferrante Gonzaga, [217];
rebukes the Bardotti, [217];
alluded to, [219];
leads the exodus to Montalcino, [242];
maintains the form of the Sienese Republic at Montalcino, [244];
and dies there, [244].
Bardotti, the, [217], [218].
Barbarossa. See Frederick I., Emperor.
Bargagli, Marino, conspirator, [70].
—— Scipione, novelist, [241], [252], [253], [254], [290], [291].
Barili, Antonio, sculptor (died 1516), [102], [103], [118], [147], [167], [281].
—— Giovanni, sculptor (died 1529), [102], [103], [167].
Barna, painter (died 1380), [107];
his work at San Gimignano, [346].
Baroncetti, Conspiracy of the, in San Gimignano, [335], [336].
Bartolo, San (Buonpedoni) of San Gimignano, his life, [333];
pictures of, [347], [350];
his shrine, [356];
at Cellole, [363].
Bartolo di Fredi, painter (died 1410), his works in Siena, [107];
at San Gimignano, [345], [346], [357].
Bazzi, Giovanni Antonio (“Il Sodoma”), painter, (1477-1549), his life and work, [115], [116];
his pictures in the Istituto di Belle Arti, [118], [120], [124];
frescoes in the Palazzo de’ Signori, [135], [139], [142], [143], [147], [148];
Holy Family under the Spedale, [188];
his work in San Domenico, [203], [204], [205], [206];
other pictures and frescoes by him in Siena, [262], [265], [282];
his frescoes at Monte Oliveto Maggiore, [317-320], [321], [322];
works at San Gimignano, [343], [352], [354].
Beccafumi, Domenico (di Giacomo di Pace), painter and sculptor (1486-1550), [116];
his life and character, [117];
his pictures in the Istituto di Belle Arti, [119], [123], [124];
frescoes in the Sala di Concistoro, [143];
work on the pavement of the Duomo, [158], [159];
other work in the Duomo and elsewhere, [167], [179], [248], [262], [282], [293].
Beccafumi, Lorenzo, one of the delegates from Siena to Cesare Borgia, [89];
his patronage of Domenico, [117].
Belcaro, [302-304].
Bellanti, family of the, lead the Noveschi, [75], [76], [80];
their conspiracy against Pandolfo Petrucci, [91];
return to Siena, [94];
alleged plot against Raffaello Petrucci, [97];
excluded from the Government, [216].
—— Andrea di Naddino, converted by St. Catherine, [46].
—— Ghino di Pietro, treacherous citizen, [70], [112];
his tavoletta, [270].
—— Giulio di Leonardo, his plot against Pandolfo, [91];
is murdered by Francesco Petrucci, [97].
—— Guidone di Leonardo, put to death by Raffaello Petrucci, [97].
—— Leonardo, plots for the return of the Noveschi, [77];
a leading spirit in the party, [80];
begins to resent the Petruccian supremacy, [85];
his letter to Bernardino Borghesi, [85], [86];
intrigues against Pandolfo, [88];
one of the Sienese delegates to Cesare Borgia, [89];
plots against Pandolfo’s life and is declared a rebel, [91];
returns to Siena with Raffaello Petrucci, [94];
is beheaded, [97].
—— Luzio, occupies Montereggioni for the Noveschi, [76];
a leading spirit in the new regime, [80];
routs the Riformatori and Popolani, [82];
is deprived of the command of the mercenaries, [83];
plots against the Noveschi and is banished, [83];
his professed zeal for the liberty of his country, [85], [86];
is murdered by Pandolfo, [85], [86], [92].
—— Petrino, [91].
Benincasa, Caterina. See Catherine, St.
—— Giacomo, [43], [45].
—— Lapa, [43], [57], [66].
—— Lisa (Colombini), [47].
Benvenuto di Giovanni, painter (1436-1518), [109], [119], [120];
his designs for the pavement of the Duomo, [157], [158];
other works by him, [188], [203].
Benedetti, Giovanni Maria, Sienese patriot, [224].
Benzi, family of the, [205].
—— Antonio, canon, [222] (note).
Bernardino, San (Albizzeschi), his life and work, [71], [73];
portraits of, by Vecchietta and Sano di Pietro, [110], [113];
his sermons to the Sienese, [128], [129], [132];
pictures of, [139], [143], [144], [167];
his work for the plague-stricken, [188];
oratory to his honour, [285];
founds the Osservanza, [298];
contemporary portrait of, [300];
his cell, [300].
Bernardino da Asti, Fra, preaches in the Piazza San Martino, [276].
Bernini, Giovanni Lorenzo, sculptor and architect (1598-1680), [154].
Biccherna, Camarlingo e quattro Provveditori di, [6], [9], [21], [27], [269], [270].
Biccherna, Tavolette di, [269-275].
Bichi, family of the, leaders of the Noveschi, [80], [216].
—— Alessandro, adheres to Fabio Petrucci, [98];
becomes the head of the Noveschi, [210];
attempts to make himself tyrant of Siena, [211];
is assassinated by the Libertini, [211];
his palace, [289].
—— Antonio, Sienese commissary to Montepulciano, [81], [83].
—— Antonio Maria, banished, [212].
—— Margherita. See Buonsignori.
Bigozzi, Niccolò dei, at Montaperti, [14].
Bindino da Travale, quoted, [24].
Boccaccio, Giovanni, [25], [131], [132], [324], [363], [364].
Bonizzelli, Giovanni Andrea, put to death, [226].
Bordone, Paris, Venetian painter, (cinquecento), [124].
Borghesi, family, leaders of the Noveschi, [75], [80], [216].
—— Bernardino di Niccolò, [85], [86].
—— Camillo. See Paul V., Pope.
—— Giovanni, [253].
—— Niccolò, organises the return of the Noveschi from exile, [76];
his character, [80];
ambassador from Siena to Charles VIII. of France, [81];
leads the Noveschi against the Popolani and Riformatori, [82];
Luzio Bellanti plots against him, [83];
his murder and death, [85];
Leonardo Bellanti’s letter about, [85], [86];
scene of his murder, [253];
inscription on the Porta Romana ascribed to him, [281].
Borghesi, Pietro (the elder), [82].
—— Pietro (the younger), murdered, [216].
Borgia, Alfonso. See Calixtus III., Pope.
—— Cesare, his designs, [86];
crushes the conspiracy at Sinigaglia, [86], [87];
his enterprise against Siena, [87-89];
is recalled by the Pope, [89];
wins the Palio, [131] (note);
letter of in the Archivio di Stato, [268].
—— Roderigo. See Alexander VI., Pope.
Botticelli, Sandro, painter, (1447-1510), [251], [354].
Brandano, hermit, [223];
assails Don Diego, [224];
mocks the Cardinal Ippolito, [228];
discovers the Madonna of Provenzano, [283];
supposed portrait of, [284].
Brescianino, Andrea (Piccinelli) del, painter, (early sixteenth century), [117], [123], [177], [251], [285].
Bruco, Compagnia del, insurrection of, [37-40].
Bruni, Leonardo, Florentine historian, [15], [16] (note).
Bulgarini, the, family of Noveschi, [216].
Buonaccorsi, Filippo (Callimaco), [343].
Buoninsegni, Bernardino, ambassador from Montalcino, [244].
Buonsignori, Annibale, [244].
—— Margherita, her visions acted upon by the Republic, [213].
C.
Cacciaconti, Aldobrandino di Guido, leads the people against the nobles, [8];
is made Podestà, [9].
Caffarini, Fra Tommaso Nacci, friend and biographer of St. Catherine, [47], [205].
Calixtus III., Pope (Alfonso Borgia), allied with Siena, [70];
idealised portrait of, by Sano di Pietro, [112];
takes Siena under his protection, [112], [113];
condones the assassination of Giberto da Corregio, [146], [147];
in a fresco by Pinturicchio, [173], [174];
his crusading zeal recorded in a Tavoletta di Gabella, [270], [271].
Camarlingo. See Biccherna and Gabella.
Campana, General Council of the, [9], and passim.
Canigiani, Barduccio, disciple and secretary of St Catherine, [61], [62], [66], [292].
Camollia, Battle of, [213-215];
referred to, [216], [221];
in a Tavoletta di Gabella, [274];
votive pictures of, in San Martino and San Giacomo di Salicotto, [276], [277].
Casolani, Alessandro, painter and architect, [124], [197].
Cassioli, Amos, painter, [125], [251].
Calabria, Duke of. See Alfonso and Charles.
—— Duchess of (Ippolita Maria Sforza), [129].
Caterina of Salicotto, the “two-handed sword,” [93].
Catherine, Saint (Caterina Benincasa), her birth and childhood, [43];
takes the Dominican habit, [43], [44];
her early visions and mystical marriage, [44];
her family life, [45];
saves her brothers’ lives, [45];
her mystical change of heart and vision of the spirit world, [46];
her active work in the city, [46], [47];
her disciples, [47], [48];
her account of the execution of Niccolò di Toldo, [48-50];
becomes a political power, [50];
reconciles the Salimbeni, [50];
her letters and her philosophy of life, [51];
letters to the Legate of Bologna and to Bernabò Visconti, [51];
to Beatrice della Scala, [51], [52];
on the corruption of the Church, [52];
supports the proposed Crusade and attempts to rid Italy of the free companies, [52];
at Pisa, [52], [53];
intervenes in the war between Tuscany and the Pope, [54];
her letters to Gregory XI., [54], [55];
to the Signoria of Florence, [55], [56];
at Florence and at Avignon, [56], [57];
persuades the Pope to return to Rome, [57];
at Genoa, [57];
letters to Lapa, Giovanna Maconi and the Pope, [57], [58];
her rupture with Gregory XI., [58], [59];
her troubles, [59];
at Florence for peace, [59];
addresses Urban, [59];
is assailed by the Ciompi, [60];
letters to Frate Raimondo and her disciples at Siena, [60];
her literary work, [61];
her attitude towards Urban VI., [62];
preaches to the Cardinals, [63];
her passionate support of Urban against Clement, [63], [64];
rebukes Frate Raimondo, [64];
works with the Roman Republic, [64];
last political letters, [64], [65];
saves Urban from the people, [65];
her vision of the Navicella, [65];
last farewell to Raimondo, [66];
her death, [66];
Niccolò Borghesi’s devotion to her, [85];
pictures of her, [114], [118], [119], [120], [123], [139];
canonisation of by Pius II., [174];
her relations with the Disciplinati, [187];
unhistorical historical picture of her, [188];
site of her first vision, [189], [190];

her “Oratorio in Fontebranda,” [191];
its history, [191], [192];
statues of her by Urbano da Cortona and Neroccio, [192], [195];
frescoed scenes of her life in her house, [195], [196];
her cell and relics, [196];
the two upper oratories in her house, [196], [197];
the legend of the reception of the Stigmata, [197], [198];
bust of her by Cozzarelli, [198];
her festa in the Contrada, [198], [201];
her shrine in San Domenico, [204], [205];
her relics, [206];
in the Cappella delle Volte, 2[06-208];
her portrait by Andrea di Vanni, [206], [207];
reflections on her mysticism, [209];
heals a feud in San Cristofano, [289];
her letters in the Biblioteca Comunale, [292];
at Belcaro, [303];
relations with the Augustinian hermits of Lecceto, [305], [308], [309];
her praises sung by the papal choristers to the monks of Monte Oliveto, [323].
Ceccolini, Cerreto, [17], [251].
Cerretani, family of the, [37], [40].
—— Ildebrando, [89].
Cellino di Nese, sculptor (later Trecento), [99].
Charlemagne, alleged privileges granted by him to Siena, [2].
Charles I., King of Naples (Charles the Elder of Anjou), [18], [20], [331].
—— III., King of Naples (Charles of Durazzo), [65], [70].
—— IV., Roman Emperor (Charles of Luxemburg), [26];
overturns the government of the Nine, [27], [28];
negotiations with the Sienese, [30], [31];
again at Siena, [32], [33];
his defeat and humiliation, [33], [34], [37].
—— V., Roman Emperor and King of Spain, takes Siena under his protection, [211];
sends Spanish governors and soldiers, [216];
visits Siena, [218];
his ministers and governors, [218], [219];
intends to build a citadel, [220], [221];
his reception of the Sienese ambassadors, [222];
referred to, [226], [227], [232], [241];
Siena capitulates to, [242];
invests his son, Philip II., with Siena, [243].
—— VIII., King of France, [81], [82], [294], [295].
—— of Anjou, Duke of Calabria, [24].
Chigi, Fabio. See Alexander VII., Pope.
—— Sigismondo, [91].
Ciaccheri, Fra Matteo, chronicler of San Gimignano, [335], [336], [339], [340], [344], [353].
Cino, Cardinal Giovanni Battista. See Innocent VIII., Pope.
Cini, Giovanni di Lorenzo, painter (Cinquecento), [274], [276], [277].
Clement VII., Pope (Giulio de’ Medici), aids Fabio Petrucci in his designs on Siena, [98];
supports Alessandro Bichi, [210];
takes up the cause of the Noveschi and declares war on Siena, [212], [213];
his army routed, [214], [215].
Colle di Val d’Elsa, battle of, [19], [20].
Colombini, Beato Giovanni, [111].
Colonna, Giulio, condottiere of the Sienese, [214].
Correggio, Giberto da, his treachery, [70], [112];
put to death by the Balìa, [144-146].
Cozzarelli, Giacomo, architect and sculptor (1453-1515), [102], [248], [262], [282], [299], [300].
——, Guidoccio, painter (1450-1516), [114], [119], [157], [274].
Coppi, G. A., chronicler of San Gimignano, [330].
D.
Dante, on the battle of Montaperti, [16];
on Provenzano Salvani, [19], [131], [283];
on the battle of Colle and Sapia, [20];
other references of his to Sienese matters, [21], [22], [23];
Boccaccio’s account of him in the Campo, [131], [132];
referred to, [139], [141], [149];
the decorations and pavement of the Duomo illustrated from the De Monarchia and the Divina Commedia, [154], [155], [156];
referred to, [165], [177], [178];
his story of La Pia, [258];
his allusion to the Diana, 262 (and note);
collection of documents illustrating his works, [268], [269];
references to, [300], [305];
his embassy to San Gimignano. [333], [334];
his Inferno contrasted with that of Taddeo di Bartolo, [346], [347];
in the Council Chamber of San Gimignano, [352];
references to, [355], [359].
Dodicini, the (Monte de’ Dodici, Popolani of the Middle Number), obtain the chief authority in the Republic, [28];
their administration, [28-30];
their overthrow, [30], [31];
make common cause with the Salimbeni, [31], [32], [33], [37];
join in the massacre of the Costa d’Ovile, and attempt to capture the Palazzo, [39];
are excluded from the government, [40];
rise against the Riformatori, [41];
share in the new regime, [67];
are expelled again, [68];
again readmitted to the government, [75];
their factious conduct, [75], [86];
their Monte united to that of the Gentiluomini, [79];
take part with the Noveschi, [82];
act of vandalism perpetrated by them, [127];
included in the Monte del Popolo, [211];
in that of the Gentiluomini, [216].
Diana, the, [262].
Diego. See Hurtado de Mendoza.
Domenico di Bartolo, painter (extant works dating from 1433 to 1443), [109];
his picture in the Istituto di Belle Arti, [109], [110];
his work on the pavement of the Duomo, [158];
his frescoes in the Spedale, [185-187].
Domenico di Niccolò del Coro, sculptor (died about 1450), [102];
his choir stalls in the Palazzo Pubblico, [142];
his work on the pavement of the Duomo, [158].
Donatello (Donato di Niccolò di Betto Bardi), sculptor (1386-1466), [101];
his works in the Duomo, [161], [162];
a Madonna ascribed to him, [176];
his work on the Font of the Baptistery, [181], [182].
Doria, Andrea, occupies Talamone, [212].
Duccio di Buoninsegna, painter (born before 1260, died after June 1313), [23];
his work and period of activity, 103 (and note);
his pictures in the Istituto di Belle Arti, [105];
erroneous tradition that he designed the pavement of the Duomo, [154];
referred to, [167];
his famous Ancona now in the Opera del Duomo, [177-179];
picture ascribed to him, [188];
his house, [261];
a work of his no longer in Siena, [301];
referred to, [346].
Duprè, Giovanni, modern Sienese sculptor, [125], [265], [266].
Dominic, St, [201].
E.
Este, Ercole I. da, second Duke of Ferrara, [138], [254], [257].
—— Ercole II. da, fourth Duke of Ferrara, [242].
—— Ippolito II. da, Cardinal of Ferrara, governs Siena in the name of France, [227], [228], [232], [233], [257].
—— Eleonora d’Aragona da. See Aragona.
Eugenio, Sant’, “Il Monastero,” [301].
Eusebio di San Giorgio, painter, assistant of Pinturicchio, [174].
F.
Faggiuola, Uguccione della, his victory at Montecatini, [24], [335];
Folgore’s sonnet concerning him, [335].
Fantozzo, Giovanni Battista, leader of the republican plot against Alessandro Bichi, [211].
Farinata. See Uberti.
Fausta, Livia, praised by Montluc, [234].
Federighi, Antonio, architect and sculptor (died about 1480), [101];
his work on the Chapel of the Campo, [135];
on the pavement of the Duomo, [157], [158];
other works of his in the Duomo, [159], [160], [161];
a Moses ascribed to him, [176];
a graffito design of his for the Baptistery, [181];
worked on the Oratory of St Catherine in Fontebranda, [192];
on the Loggia di Mercanzia, [247];
on the Palazzo delle Papesse, [252];
built the Loggia del Papa, [275];
his work at the chapel of the Palazzo dei Diavoli, [295].
Ferraccio, leader of the populace, [38].
Ferrante of Aragon, King of Naples, [74], [75].
Filippo, Fra. See Agazzari.
Fina, Santa (Fina de’ Ciardi of San Gimignano), her life, [329], [330];
her shrine in the Collegiata of San Gimignano, [348], [349];
other pictures of her, [350], [353], [360];
the Spedale in her honour, [360], [361].
Flete, William, Augustinian hermit, [305], [308].
Florence, wars of, with Siena, [6-9], [11-18], [20];
alliance of, with Siena, [20];
makes peace between the Sienese nobles and people, [37];
stimulates opposition to the Riformatori, [41];
leads the war of the Tuscan Republics against the Pope Gregory XI., [53-56], [59];
wars with Siena concerning Montepulciano, [67];
other wars with Siena, [74], [82], [83];
aids the Petrucci, [89], [94], [98];
supports Alessandro Bichi, [210], [211];
renews hostilities with Siena in union with Clement VII., [212-215];
the last war between her and Siena, [231-243];
relations with San Gimignano, [327], [331], [333], [334], [336];
her final subjugation of San Gimignano, [337-342];
and passim.
Fogliani, Guidoriccio dei, Captain of War in Siena, [136], [137].
Folcacchieri, Folcacchiero dei, poet, [9].
Folgore da San Gimignano, poet, [22];
his corona of sonnets for the months of the year, [22], [23];
his sonnet on a knight’s vigil, [161];
his brigata of young nobles, [292], [293];
his corona of sonnets for the days of the week, [334], [335];
sonnet on the Guelf defeat at Montecatini, [335].
Fonte, Fra Tommaso della, follower of St Catherine, [46], [47].
Forestani, Simone di Ser Dino, poet, [67], [68].
Forteguerri, family of the, [25], [27];
their tower and palace, [252], [253].
—— Vittoria. See Piccolomini.
—— a lady of the family praised by Montluc, [234].
Fortini, Pietro, novelist, [115], [283], [293], 294 (and note).
Franchi, Alessandro, modern Sienese painter, [153], [159], [195].
Francis, St, his visit to Lecceto, [305]; and passim.
Frederick I., Roman Emperor (Hohenstauffen), [5], [143], [144].
—— II., Roman Emperor (Hohenstauffen), [9].
—— III., Roman Emperor (Hapsburg), [72], [172], [173], [295].
Fungai, Bernardino, painter (1460-1516), [114];
works by him in the Istituto di Belle Arti, [119], [120];
and elsewhere in Siena, [188], [196], [197], [202], [274], [277], [294].
Fusina, Andrea, sculptor (latter part of the Quattrocento.), work on the Piccolomini altar of the Duomo, [169].
Francesco di Giorgio Martini, architect, sculptor and painter (1439-1502), [102], [109];
pictures in the Istituto di Belle Arti, [114], [119];
altarpiece by him in San Domenico, [202];
Tavolette of Biccherna and Gabella ascribed to him, [271], [272];
the Palazzo Bandini and the Madonna delle Nevi probably built by him, [283], [292];
picture by him at Sant’Eugenio, [301].
G.
Gabella, Camarlingo e Esecutori di, [269].
——, Tavolette e tavole di, [269-275].
Gaddi, Taddeo, painter (circa 1300-1366), picture by him at Siena, [108].
Galgano, Abbazia di San, [313];
palace in Siena that belonged to the monks of, [278]. Galganus, St (Galgano Guidotti), [105], [106], [313].
Gallerani, the Beato Andrea, [105].
Gano da Siena, sculptor (middle of fourteenth century), [134], [162].
Garcia de Toledo, imperialist general, [228], [231].
Genga, Girolamo, painter (1476-1551), [115];
works by him in Siena. [118], [123], [176].
Gentiluomini, Monte dei, [7], [21];
they temporarily recover possession of the State, [31];
papal intervention on behalf of, [73];
later share in government, [79], [216], and passim.
Ghiberti, Lorenzo, sculptor (1378-1455), [100], [101];
quoted on Duccio, [103];
on other Sienese painters, [104];
his story of the Venus of Lysippus, [127];
his praise of Simone Martini, [136];
his bronze bas-reliefs on the Font of the Baptistery of Siena, [181], [182].
Ghirlandaio, Domenico, painter (1449-1494), his works in San Gimignano, [348], [349], [351].
Giacomo della Quercia. See Quercia.
Giacomo di Mino Pellicciaio, painter (died in 1396), [107], [108];
designed the façade of the Baptistery, [176], [180];
picture in the Servi, [277].
Giacomo di Castello, worker in stained glass, executes window for the Duomo, [167].
Giacomo Cozzarelli. See Cozzarelli.
Gilio di Pietro, painter (working in the middle of the thirteenth century), painted the portrait of Don Ugo on a Tavoletta di Biccherna, [270].
Giordano, Count, representative of King Manfred in Siena, [11];
commands mercenaries at Montaperti, [13-16], [18];
contrasted by Malavolti with Piero Strozzi, [232].
Giorgio di Giovanni, painter (working in the middle of the sixteenth century), tavolette ascribed to him, [275].
Giotto da Bondone, architect, sculptor and painter (circa 1276-1336) referred to, [110], [112];
supposed design for his Campanile at Florence in the Sienese Opera del Duomo, [176];
compared with Duccio, [177], [179];
referred to, [278];
his death of St Francis, [359].
Giovanna of Anjou, Queen of Naples, [52], [63], [64], [65].
Giovanni di Agostino, architect (son of Agostino di Giovanni), superintends building of the new Duomo, [150], [153].
—— di Niccolò Pisano, architect and sculptor (born circa 1250—died after 1328), chief architect of the Duomo, [99], [153];
his tombstone, [153];
one of the pupils of his father in the work of the pulpit, [162].
—— di Paolo, painter (died in 1482), [109];
works by him in the Istituto di Belle Arti, [111];
and elsewhere in Siena, [180], [251], [270], [296].
—— di Pietro, painter (painting in 1436), picture by him in the Servi, [278].
—— di Stefano, architect and sculptor (son of Sassetta, died after 1498), [102];
work on pavement of Duomo, [155], [157];
in the Chapel of the Baptist, [160], [161];
bronze Angels by him, [167].
—— da Verona, Fra, sculptor (working at the beginning of the Cinquecento), his intarsia work in the Duomo, [167];
works at Monte Oliveto Maggiore, [322], [323].
Girolamo di Benvenuto, painter (1470-1524), [114], [115];
picture by him in the Istituto di Belle Arti, [120];
in the house of St Catherine, [196];
in Fontegiusta, [294].
—— da Cremona, painter and miniaturist (end of Quattrocento), [176].
—— Magagni, called Giomo, painter (pupil of Bazzi), [118].
Giunta Pisano, painter (working in the middle of the thirteenth century), miraculous Crucifix ascribed to him in the House of St Catherine, [197].
Gonzaga, Don Ferrante, [217].
—— Giovanni Francesco, Marquis of Mantua, [131] (note).
Gozzoli, Benozzo, painter (1420-1498), his works in the Collegiata of San Gimignano, [347], [349], [350];
in Sant’ Agostino there, [357-360];
in Monte Oliveto, [362]. Gregorio da Siena, painter (early fourteenth century), [180].
Gregory the Great, Pope, his Dialogues, [317], [322].
—— XI., Pope (Pierre Roger de Beaufort), his relations with St Catherine, [51-57];
return to Rome, [58];
his rupture with St Catherine, [58];
references to, [59], [188], [197], [206].
Guido da Siena, painter (latter part of the thirteenth century), his Madonna in the Palazzo Pubblico, [138].
Giuoco delle Pugna, [130], [131], [239].
Gori, Francesca, follower of St Catherine, [47], [62], [204].
Goro di Neroccio, sculptor (early Quattrocento) work in Baptistery, [182].
Guidoguerra, Count, [12].
Guido Novello, Count, [14], [19].
H.
Hawkwood, Sir John, condottiere, [29], [30], [40], [52].
Henry VII., Roman Emperor (Luxemburg), [24], [177], [314], [315], [334].
Hurtado de Mendoza, Diego, Spanish Governor of Siena, [219], [220].
I.
Illicini, Bernardo, novellist, [291] (note).
Innocent VIII., Pope (Giovanni Battista Cibo, Malfetta), [76], [273], [343].
J.
John XXII., Pope (Jacques d’Euse), [316].
Julius II., Pope (Giuliano della Rovere), [90], [92], [93].
Julius III., Pope (Giovanni Maria del Monte), [241], [251].
L.
Landi, Neroccio di Bartolommeo, sculptor and painter (1447-1500), [102], [109];
pictures by in the Istituto di Belle Arti, [114];
his Hellespontine Sibyl, [157];
other works by him in the Duomo, [160], [161];
statue of St Catherine in the oratory of Fontebranda, [192], [195];
his pictures in the Palazzo Saracini, [251];
other works in Siena ascribed to him, [272], [278], [293].
Lando, Pietro di, architect (working in 1339), superintends the building of the new Duomo, [150], [153].
Lanzi, Padre quoted, [103].
Landucci, Ambrogio, historian of Lecceto, [305], [306], [311].
Lecceto, the Hermitage of San Salvatore di, [304-312].
Leonardo al Lago, San, church and ruined hermitage, [312-313].
Leo X., Pope (Giovanni de’ Medici), [94], [97].
Libertini, the, [210], [211], [214], [215].
Lippi, Filippino, painter (1457-1504), his Annunciation at San Gimignano, [354].
Lippo, Memmi, painter (died about 1356), [104];

pictures in his manner in the Istituto di Belle Arti in Siena, [106];
designs upper part of the Torre del Mangia, [135];
his Madonna del Popolo in the Servi, [278];
his fresco in the Sala del Consiglio of San Gimignano, [352], [353];
remains of a fresco by him in Sant’ Agostino at San Gimignano, [357];
works of his school in other churches there, [360], [362].
Lippo di Vanni, painter (later Trecento), [107];
fresco by him in the Palazzo Pubblico, [137], [138].
Lorenzetti, Ambrogio, painter (working in 1323, died in 1348), [23];
is Siena’s greatest master, [104];
his works in the Istituto di Belle Arti, [106], [107];
his frescoes in the Sala dei Nove, [139-141];
other works by him, [147], [179], [270];
frescoes by him in the Servi, [277], [278];
works in San Francesco, [285];
a Madonna by him in Sant’ Eugenio, [301];
frescoes of his school in Lecceto and San Leonardo, [309], [310], [313].
—— Pietro, painter (working between 1305 and 1348), [104];
pictures by him in the Istituto di Belle Arti, [106], [107];
his works in the Opera del Duomo, [179];
frescoes attributed to him in the Servi and in San Francesco, [277], [284]; picture in San Pietro Ovile, [286].
Lorenzo di Mariano. See Marrina.
—— di Pietro. See Vecchietta.
Luca di Tommè, painter (died in 1381), [107], [108].
Lucari, Buonaguida, Dictator before Montaperti, [13], [14].
Luca di Bartolo, architect (middle of Quattrocento), [252].
Luna, Don Juan de, Spanish Governor of Siena, [218].
Lupa, legend of origin of the, [1].
Luti, Lodovico, Sienese exile, [82];
murdered by Pandolfo Petrucci, [85].
M.
Machiavelli, Niccolò, on the Noveschi, [80];
on Pandolfo’s rise to power, [80], [81];
on Florentine interference in Sienese factions, [83];
on Antonio da Venafro, [85];
his account of Cesare Borgia’s attempt upon Siena, [86-88];
his legation to Siena, [91];
his appreciation of Pandolfo, [93];
his correspondence with Francesco Vettori, 215 (and note);
at the Palazzo del Magnifico, [248].
Maconi, Corrado, [289].
—— Giovanna, letter of St Catherine to, [57].
—— Lano, killed at Pieve del Toppo, [21].
—— Stefano di Corrado, disciple of St Catherine, [48], [57], [59], [61], [62], [66], [187], [289].
Maiano, Benedetto da, sculptor (1442-1497), his Ciborium in San Domenico at Siena, [202];
his shrine of Santa Fina, [348], [349];
other work in the Collegiata of San Gimignano, [351];
his shrine of San Bartolo, [356].
—— Giuliano da, architect and sculptor (1432-1490), probably built the Rifugio and the Palazzo Spannocchi at Siena, [278], [290];
altered the Collegiata of San Gimignano, [345];
designed the chapel of Santa Fina, [348].
Mainardi, Sebastiano, painter (died in 1513), portrait ascribed to him in the Palazzo Saracini, [251];
native of San Gimignano, [342];
his works there, [349], [351], [353], [356], [357], [362].
Maitani, Lorenzo, architect and sculptor (died in 1330), the presiding genius of the Duomo of Orvieto, [99];
his proposal to the General Council for a new Duomo in Siena, [149], [150].
Malatesta, Malatesta dei, imperial vicar in Siena, [31-34], [37].
Malavolti, family of the, [2], [5], [25], [37], [40], [68];
the Poggio de’, [292].
—— Filippo, leads Sienese crusaders, [5];
holds office of Podestà, [6].
—— Francesco, disciple of St Catherine, [47], [48].
—— Girolamo, at Belcaro, [304].
—— Maghinardo, podestà of San Gimignano, [327].
—— Orlando, opposes the Duke of Milan, [68];
is murdered, [68], [69].
—— Orlando, historian of Siena, quoted or referred to, [18], [32], [33], [73], [232];
his embassy to Charles V., [220], [222];
his opposition to Piero Strozzi, [232].
Malena, the, [17].
Malfetta, Cardinal. See Innocent VIII., Pope.
Mariano da Genazzano, Fra, [129], [130], [273].
Manfred, King of Sicily and Apulia, [10], [11], [13], [18], [19].
Manfredi da Sassuolo, podestà, leads the nobles against the people, [8].
Marcellus II., Pope (Marcello Cervini), [159].
Marrina (Lorenzo di Mariano), sculptor (died in 1534), [102];
his chief works in Siena, [160], [247], [268], [276], [294].
Manetti, Rutilio, painter (1572-1639), [124], [125], [258], [266], [282], [292].
Martini. See Simone and Francesco di Giorgio.
Martinozzi, Giovanni, a leader of the Noveschi, joins rising against Fabio Petrucci, [98], [210];
exiled, [212];
in the papal camp before Siena, [213];
harries the Valdichiana, [215];
returns to Siena and is killed, [216].
Matteino di Ventura Menzani, Captain of the People, leads the Sienese against Charles IV., [33], [34].
Matteo di Giovanni, painter (1435-1495), [109];
pictures in the Istituto di Belle Arti, [114], [119];
in the Palazzo Pubblico, [142], [143];
work for Pavement of Duomo, [157], [158];
other pictures by him in Siena, [179], [265], [277], [292];
in the National Gallery of London, [301];
at Belcaro, [304];
at Buonconvento, [314].
Marignano, Marchese di. See Medici, Gian Giacomo.
Matilda, Countess, [2].
Marciano, Battle of, [235].
Medici, Cosimo de’, Duke of Florence (afterwards Grand Duke of Tuscany), [132], [222], [225], [226], [228], [231], [232], [242-245], [275], [363].
—— Galeotto de’, [98].
—— Gian Giacomo, Marchese di Marignano, conducts the last war against Siena, [232], [233], [235], [240], [241], [242];
enters the city, [243].
—— Giovanni. See Leo X., Pope, at Belcaro, [304].
—— Giulio. See Clement VII., Pope.
—— Lorenzo, the elder, [74].
—— Lorenzo, the younger, [97], [248].
—— Pietro, [81], [82].
Memmi. See Lippo.
Mendoza. See Hurtado.
Michelangelo Buonarroti, architect, sculptor and painter (1475-1564), his work for the Piccolomini, [169], [170];
his letters to his nephew on the subject, [170];
Bandini monument ascribed to him, [170].
Milanesi, Gaetano, [141], [179].
Minuccio and Francesco di Rinaldo, architects of Perugia, build the Torre del Mangia, [132], [135].
Montalcinello, Sienese defeat at, [30].
Montalcino, quarrels between Siena and Florence concerning, [7], [10], [11], [12];
humiliation of, [18];
unsuccessfully attacked by papal forces, [213];
besieged by the imperialists, [228], [231];
last refuge of the Republic, [244];
capitulates, [244];
tavolette concerning, [275];
view of, from Monte Oliveto, [315].
Montaperti, Battle of, [14-17].
Montemassi, [11], [12], [137].
Montepulciano, quarrels between Siena and Florence concerning, [7], [11], [12];
given to Siena by Manfred, [18];
revolts after the fall of the Nine, [29];
returns to Siena, [29];
lost again, [67];
returns to Siena, [81], [82];
restored to Florence by Pandolfo, [89], [92];
St Catherine at, [195].
Monte Oliveto Maggiore, [314-323].
Montereggioni, [11], [76], [213].
Montfort, Guy de, Vicar of Charles of Anjou, [20], [331].
Montluc, Blaise de, Marechal of France, takes command in Siena, [233];
his heroic defence of the Republic and his Commentaries, [234], [235], [236], [239], [240], [242].
Monticchiello, heroic defence of, [228].
Monti, the meaning of the term, [21], [32], [33].
See Dodicini, Gentiluomini, Aggregati, Noveschi, Nobili Reggenti, Popolo, Riformatori.
Morelli, Giovanni, [115], [123].
Moro, Cristoforo, Doge of Venice, [174], [175].
N.
Naddo di Francesco, Captain of the People, attempts to suppress a rising, [38];
plots, and is executed, [39].
Neroccio. See Landi.
Neroni. See Riccio.
Niccolò Pisano, architect and sculptor (circa 1206-1278), his coming to Siena marks an epoch, [99];
influence of his style upon Giacomo della Quercia, [100];
his pulpit in the Duomo, [162-166].
Neri di Donato, chronicler, [34].
Nine. See Nove.
Nobili Reggenti, Monte dei, [210], [211].
Nove, Magistracy of the, [21];
their rule, [23-25];
their fall, [26-28];
their Sala, [139-141].
Noveschi, the (Monte dei Nove), their beginning, [21], [32], [33], [37], [38], [39], [41];
share in the government, [67], [69];
struggle with the democratic orders, [75];
expelled from Siena, [76];
their return, [77], [78];
their prepotency in the State, [78-80], [85];
are divided among themselves, [98], [210];
renewed struggle with the democratic orders, [211], [213], [215];
are deprived of all share in the government, [216];
obtain a fourth part, [216];
favoured by the imperial agents in Siena, [218], [219], [220];
allegory of their return, [274].
O.
Oriuoli, Pietro di Francesco degli, painter (died in 1496), fresco by him in the Baptistery, 183 (and note).
Osservanza, the, [298-301].
P.
Pacchia, Girolamo del, painter (1477-1535), [116];
his pictures in the Istituto di Belle Arti, [118], [120], [123];
his frescoes in the House of St Catherine, [195];
in the oratory of San Bernardino, [285], [286];
altarpiece in San Cristofano, [289].
Pacchiarotti, Giacomo, painter (1474-1540), [115];
pictures by, [119], [120], [262];
his political escapade, [217], [218].
Pagliaresi, Neri di Landoccio, disciple and secretary of St Catherine, [47], [56], [57], [195], [306].
Palio, the, [130], [131].
Pannocchieschi, Nello dei, [258].
—— Pagano dei, Bishop of Volterra, [328].
—— Ranieri dei, Bishop of Volterra, [329], [349], [365].
Paolino da Pistoia, Fra, painter (1490-1547), fresco in Santo Spirito, [282];
pictures at San Gimignano, [354], [362], [363].
Paolo di Giovanni, painter (latter part of Trecento), [107], [108].
—— di Maestro Neri, painter (active between 1343 and 1382), his frescoes at Lecceto, [309], [310].
—— di Martino, sculptor (early Quattrocento), [158].
Parri di Spinello, painter, [143].
Pastorini, Pastorino, master in stained-glass, [159].
Patrizi, Patrizio, companion of Bernardo Tolomei, [316].
Paul IV., Pope (Giovanni Pietro Caraffa), [243].
Pavement of the Duomo, [154-159].
Pecci, family of the, Noveschi, [75].
—— Giovanni Antonio, historian, [94], [213].
—— Giovanni, canon, [214].
—— Guido, represents Pandolfo Petrucci at La Magione, [86].
—— Tommaso, his palace, [254], [257].
Pellari, Guelf family in San Gimignano, [331], [333].
Pecori, Luigi, historian of San Gimignano, [326], [333], [341], [355].
Perugino, Pietro Vannucci, painter (1446-1523), [115];
his picture in Sant’ Agostino at Siena, [265].
Peruzzi, Baldassare, architect and painter (1481-1536), [116], [117];
an early work of his in the Istituto di Belle Arti, [118], [119];
his porticato for the Campo, [126];
early frescoes in the Duomo, [161], [162];
designs the high altar, [167];
other works ascribed to him, [177], [196], [262];
his praise of Beccafumi, [262];
designed the façade of Santo Spirito, [281];
his Sibyl in the Madonna of Fontegiusta, [294];
his later work at Belcaro, [303].
Petroni, Lodovico, member of the Balìa, [145].
—— Riccardo, Cardinal and decretalist, [162].
Petronilla, Santa, skirmish at, [11].
Pelori, Giovanni Battista, architect, [223].
Petrucci, family of the, leaders of the Noveschi, [75];
are exiled, [76];
return, [77], [78], [80];
excluded from the government, [216].
—— Agnolo, murdered by the people, [76].
—— Alfonso di Pandolfo, receives the Cardinal’s hat, [92];
at the court of Leo X., [94];
execution of, [97].
—— Antonio, plots against the State, [70].
—— Antonio Maria, [257].
—— Aurelia (Borghesi), wife to Pandolfo, [80].
—— Bartolommeo, heads a rising, [218].
—— Borghese di Pandolfo, marries Vittoria Piccolomini, [92];
succeeds to his father’s despotism, [93];
his character, [93], [94];
flies from Siena and is declared a rebel, [94];
goes mad, [98];
entertains the younger Lorenzo de’ Medici, [248].
Petrucci, Celia, [300].
—— Eustacchio, [98].
—— Fabio di Pandolfo, flies from Siena and is declared a rebel, [94];
re-enters Siena with papal aid, [98];
his tyranny and expulsion, [98];
made governor of Spoleto, [216].
—— Francesco di Camillo, murders Giulio Bellanti, [97];
makes himself master of Siena, [98];
murders Marcello Saracini and is summoned to Rome, [98];
threatens Massa, [215];
restored to Siena, [216];
leads a tumult of the Noveschi, [216];
is declared a rebel, [218].
—— Giacoppo, [80], [81], [83];
his palace, [257].
—— Lattanzio, [97], [212].
—— Pandolfo, leads the Noveschi, [75];
returns from exile, [77], [78], [80];
is given the command of the mercenaries, [80], [81];
knighted by the King of France, [81];
makes himself master of Siena, [82], [83];
his policy, [84];
his murder of Niccolò Borghesi, [85], [86];
attitude towards France and the Borgia, [86];
represented at La Magione, [86];
assailed by Cesare Borgia, [87], [88];
his exile decreed, [88];
leaves Siena, [89];
supported by France and Florence, [89];
re-enters Siena in triumph, [90];
his despotism and treacherous policy, [90], [91];
conspiracy of the Bellanti against him, [91];
character of the last years of his rule, [92], [93];
his death, [93];
his project for a porticato to the Campo, [126], [177];
his palace, [248];
site of his murder of Niccolò Borghesi, [253];
benefactor of Santo Spirito, [281];
of the Osservanza, [298], [299];
his tomb, [300].
—— Raffaello di Giacoppo, occupies Siena with papal aid, [94];
alliance with the Medici and the Pope, [94], [95];
butchers the Bellanti, [97];
is made a Cardinal, [97];
tumult at his burial, [97], [98];
his palace, [257].
Pettignano, Beato Piero, [21], [22].
Philip II., King of Spain, [242];
is invested with Siena as a vacant fief of the Empire, [243];
cedes it to Cosimo de’ Medici, [243].
Pia, La, Sienese lady recorded by Dante, [258].
Piccinino, Jacopo, his war upon Siena, [70], [112], [144], [145], [270], [271].
Piccinelli. See Brescianino.
Piccolomini, family of the, [2], [5], [25], [27], [37], [40], [72], [73], [168];
palaces of, [251], [252], [253], [254].
—— Alessandro, bishop and man of letters, [168].
—— Alfonso d’Aragona, Duke of Amalfi, [216], [218].
—— Beato Ambrogio, [316].
—— Andrea (di Nanni Todeschini), received into the Monte del Popolo, [73];
submits to the regime of the Noveschi, [78];
intervenes between the rival factions, [82];
one of the delegates from Siena to Cesare Borgia, [89];
goes into exile, [90];
his daughter married to Borghese Petrucci, [92];
one of the heirs and executors of Pius III., his brother, [169];
his palace, [267].
—— Antonio, Archbishop of Siena, [168].
—— Antonio (di Nanni Todeschini), Duke of Amalfi, [73].
—— Ascanio (di Enea delle Papesse), Archbishop of Siena, [168];
his palace, [252];
referred to, [265].
—— Caterina, sister of Pius II., wife of Bartolommeo Guglielmi, builds the Palazzo delle Papesse, [251], 252 (and note).
—— Enea delle Papesse, delivers Siena from the Spaniards,

[225];
escapes during the siege, [239];
dies at Montalcino, [244].
—— Enea Silvio. See Pius II., Pope.
—— Francesco (di Nanni Todeschini). See Pius III., Pope.
—— Giacomo (di Nanni Todeschini), received into the Monte del Popolo, [73];
heir and executor of Pope Pius III., [169];
his palace, [267].
—— Giacomo di Anton Maria, refuses to marry the daughter of Don Juan, [218].
Piccolomini, Giovanni di Andrea, Cardinal Archbishop, [168].
—— Giovanni Battista, leads the rising against Fabio Petrucci, [98], [210].
—— Girolamo, Bishop of Pienza, [281].
—— Guido di Carlo, Senator of Rome, [175].
—— Laodomia, sister of Pius II. and wife to Nanni Todeschini, [73].
—— Piero, [30].
—— Silvio, father of Pius II., [284].
—— Tommaso, Bishop of Pienza, [160].
—— Vittoria Forteguerri, mother of Pius II., [284].
—— Vittoria di Andrea, wife of Borghese Petrucci, [92].
—— lady of the family of, praised by Montluc, [234].
—— See Bandini.
Pier Francesco Fiorentino, painter (latter part of Quattrocento), his works in Siena, [110], [111];
in San Gimignano, [348], [351], [353], [354], [356], [362].
Pietro di Domenico, painter, (1457-1501), [114], [293].
Pietro di Lando, architect (still working in 1339), superintends the building of the new Duomo, [150], [153].
Pini, Giovanni Maria, leads the Sienese at the Battle of Camollia, [214];
heads a tumult of Noveschi, [216].
Pinturicchio Bernardino, painter (1454-1513), [115], [118];
picture by, in the Istituto di Belle Arti in Siena, [124];
his Story of Fortune, [156];
his frescoes in the Chapel of the Baptist, [161];
his frescoes in the Library of the Duomo, [170-175];
remains of works in the Palazzo del Magnifico, [248];
his Assumption at San Gimignano, [354].
Pisano. See Giovanni, Giunta, and Niccolò.
Pitigliano, Count Lodovico of, [212].
Pietro del Minella, architect and sculptor (1391-1458), [101];
work on pavement of Duomo, [158];
on the font of the Baptistery, [182].
Pius II., Pope, (Enea Silvio Piccolomini), his early life, [71], [72];
Bishop of Siena, [72];
elected Pope, [72];
attempts to force the Sienese to admit nobles into the administration, [73];
his benefits to Siena, [73];
creates Pienza, [74];
his letter to the Balìa about Calixtus III., [112], [113];
gives relics to the Duomo, [160];
statue of, [162];
Bishop of Siena and raises the See to an Archbishopric, [168];
his nephew’s devotion to, [168], [170];
ten scenes from his life frescoed by Pinturicchio, [171-175];
his account of the meeting of Frederick and Leonora, [173];
his enthusiasm for the Eastern Question and canonisation of St Catherine, [174];
his death, [174], [175];
his episcopal ring, [180];
referred to, [197];
statue of, [265];
Tavolette of Biccherna and Gabella concerning him, [271];
raises a monument to his parents in the church, and stays in the convent of San Francesco, [284];
his reception at the Porta Camollia, [294];
visits Lecceto, [312];
his visit to Monte Oliveto, [323].
Pius III., Pope (Francesco Todeschini Piccolomini), received into the Monte del Popolo, [73];
mediates between the People and the Noveschi, [75];
his pacific influence, [77];
accepts the new regime of the Noveschi, [78];
presides at a solemn reconciliation in the Duomo, [78], [79];
his short papacy, [90];
referred to as Cardinal, [129], [130];
statue of in the Duomo, [162];
Archbishop, [168];
orders the altar of the Piccolomini and his own tomb, [168];
his character, [168];
his elevation to the papacy, attempt to reform the Church and untimely death, [169];
builds the library of the Duomo, [170];
fresco representing his coronation, [170], [171];
his contract with Pinturicchio, [171], [175];
a Tavoletta di Gabella concerning him, [271].
Placidi, family of the, Noveschi, [216].
Placidi, Aldello, [213].
—— Neri, [76], [83].
Poccetti, Bernardo, painter (1542-1612), [124], [343], [356].
Pochintesta da Bagnacavallo, condottiere, [90], [94], [97].
Podestà, institution of the office in
Siena, [5], [6], [9], [10];
institution of the office in San Gimignano, [326], [327];
method of his election in latter town, [332], [333].
Poggibonsi, destruction of the Castello of, [331].
Poggio Imperiale, battle of, [74], [138].
Pomarelli, architect, [177].
Ponsi, Girolamo di Domenico, architect, [188].
Pollaiuolo, Pietro, painter (1443-1496), his altarpiece at San Gimignano, [350].
Popolani (in the special sense of members of the Monte del Popolo), [67], [73], [75], [78], [79], and passim.
Popolo, Monte del, institution of, [67];
supports the Milanese suzerainty, [68];
has a third of the Signoria, [69];
the Todeschini received into, [73];
supports the Duke of Calabria, [74];
gets control of the State, [75], [76];
ousted by the Noveschi, [78];
has still nominally a third part of the government, [79];
annulled with the other Monti, [210];
restored, [211].
Possa, El (Domenico di Michele), [138].
Provenzano Salvani. See Salvani.
—— Madonna di, [283], [284].
Provveditori. See Biccherna.
Pugna, Giuoco delle. See Giuoco.
Q.
Quercia, Giacomo della, sculptor (1371 or 1374-1438), his life and work, [100], [101];
his Fonte Gaia, [127];
sculptures of his school, [143], [161];
remains of his reliefs from the Fonte Gaia, [176];
his work on the Font of the Baptistery, [181], [182].
—— Priamo della, painter (brother of Giacomo), his fresco in the Spedale, [186].
R.
Raimondo, Beato. See Vigne.
Ramo di Paganello, sculptor (working during the last twenty years of the Trecento), [99];
his St Francis, [284].
Raphael, [171], [174], [175].
Riformatori, origin of the Monte de’, [32], [33];
their rule, [40];
their downfall, [41], [42];
instance of their oppressive administration, [48];
partially readmitted to the government, [69], [70];
their Monte suppressed, [74];
struggle with the Noveschi, [75], [76];
are distributed among the three Monti, [79];
rise against the Noveschi, [82];
their Monte is restored, [216].
Rinaldini, family of the, [48], [289].
Riccio (Bartolommeo Neroni), architect and painter (middle of Cinquecento), [117], [123], [166], [167], [219] (note), [262], [300], [320].
Rinaldo, Minuccio and Francesco di, architects, [135].
Robbia, Ambrogio della (early Cinquecento), sculptor, work in Santo Spirito, [282].
—— Andrea della (1435-1525), sculptor, altarpiece in the Osservanza, [300].
Robert of Geneva, Cardinal Archbishop of Cambrai, commands the papal army, [54];
his sack of Cesena, [58];
elected pope, or antipope, as Clement VII., [62];
supported by Giovanna of Naples, [63];
St Catherine’s description of his character, [63], [64].
Robert of Anjou, King of Naples, [289].
Rustici, Francesco (Rustichino), painter (died in 1626), [124], [162], [283].
Rosselli, Matteo, painter (1578-1650), picture at San Gimignano, [360].
Rossellino, Bernardino, sculptor and architect (1409-1464), probably designed the Palazzo delle Papesse, [252].
S.
Sacchini, Enea, [214].
Salimbeni, family of the, [2], [5];
their feud with the Tolomei, [24], [25];
their turbulent conduct, [30], [31], [32], [33];
in arms for the Emperor, [33], [34];
are factious against the burghers, [37];
plot to seize Siena, [39];
are expelled, [40];
their friendship with St Catherine, [50], [59];
lead rising against the Milanese supremacy, [68];
their palace, [290]; love stories connected with them, [290], [291].
Salimbeni, Agnolino di Giovanni, friend of St Catherine, [50].
—— Arcangiolo, painter (latter part of Cinquecento), [124], [197], [202], [262].
—— Anselmo, hero of a novella, [290], [291].
—— Cangenova, [291].
—— Cione, [50].
—— Francesco, [68].
—— Giovanni di Agnolino, ambassador to the Emperor, [27];
counsels moderation, [27], [28];
is Podestà of Montepulciano, [29];
accidentally killed, [30].
—— Reame, [32], [291].
—— Niccolò, [32], [33].
—— Salimbene, [13].
—— Ventura di Arcangiolo, painter (end of sixteenth century), [124], [167].
Salvani, Provenzano, ambassador to Manfred, [11];
influential in the Republic, [11], [12], [13];
Podestà of Montepulciano, [18];
the ruling spirit in Siena, [19];
his act of humility, [19];
is killed at Colle, [20];
referred to, [131], [283].
Salvetti, family of Noveschi, [80].
—— Paolo, [81].
Salvi, Giulio, beheaded for treason, [231].
—— Ottaviano, Proposto, beheaded, [231].
Salvini, Luca, [226].
Salvucci, family of the, factious in San Gimignano, [328], [329], [333], [337-339], [340], [345].
San Gimignano, its appearance, [324], [325];
its origin, [325], [326];
early history of, [326], [327];
wars with Volterra, [328];
factions and change of government, [328], [329];
Santa Fina of, [329], [330];
follows the fortunes of the Guelfs, [331];
its golden age, [332];
San Bartolo and Dante at, [333], [334];
its wars with Volterra and hostility to Henry VII., [334];
its poet, [334], [335];
the conspiracy of the Baroncetti, [335], [336];
trouble with Florence, [336];
first submission to Florence, [337];
the factious of the Ardinghelli and Salvucci, [337-339];
appeal of its poetic chronicler, [339];
final submission to Florence, [340-342];
under Florentine rule, [342];
its painters and famous men, [342], [343];
its walls and towers, [344];
the Collegiata or Pieve, [345-351];
the Palazzo Comunale, [351-354];
other palaces and towers, [354], [355];
Sant’ Agostino of San Gimignano, [356-360];
San Pietro and Santa Chiara, [360];
the Spedale di Santa Fina, [360], [361];
San Girolamo and San Jacopo, [361];
the Porta della Fonte, [361];
other churches and buildings, [362], [363];
Cellole, [363];
the Rocca di Montestaffoli, [363], [364];
a day of festa at the Town of the Beautiful Towers, [364], [365].
Sano di Matteo, sculptor and architect (working from 1392 to 1434), designed the Loggia di Mercanzia, [247].
—— di Pietro, painter (1406-1481), [109];
his pictures in the Istituto di Belle Arti, [111], [113];
frescoes in the Palazzo Pubblico, [139], [147];
other works by him in Siena, [251], [258], [271], [293];
his pictures in the Osservanza, [299], [300].
Sansedoni, Frate Ambrogio, [305].
Saracini, family of the, [2], [37];
lead rising against the Riformatori, [41];
take part in riot in the Campo, [130];
their palace, [248-251].
—— Alessia, associate of St Catherine, [47], [62], [66], [204].
—— Ippolito, hero of a novella, [291].
—— Marcello, murdered, [98].
—— Piero di Duccio, podestà of San Gimignano, [336].
—— Sapia, the Dantesque legend of, [20], [22].
Savini, Nanni, gives Belcaro to St Catherine, [303].
Saviozzo. See Forestani.
Savonarola, Fra Girolamo, reforms the convent of Santo Spirito at Siena, [268], [281];
his preaching at San Gimignano, [350], [351], [362].
Scotti, family of the, [41], [130].
Senius, legendary founder of Siena, [1], [2].
Sermini, Gentile, novelist, [291].
Schiatte Maggiori, the, [2], [31].
Sigismund, Roman Emperor (Luxemburg), [71], [72], [158], [270].
Signorelli, Luca, painter (1441-1523), [115], [118], [119], [202], [248];
his frescoes at Monte Oliveto Maggiore, [317], [320], [321].
Segna di Tura, painter (working in the early years of the Trecento), [103], [104], [105].
Sfondrato, Francesco, [218], [274].
Siena.
Accademia di Belle Arti. See Istituto.
S. Agostino, [265], [266].
Archivio di Stato, [268].
S. Barbara, [295].
Baptistery. See San Giovanni di Siena.
S. Bernardino, [285], [286].
Biblioteca Comunale, [291], [292].
Campansi, [293].
Campo, [126-132].
Carmine, [261], [262].
Casato, [266].
Casino de Nobili. See Loggia di Mercanzia.
S. Caterina (House and Oratories of), [191-198].
Castello Vecchio, [248], [258], [261].
Cimitero della Misericordia, [266], [317].
Consuma, Casa della, [292], [293].
S. Cristofano, [289].
Croce del Travaglio, [246].
Duomo, [149-170].
S. Domenico, [201-208].
Fontebranda, [190].
Fonte Gaia, [126], [127].
Fontegiusta, [293], [294].
Fonte Nuova, [292].
S. Francesco, [284], [285].
S. Giacomo in Salicotto, [276].
S. Giorgio, [282].
S. Giovanni di Siena, [180-183].
S. Giovanni in Pantaneto, [282].
S. Girolamo, [277].
Istituto delle Belle Arti, [103-124].
—— dei Sordo-muti, [261].
Libreria del Duomo, [170-176].
Loggia di Mercanzia, [247].
Loggia del Papa, [275], [276].
S. Maria degli Angioli, [281].
S. Maria Assunta, [149-170].
S. Maria delle Nevi, [292].
S. Maria di Provenzano (of the Visitation), [283], [284].
S. Maria dei Servi (of the Conception), [277], [278].
S. Martino, [276].
Mercato, [148].
Opera del Duomo, [176-180].
Palazzo Bichi, [289].
—— Buonsignori, [257].
—— Chigi, [254].
—— Fortegueri, [252].
—— Petrucci, [248].
—— Piccolomini dei Papeschi (del Governo), [267-275].
—— Piccolomini delle Papesse, [251], [252].
—— Marsili, [252].
—— Pecci (del Capitano), [254], [257].
—— Pubblico (Comunale, or de’ Signori), [132-148].
—— Reale, [257].
—— del Rifugio, [278].
—— Salimbeni, [290], [291].
—— Saracini (Marescotti), [248-251].
—— Spannocchi, [290].
—— Tolomei, [289].
—— Turchi (de Diavoli), [295].
—— Ugurghieri, [266].
Vecchio del, [290].
S. Pietro Ovile, [286].
S. Pietro alle Scale, [258].
Porrione, [266].
Porta Fontebranda, [302].
—— Camollia, [294], [295].
—— S. Marco, [262].
—— Ovile, [240], [292].
—— Pispini, [281].
—— Romana, [278], [281].
—— Salaia, [247].
—— Tufi, [266].
Postierla, Piazza, [253], [254].
Pozzo della Diana, [262].
Salicotto, [276].
S. Quirico, [261].
S. Sebastiano in Valle Piatta (degli Innocenti), [188].
—— in Camollia, [293].
S. Spirito, [281], [282].
Stalloreggi, [258], [261].
Torre di S. Ansano, [261].
—— de’ Forteguerri, [252].
—— del Mangia, [132], [135].
—— Miganelli, [289].

Sixtus IV., Pope (Francesco della Rovere), [74], [272].
Simone Martini, painter (circa 1285-1344), his style, [104];
his frescoes in the Palazzo de Signori, [135-137]; picture by him in Sant’Agostino, [265], [266];
imitation of his manner, [286].
Sorri, Pietro, painter (1556-1622), [124], [168], [197].
Sozzini, Alessandro, diarist of the siege, [218], [219], [222], [224], [225], [226], [227], [228], [232], [234], [235], [236], [239], [241].
—— Bartolommeo instrumental in the return of the Noveschi, [78];
Captain of the People, moves to reduce the four Monti to one, [272].
—— Fausto, [282].
—— Lelio, [282].
—— Ottavio, [226].
Spannocchi, Ambrogio, [290].
—— Fabio, [242].
Spinello Aretino, painter (1333-1410), pictures in the Istituto di Belle Arti, [108];
frescoes in the Sala di Balìa, [143], [144].
Stefano di Giovanni, “Sassetta,” painter (died in 1450), [109], [110], [300].
Strozzi, Benedetto di Giovanni, his judicial murder of the Ardinghelli, [338].
Strozzi, Piero, vicar-general of France in Siena, [232], [233];
his defeat at Marciano, [235], [236], [239], [240], [301].
T.
Taddeo di Bartolo, painter (1363-1422), his works in Siena, [108], [141], [142], [180], [187], [277], [284];
at San Gimignano, [345-347], [351], [353].
Tagliacozzo, Battle of, [19].
Talamone, Port of, purchased by Siena, [23];
Urban V. received at, [30];
Charles IV. demands possession of, [33];
St Catherine negotiates with Gregory XI. concerning, [58], [59];
represented in a fresco by Ambrogio Lorenzetti, [140];
occupied by Andrea Doria, [212];
retained by Spain as part of the Praesidia, [243];
Dante’s reference to it in the Purgatorio, [262].
Tavolette di Biccherna e di Gabella, [269-275].
Tino di Camaino, architect and sculptor (died in 1336), [99], [134], [162].
Tini, Fra Niccolò, prior of Lecceto, [306-308].
Tournon, Cardinal de, [224].
Todeschini, Nanni, brother-in-law of Pius II., received into the Monte del Popolo, [72].
Todeschini, family of the, declared popolani, [72]. See Piccolomini.
Toldo, Niccolò di, his execution, [48-50];
scene of, [148];
Bazzi’s representation of, [204].
Tegliacci, Niccolò di Ser Sozzo, miniaturist, [275], [350].
Tamagni, Vincenzo, painter (1492-1533), [342], [343], [350], [356], [357], [361], [362].
Tolomei, family of the, [2], [5]; their palace, [6], [9];
head the Guelfs, [19];
factious against the Salimbeni, [24], [25], [30], [37], [48], [68], [289];
their palaces, [289].
—— Beato Bernardo, [23], [26];
Bazzi’s picture of, [239], [266], [289];
his life and work, [315], [316], [317].
—— Cavolino, the slayer of Provenzano Salvani, [20].
—— Giacomo, converted by St Catherine, [47].
—— Girolamo, ambassador to Charles V., [220];
his report, [222];
is poisoned, [224].
—— Guccio, [27].
—— Lelio, patriotic address to the Senate, [222];
is poisoned, [224].
—— Mino, father of B. Bernardo, [315].
—— Nello di Mino, Podestà of San Gimignano, [353].
Torrita, Victory of the Sienese at, [29];
represented in the Palazzo de’ Signori, [137], [138].
Troghisio, Francesco, Podestà of Siena at Montaperti, [14].
Tura, Agnolo di chronicler, his account of the Black Death, [25], [26].
Turchi, Biagio, murdered, [76].
Turino di Sano, sculptor (early Quattrocento), [101], [181], [182].
Turino, Giovanni di, sculptor (1384-1455), [101], [142], [160], [181], [182].
Twelve. See Dodicini.
Twenty-four, Magistracy of the, [7], [8], [9], [10], [12], [13], [14], [20].
U.
Uberti, Farinata degli, [10], [12].
—— Fazio degli, [26].
Uberti, Neri degli, Podestà of San Gimignano, [329], [331].
Ufficiali sopra l’ornato, [246], [247], [267], [286].
Ugurghieri, family of the, [266].
—— Giovanni, fell at Montaperti, [159].
Urban V., Pope (Guillaume Grimoard), at Talamone, [30].
—— VI., Pope (Bartolommeo Prignani), elected Pope, [59];
makes peace with Florence, [60];
his character, [61];
his relations with St Catherine, [62], [63];
his struggle with the Clementines, [63], [64];
St Catherine’s last letter to him, [65];
he is assailed by the Romans, [65];
his fall, [65].
Urbano da Cortona, architect and sculptor (died 1504), [102], [157], [158], [159], [160], [171] (note), [192], [252], [284].
V.
Vaga, Perino del, painter (1500-1547), [159].
Valori, Filippo, [81].
Vanni, Francesco, painter (died in 1609), [124], [162], [197], [204], [205].
——. See Andrea and Lippo.
Vasari, Giorgio, [116], [117], [123], [124], [258], [262], [265], [317], [320].
Vasto, Marchese del, [217].
Vecchietta, Il (Lorenzo di Pietro), architect, painter, and sculptor (1412-1480), [101], [102], [109], [110], [119], [139], [247].
Venafro, Antonio da, secretary of Pandolfo Petrucci, [84];
urges the murder of Niccolò Borghesi, [85];
messenger to Cesare Borgia and represents Pandolfo at La Magione, [86];
interviewed by Machiavelli, [91];
his answer to a Pope, [92];
secures the succession of Borghese Petrucci, [93];
by whom he is banished, [94].
Ventura, Niccolò di Giovanni, Sienese chronicler, on the Battle of Montaperti, [16].
Venturini, Camillo, avenges the death of his father, [78].
—— Lorenzo di Antonio, [78], [273], [274] (note).
Vettori, Francesco, his letters to Machiavelli on the rout of Camollia, 215 (and note).
Vico, the Prefetto di, [40].
Vieri, Giulio, [242].
Vigne, Fra Raimondo delle, confessor and biographer of St Catherine, [47];
her letter to him, [48-50];
he goes to John Hawkwood, [52];
at Avignon, [56], [57];
St Catherine appeals to Gregory XI. through him, [58];
he is suspected by the Sienese, [59];
St Catherine’s letter to him on the Florentine tumult, [60];
at Rome, [62];
St Catherine rebukes his pusillanimity, [64];
her last letter to him, [66];
his report of her reception of the Stigmata, [197];
picture of, by Francesco Vanni, [205];
referred to, [207], [208].
Villani, Giovanni, Florentine chronicler, [11] (note), [16] (note), [331].
—— Matteo, Florentine chronicler, [339], [340], [363].
Villari, Pasquale, [16] (note), [91].
Visconti, Bernabò, tyrant of Milan, relations with St Catherine, [51];
dethroned, [67].
—— Giovanni Galeazzo, tyrant of Milan, attempts the conquest of Italy, [67];
made Duke of Milan, [68];
obtains the suzerainty of Siena, [68];
dies, [68].
Vito di Marco, sculptor (late Quattrocento), [156], [157].
Vittorio Emanuele II., frescoes concerning him in the Sala Monumentale, [144].
Volterra, Bishops of, [313], [326-331].
W.
Wenceslaus, King of the Romans (Luxemburg), [68].
Z.
Zuccantini, Claudio, Captain of the People, [220];
his oration in the Duomo, [220-222].

PRINTED BY
TURNBULL AND SPEARS,
EDINBURGH